High Street (After Ruscha) rumi­nates on mem­o­ry, com­mu­ni­ty and culture

David Nichols
The Conversation, 23 May 2018
Daniel Crooks’ High Street (After Ruscha) is eas­i­ly described yet by no means sim­ple. A 17-minute video, it pans along the pre­pos­ter­ous­ly unimag­i­na­tive­ly named – and in many respects gener­ic to type – High Street, Pre­ston in Melbourne’s north­ern sub­urbs. The plane of the street is, how­ev­er, bro­ken fre­quent­ly by inter­posed, faster, vehi­cle traf­fic cut­ting across or behind the build­ings and pedes­tri­ans. In doing so, the visu­al con­nec­tion between com­po­si­tion ele­ments is dis­turbed, and Crooks makes deci­sions about what will be grouped as a unit: a build­ing and the road in front of it, per­haps, or a row. Oth­er ran­dom urban fea­tures – a long, abrupt, epic sub­ur­ban street or a small­er laneway per­pen­dic­u­lar to High, for instance – appear peri­od­i­cal­ly, dis­turb­ing the slow motion. This is pre­sent­ed to a syn­the­sized ambi­ent sound­track – over which only the cars, plough­ing past, are audi­ble – lat­ter­ly build­ing to a crescen­do.
Daniel Crooks, High Street (After Ruscha), 2017 (still). Sin­gle chan­nel video, 2:1, 4K, stereo, 17 min­utes 52 sec­onds. Cour­tesy the artist and Anna Schwartz Gallery.
Daniel Crooks, High Street (After Ruscha), 2017 (still). Sin­gle chan­nel video, 2:1, 4K, stereo, 17 min­utes 52 sec­onds. Cour­tesy the artist and Anna Schwartz Gallery.The exhi­bi­tion High Street (After Ruscha) by Daniel Crooks will be on view until 2 June 2018 at Anna Schwartz Gallery, 185 Flinders Lane, Mel­bourne, Aus­tralia.here
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