Ker­rie Poli­ness: recip­i­ent of McClel­land Nation­al Small Sculp­ture Award

Dozens of gal­leries have come togeth­er to take part in an inno­v­a­tive sale and […]

We talk a lot, in the US-Euro­­pean focused art world, about increas­ing the promi­nence of […]

The inau­gur­al Asia Soci­ety Tri­en­ni­al opens today 27 Octo­ber, 2020 in New York City, and […]

“… Nixon was not only an artist but a cura­tor, musi­cian, gal­lerist, small-press pub­lish­er and […]

Pre­car­i­ous Move­ments: Con­ver­sa­tions is a three-part pro­gram of live talks with artists, cura­tors and conservators […]

Before I met John Nixon I had already seen John Nixon. John was the sub­ject of […]

The poster over­lays two archival vec­tors, the cov­er design for Car­la Lonzi’s 1975​“Die […]

WHEN I LIVED in cul­tur­al­ly and polit­i­cal­ly con­ser­v­a­tive Bris­bane in the late​’70s and early […]

Due to the COVID-19 relat­ed gov­ern­ment restric­tions, the gallery is cur­rent­ly closed to the […]

When Mikala Dwyer pro­posed her instal­la­tion for the 2020 Ade­laide Bien­ni­al of Aus­tralian Art […]

Thurs­day – Fri­day by appoint­ment Sat­ur­day 1 – 5 mail@​annaschwartzgallery.​com […]

Now that it seems to be end­ing, what has this peri­od of enforced online […]

MK: As an artist and musi­cian, you have rela­tion­ships with audi­ences. What dri­ves you […]

The Sea Around Us John Akom­frah (GH/GB), Foren­sic Oceanog­ra­phy and Foren­sic Archi­tec­ture (GB), Shaun […]

In in-depth dis­cus­sion with David Noo­nan while the exhi­bi­tion is in hiber­na­tion. You were […]

The gallery is closed to the pub­lic until such time as is safe to open […]