MIKE PARR | DIRTY BLANKET

Dirty Blan­ket

Until 16 Decem­ber 2023
Anna Schwartz Gallery

The vast and uncom­pro­mis­ing prac­tice of Mike Parr assumes mul­ti­ple forms through a con­fla­tion of draw­ing, print­mak­ing, sculp­ture and per­for­mance. Explor­ing the lim­its of his phys­i­cal and men­tal capac­i­ty, Parr’s high­ly influ­en­tial per­for­mance prac­tice employs his own body as a means to exam­ine iden­ti­ty and polit­i­cal con­ven­tions of the twen­ti­eth cen­tu­ry. His decades-long​‘Self Por­trait Project’ also draws upon his own sub­jec­tiv­i­ty, unfold­ing as a cathar­tic reflec­tion on self­hood and the pro­lif­er­a­tion of perspective.Throughout his career Parr has con­tin­u­al­ly ques­tioned the pos­si­bil­i­ties and crit­i­cal recep­tion of con­tem­po­rary art. By sub­sum­ing modes of activism into his prac­tice, and work­ing beyond estab­lished struc­tures, Parr rig­or­ous­ly exam­ines aes­thet­ic norms and social cir­cum­stances to reaf­firm his vital role with­in con­tem­po­rary Aus­tralian culture.Mike Parr’s 2023 exhi­bi­tion, DIRTY BLAN­KET, at Anna Schwartz Gallery will take place in three stages over three months. A rad­i­cal, explo­rational exhi­bi­tion extend­ing into var­i­ous domains of Parr’s prac­tice. The audi­ence is emphat­i­cal­ly invit­ed to expe­ri­ence the devel­op­ment of the work and its inher­ent ideas over this time.

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MIKE PARR | SUN­SET CLAWS | PART 2

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LAU­REN BRIN­CAT | BENEATH THE SUR­FACE, BEHIND THE SCENE

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MIKE PARR | SUN­SET CLAWS | PART 1

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MUT­LUERKEZ | AUDI­TIONS FOR AN UNWRIT­TEN OPERA

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ANGEL­I­CA MESI­TI | TREMBLEMENT

While explor­ing the cor­ri­dors of the Coupole at Galeries Lafayette, I was cap­ti­vat­ed by three […]

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AMRI­TA HEPI | BANKSIARRR

Amri­ta Hepi with Vanes­sa Mor­ris Dis­cussing Straight torque, twin series on Banksia, RRR Amri­ta Hepi joins […]

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Vivi­enne Shark LeWitt | Sine Proprio

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The vast and uncom­pro­mis­ing prac­tice of Mike Parr assumes mul­ti­ple forms through a con­fla­tion of draw­ing, print­mak­ing, sculp­ture and performance.

Mike Parr Half Way House, 2021 dual-chan­nel video, 16:9, 4K, colour, sound 3 hours 18 min­utes Per­former: Mike […]

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DAVID NOO­NAN | VIVI­ENNE SHARK LEWITT | JEN­NY WAT­SON | Thin Skin

Jen­ny Wat­son White Horse with Tele­scope, 2012 syn­thet­ic poly­mer paint on rab­bit skin glue primed cot­ton 20 […]

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Emi­ly Floyd | Cir­cles of dialogue

Cir­cles of dia­logue 15 August — 5 Novem­ber Latrobe Art Insti­tute This exhi­bi­tion takes as its […]

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DAVID NOO­NAN | VIVI­ENNE SHARK LeWITT | JEN­NY WATSON

Thin Skin,Monash Uni­ver­si­ty Muse­um of Art (MUMA) 20 July – 23 Sep­tem­ber, 2023 Thin Skin […]

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ROSE NOLAN | CEN­TRAL STATION

All along­side of each oth­er, 2023 Cen­tral Sta­tion, Syd­ney, Aus­tralia. The pub­lic art­work All alongside […]

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Night­shifts at Bux­ton Contemporary

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Su san Cohn | Pieces of Peace | Per­for­mances | NGV Mel­bourne Design Week

Su san Cohn​’s exhi­bi­tion Pieces of Peace at Anna Schwartz Gallery from 20 May […]

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Re-Invent­ing Piet. Mon­dri­an and the Con­se­quences | Joseph Kosuth

On view at Kun­st­mu­se­um Wolfs­burg, Ger­many until 16th July 2023, Re-Inven­t­ing Piet. Mon­dri­an and […]

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The Inti­mate Resis­tance: Mike Par­r’s Per­for­mance Work 1971 — 2023 | Museo de Arte Mod­er­no de Bogotá & Fon­dazione Morra

The Inti­mate Resis­tance: Mike Parr’s Per­for­mance Work 19712023 opens on 29 June […]

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Chi­haru Shio­ta | Ham­mer Museum

Chi­haru Shio­ta (b. 1972, Osa­ka) is a Berlin-based artist whose instal­la­tions, sculp­ture, and per­for­mance art […]

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Portrait23 | Nation­al Por­trait Gallery

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STIEG PERS­SON, EMI­LY FLOYD: LIV­ING TOGETHER

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