John Nixon: EPW
John Nixon: EPW
2004, English
Softcover, 41 pages, 24 x 17 cm
Published by Australian Centre for Contemporary Art, Melbourne
Authors: Max Delany, John Nixon
Curators: Juliana Engberg, Rebecca Coates
Published on the occasion of the exhibition held at ACCA, Melbourne, 29 May – 25 June 2004
John Nixon’s practice continues an artistic and theoretical investigation into radical modernism. For him the historic avant-garde is an on-going project that represents a need for experiment while adding to the history of this experiment. Nixon pursues the material character of art through a series of explorations that involve the continuation of monochrome painting and its support. This major exhibition was part of ACCA’s ongoing commissioning program.
Marco Fusinato: DESASTRES
Angelica Mesiti: In The Round
Discussion: Shaun Gladwell and Sean Lowry
Anna Schwartz Gallery 2021
JOHN NIXON: GROUPS + PAIRS 2016 – 2020
Published by Schwartz City 2020
Kerrie Poliness: Walking Drawing, 2020
David Noonan: Stagecraft
Creative Cosmos: Marco Fusinato in conversation with Melissa Keys
The Joy of the Gestalt: John Nixon 1949–2020
David Noonan: Stagecraft
Art Gallery of Ballarat 2020
David Noonan: A Dark and Quiet Place
Common Editions 2017
Shaun Gladwell: MADDESTMAXIMVS: PLANET & STARS SEQUENCE
Schwartz City 2009
Latemouth Mike Parr: Works on paper 1987-2003
University Art Museum, University of Queensland, Brisbane 2003
Mike Parr: Performances 1971-2008
Schwartz City 2008
Mike Parr: The Tilted Stage
Detached Cultural Organisation and Tasmanian Art Gallery, Hobart 2009
The Infinity Machine: Mike Parr’s Performance Art 1971-2005
Schwartz City 2010
Mike Parr: Brain Coral
National Art School 2012
Mike Parr: Edelweiß
Verlag fur Moderne Kunst 2012
Mikala Dwyer: A shape of thought
Art Gallery New South Wales 2018
Mikala Dwyer: Drawing Down the Moon
Institute of Modern Art 2014
Mutlu Çerkez: 1988–2065
Monash University Museum of Art 2018
Angelica Mesiti: A Communion of Stranger Gestures
Published by Schwartz City and Artspace 2017
The Sculptures of Clement Meadmore
Hudson Hills Press 1994
Joseph Kosuth: Isabella Stewart Gardner Museum
Charta 2004
Joseph Kosuth: 'An Interpretation of This Title' – Waiting for – (Texts for Nothing)
Macmillan Art Publishing 2012
John Nixon: Experimental Painting Workshop
Castlemaine Art Museum 2017
Marco Fusinato: Let’s Destroy Work
Schwartz City 2014
Jenny Watson: Chronicles
Griffith University, Brisbane 2016
Daniel von Sturmer: Focus & Field
Schwartz City 2014
Daniel von Sturmer: Into A Vacuum of Future Events
Dunedin Public Art Gallery 2005
Peter Tyndall: Dagger Definitions
Greenhouse 1987
Kathy Temin
Heide Museum of Modern Art 2009
Yinka Shonibare, MBE: Fabric-Ation
Yorkshire Sculpture Park 2013
Vivienne Shark LeWitt: comedies & proverbs
Ian Potter Museum of Art, The University of Melbourne 2008
Stieg Persson: History Painting
Anna Schwartz Gallery 2006
Mike Parr: Language & Chaos
National Gallery of Australia 2016
Rose Nolan: Why Do We Do The Things We Do
Artspace Sydney and Institute of Modern Art, Brisbane 2011
John Nixon: EPW
Australian Centre for Contemporary Art 2004
Callum Morton: In Memoriam
Heide Museum of Modern Art 2011
NEW 12
Australian Centre for Contemporary Art 2012
Shaun Gladwell: Stereo Sequences
Australian Centre for the Moving Image and Schwartz City 2011
Shaun Gladwell: Cycles of Radical Will
De La Warr Pavilion 2013
Emily Floyd: The Dawn
National Gallery of Victoria 2014
Emily Floyd: Far Rainbow
Heide Museum of Modern Art 2014
Daniel Crooks: Everywhere Instantly
Christchurch Art Gallery 2008
Susan Cohn: Techno Craft
National Gallery of Australia 2000
Mutlu Çerkez: A design for the overture curtain of an unwritten opera and stage furniture / props for an unwritten opera and make-up design studies for an unwritten opera and variations on album covers for bootleg recordings of Led Zeppelin
Louisa Bufardeci & Zon Ito
Museum of Contemporary Art 2009