David Noo­nan | Rad­i­cal Tex­tiles | Art Gallery of South Australia

  • DAVID NOONAN
    Untitled, 2019-20
    Jacquard tapestry
    250.0 x 420.0 cm
    Photo: Saul Steed

Rad­i­cal Textiles

23 Novem­ber 2024 – 30 March 2025
Art Gallery of South Aus­tralia
Kau­r­na / South Australia

The use of tex­tiles by artists and design­ers has long been asso­ci­at­ed with moments of pro­found social change and polit­i­cal rup­ture. From tapes­try and embroi­dery to quilt­ing and tai­lor­ing, in the hands of artists, tex­tiles are defined by ten­sion and trans­for­ma­tion, resis­tance and activism. Tex­tiles are a means of time trav­el and truth-telling.

Tex­tiles gal­vanise com­mu­ni­ties. Through wars, pan­demics and dis­as­ters, tex­tiles have offered a way to mobilise social and cul­tur­al groups and build con­nec­tions. In the late nine­teenth cen­tu­ry, British artist and design­er William Mor­ris sought to counter the mech­a­ni­sa­tion and mass-pro­duc­tion of the Indus­tri­al Rev­o­lu­tion by weav­ing tapes­tries on a man­u­al loom with hand-dyed thread. Today, many artists are exper­i­ment­ing with the mate­ri­als and tech­niques of tex­tile design as a ​‘slow mak­ing’ anti­dote to the high-speed dig­i­tal age.

From William Mor­ris to Sonia Delau­nay, Rad­i­cal Tex­tiles cel­e­brates the cut­ting-edge inno­va­tions, endur­ing tra­di­tions and bod­ies of shared knowl­edge that have been fold­ed into fab­ric and cloth over the past 150 years. Show­cas­ing the work of more than 100 artists, design­ers and activists, this major exhi­bi­tion draws on AGSA’s inter­na­tion­al, Aus­tralian and First Nations col­lec­tions of tex­tiles and fash­ion, aug­ment­ed by sculp­ture, paint­ing, pho­tog­ra­phy and the mov­ing image, along­side sev­er­al new com­mis­sions. — Art Gallery of South Australia


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