Listening to Music Played Backwards: Recent Acquisitions celebrates works in the Heide collection acquired over the past decade. Taking its name from a sculpture in the collection by Jan Nelson, the exhibition brings historical and contemporary works into dialogue with one another, exploring connections between artists across time in unexpected ways. Listening to Music Played Backwards: Recent Acquisitions forms part of Heide’s 40^th anniversary celebrations and coincides with the reissue of The Heide Collection, the definitive publication on the museum’s collection featuring works by 100 artists with contributions from leading experts including staff past and present.

MIKE PARR | SUNSET CLAWS | PART 2

An exhibition in 3 parts Part 2: Memories of Underdevelopment 16 — 25 November 202 […]

JAN NEL­SON: LIS­TEN­ING TO MUSIC PLAYED BACKWARDS

MIKE PARR | SUN­SET CLAWS | PART 2

Intro­duc­ing | Grace Dav­en­port Selth | Direc­tor of Anna Schwartz Gallery

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Amri­ta Hepi | Plan­e­tary Gestures

Daniel von Sturmer | Elec­tric Light (facts/​figures/​haydens)

LAU­REN BRIN­CAT | BENEATH THE SUR­FACE, BEHIND THE SCENE

MIKE PARR | SUN­SET CLAWS | PART 1

MUT­LU ÇERKEZ | AUDI­TIONS FOR AN UNWRIT­TEN OPERA

ANGEL­I­CA MESI­TI | TREMBLEMENT

AMRI­TA HEPI | BANKSIA, RRR

Vivi­enne Shark LeWitt | Sine Proprio

The vast and uncom­pro­mis­ing prac­tice of Mike Parr assumes mul­ti­ple forms through a con­fla­tion of draw­ing, print­mak­ing, sculp­ture and performance.

DAVID NOO­NAN | VIVI­ENNE SHARK LEWITT | JEN­NY WAT­SON | Thin Skin

Emi­ly Floyd | Cir­cles of dialogue

DAVID NOO­NAN | VIVI­ENNE SHARK LeWITT | JEN­NY WATSON

ROSE NOLAN | CEN­TRAL STATION

Night­shifts at Bux­ton Contemporary

Su san Cohn | Pieces of Peace | Per­for­mances | NGV Mel­bourne Design Week

Re-Invent­ing Piet. Mon­dri­an and the Con­se­quences | Joseph Kosuth

The Inti­mate Resis­tance: Mike Par­r’s Per­for­mance Work 1971 — 2023 | Museo de Arte Mod­er­no de Bogotá & Fon­dazione Morra

Chi­haru Shio­ta | Ham­mer Museum

Portrait23 | Nation­al Por­trait Gallery

STIEG PERS­SON, EMI­LY FLOYD: LIV­ING TOGETHER

JAN NEL­SON, JOHN NIXON & VIVI­ENNE SHARK LEWITT: MEL­BOURNE NOW

JAN NELSON: LISTENING TO MUSIC PLAYED BACKWARDS

MIKE PARR | SUNSET CLAWS | PART 2

Introducing | Grace Davenport Selth | Director of Anna Schwartz Gallery

Amrita Hepi | Planetary Gestures

Daniel von Sturmer | Electric Light (facts/figures/haydens)

LAUREN BRINCAT | BENEATH THE SURFACE, BEHIND THE SCENE

MIKE PARR | SUNSET CLAWS | PART 1

MUTLU ÇERKEZ | AUDITIONS FOR AN UNWRITTEN OPERA

ANGELICA MESITI | TREMBLEMENT

AMRITA HEPI | BANKSIA, RRR

Vivienne Shark LeWitt | Sine Proprio

The vast and uncompromising practice of Mike Parr assumes multiple forms through a conflation of drawing, printmaking, sculpture and performance.

DAVID NOONAN | VIVIENNE SHARK LEWITT | JENNY WATSON | Thin Skin

Emily Floyd | Circles of dialogue

DAVID NOONAN | VIVIENNE SHARK LeWITT | JENNY WATSON

ROSE NOLAN | CENTRAL STATION

Nightshifts at Buxton Contemporary

Su san Cohn | Pieces of Peace | Performances | NGV Melbourne Design Week

Re-Inventing Piet. Mondrian and the Consequences | Joseph Kosuth

The Intimate Resistance: Mike Parr’s Performance Work 1971 — 2023 | Museo de Arte Moderno de Bogotá & Fondazione Morra

Chiharu Shiota | Hammer Museum

Portrait23 | National Portrait Gallery

STIEG PERSSON, EMILY FLOYD: LIVING TOGETHER

JAN NELSON, JOHN NIXON & VIVIENNE SHARK LEWITT: MELBOURNE NOW