VIVIENNE SHARK LEWITT
Plantula, 2014
water paint and gold leaf on linen
46 x 46 cm

Sine Proprio

7 September – 10 December 2023
Castlemaine Art Museum

The wind blows where it will – over grassland, through tree branches, open windows, bringing the unbidden, the unplanned for. Air and light fill the open. Rich means support poor means. The solid frames the empty, the missing, the poor, the holy. What can and can’t be seen, what is and isn’t there, are found to be much the same.

These works are part of Vivienne Shark LeWitt’s recent study into religious poverty and poverty of spirit in relation to art practice. ‘Sine proprio’ refers to the Franciscan form of life without ownership.

MIKE PARR | SUNSET CLAWS | PART 2

An exhibition in 3 parts Part 2: Memories of Underdevelopment 16 — 25 November 202 […]

Vivi­enne Shark LeWitt | Sine Proprio

MIKE PARR | SUN­SET CLAWS | PART 2

Intro­duc­ing | Grace Dav­en­port Selth | Direc­tor of Anna Schwartz Gallery

—

Amri­ta Hepi | Plan­e­tary Gestures

Daniel von Sturmer | Elec­tric Light (facts/​figures/​haydens)

LAU­REN BRIN­CAT | BENEATH THE SUR­FACE, BEHIND THE SCENE

MIKE PARR | SUN­SET CLAWS | PART 1

MUT­LU ÇERKEZ | AUDI­TIONS FOR AN UNWRIT­TEN OPERA

ANGEL­I­CA MESI­TI | TREMBLEMENT

AMRI­TA HEPI | BANKSIA, RRR

Vivi­enne Shark LeWitt | Sine Proprio

The vast and uncom­pro­mis­ing prac­tice of Mike Parr assumes mul­ti­ple forms through a con­fla­tion of draw­ing, print­mak­ing, sculp­ture and performance.

DAVID NOO­NAN | VIVI­ENNE SHARK LEWITT | JEN­NY WAT­SON | Thin Skin

Emi­ly Floyd | Cir­cles of dialogue

DAVID NOO­NAN | VIVI­ENNE SHARK LeWITT | JEN­NY WATSON

ROSE NOLAN | CEN­TRAL STATION

Night­shifts at Bux­ton Contemporary

Su san Cohn | Pieces of Peace | Per­for­mances | NGV Mel­bourne Design Week

Re-Invent­ing Piet. Mon­dri­an and the Con­se­quences | Joseph Kosuth

The Inti­mate Resis­tance: Mike Par­r’s Per­for­mance Work 1971 — 2023 | Museo de Arte Mod­er­no de Bogotá & Fon­dazione Morra

Chi­haru Shio­ta | Ham­mer Museum

Portrait23 | Nation­al Por­trait Gallery

STIEG PERS­SON, EMI­LY FLOYD: LIV­ING TOGETHER

JAN NEL­SON, JOHN NIXON & VIVI­ENNE SHARK LEWITT: MEL­BOURNE NOW

Vivienne Shark LeWitt | Sine Proprio

MIKE PARR | SUNSET CLAWS | PART 2

Introducing | Grace Davenport Selth | Director of Anna Schwartz Gallery

Amrita Hepi | Planetary Gestures

Daniel von Sturmer | Electric Light (facts/figures/haydens)

LAUREN BRINCAT | BENEATH THE SURFACE, BEHIND THE SCENE

MIKE PARR | SUNSET CLAWS | PART 1

MUTLU ÇERKEZ | AUDITIONS FOR AN UNWRITTEN OPERA

ANGELICA MESITI | TREMBLEMENT

AMRITA HEPI | BANKSIA, RRR

Vivienne Shark LeWitt | Sine Proprio

The vast and uncompromising practice of Mike Parr assumes multiple forms through a conflation of drawing, printmaking, sculpture and performance.

DAVID NOONAN | VIVIENNE SHARK LEWITT | JENNY WATSON | Thin Skin

Emily Floyd | Circles of dialogue

DAVID NOONAN | VIVIENNE SHARK LeWITT | JENNY WATSON

ROSE NOLAN | CENTRAL STATION

Nightshifts at Buxton Contemporary

Su san Cohn | Pieces of Peace | Performances | NGV Melbourne Design Week

Re-Inventing Piet. Mondrian and the Consequences | Joseph Kosuth

The Intimate Resistance: Mike Parr’s Performance Work 1971 — 2023 | Museo de Arte Moderno de Bogotá & Fondazione Morra

Chiharu Shiota | Hammer Museum

Portrait23 | National Portrait Gallery

STIEG PERSSON, EMILY FLOYD: LIVING TOGETHER

JAN NELSON, JOHN NIXON & VIVIENNE SHARK LEWITT: MELBOURNE NOW