ROSE NOLAN: ​‘PAR­LOUR GAMES’ ANNA SCHWARTZ GALLERY

Amelia Winata
ARTFORUM

Big Words (Not Mine) – Tran­scend the pover­ty of par­tial vision (floor version), 2021
(detail) 100% New Zealand wool rug, alu­mini­um com­pos­ite mir­rored pan­els, wood­en stools
car­pet 500 x 1000 cm; mir­rored pan­els 1220 cm x 124 cm
Instal­la­tion view, Anna Schwartz Gallery
Pho­to: Chris­t­ian Capurro

In her 1977 book Pas­sages of Mod­ern Sculp­ture, Ros­alind Krauss dis­cuss­es Umber­to Boccioni’s Devel­op­ment of a Bot­tle in Space, 1913, a sculp­ture that reveals itself to rep­re­sent a bot­tle, dish, and glass only after the view­er has moved around it, observ­ing the work from sev­er­al van­tage points. Big Words (Not Mine) – Tran­scend the pover­ty of par­tial vision (floor ver­sion), 2021 — the title of the large instal­la­tion anchor­ing Rose Nolan’s exhi­bi­tion ​“Par­lour Games” — open­ly quotes from Krauss’s text. In doing so, the Aus­tralian artist plays into the ten­sion between the par­tial and com­plete image, as con­cep­tu­al­ized by Krauss in her analy­sis of Boccioni’s sculpture…

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