Angel­i­ca Mesi­ti: ​‘The Musi­cal Brain’ The High Line, New York

  • The Colour of Saying, 2015
    (still) three-chan­nel HD video, colour, sound
    25 minutes

Angel­i­ca Mesi­ti is one of four artists includ­ed in The Musi­cal Brain, a video exhi­bi­tion that shows how music is both an art form and a way that we hear the world around us. Often used to describe nature, the cos­mos, and even the built indus­tri­al envi­ron­ment, music is the order we project onto a cacoph­o­nous world. Humans seek order and pat­terns but also rel­ish chaos and noise; in many ways, music becomes the way that we can expe­ri­ence both at the same time.

Angel­i­ca Mesiti’s The Colour of Say­ing (2015) con­tin­ues her explo­ration of non­ver­bal com­mu­ni­ca­tion through three per­for­mance works: Ralph Vaugh­an Williams’ Ser­e­nade to Music (1938) per­formed by a sign lan­guage choir, an impro­vi­sa­tion inspired by Steve Reich’s Clap­ping Music (1972), and a pas de deux from Pyotr Ilyich Tchaikovsky’s Swan Lake (1875 – 76) per­formed in ​“hand mark­ing,” a clas­si­cal bal­let method for mem­o­riz­ing chore­o­graphed steps.


The video pro­gram com­ple­ments The Musi­cal Brain, a group exhi­bi­tion of sculp­tur­al installations.

Orga­nized by Melanie Kress, High Line Art Asso­ciate Curator.


Ceclia Ben­golea, Ben Hagari, Devin Ken­ny, Angel­i­ca Mesi­ti
The Musi­cal Brain
The High Line, New York
29 April — 23 June, 2021

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