Peter Tyndall

Label Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA Medium A Person Looks At A Work of Art/someone looks at something … CULTURAL CONSUMPTION PRODUCTION, Date – 2011 – 2024 –
Artist Theatre of the Actors of Regard
95 x 278 cm
Photo: Christian Capurro

Peter Tyndall

Label Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA Medium A Person Looks At A Work of Art/someone looks at something … CULTURAL CONSUMPTION PRODUCTION, Date – 2011 – 2024 –
Artist Theatre of the Actors of Regard
125.5 x 369.5 cm
Photo: Christian Capurro

Peter Tyndall

Label Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA Medium A Person Looks At A Work of Art/someone looks at something … CULTURAL CONSUMPTION PRODUCTION, Date – 2011 – 2024
Artist Theatre of the Actors of Regard 9
Photo: Christian Capurro

John Nixon

Untitled (White Cross), c 1985
Enamel paint on chipboard
61 x 45.5 cm

John Nixon

Untitled (White Monochrome with Eggshell), c 1985
Paint and eggshells on board
91.5 x 61 cm

Kathy Temin

Woven: Gold, 2025
gold sequin material, synthetic filling and wood
70 x 60 x 17cm
Photo: Christian Capurro

Emily Floyd

Gulags in the Sun, 2025
Archival inkjet print on cotton rag paper
77 x 55.5 x 7 cm

Justene Williams

Little Sheila soul mirror, 2025
Stainless steel, bronze, clear coat
67 x 55 x 18 cm

Emily Floyd

A is you and B is myself, 2024
Polished and patinated bronze, aluminium with two-part epoxy paint,
steel with black oxide coating
120cm x 92cm x 40cm
Photo: Christian Capurro

Emily Floyd

Emoticon #5, 2024
Steel, black oxide
14cm x 65cm x 1cm
Photo: Christian Capurro

Justene Williams

Tuning Into You Aeriola, 2024
closed cell foam, fibreglass, paint, aluminium rod, metal rod, builders bog, found mannequin part
257 x 160 x 162 cm
Photo: Carl Warner

Justene Williams

Congenital Pedestal, 2024
closed cell foam, fibreglass, paint, aluminium rod, metal rod, builders bog, found mannequin part
150 x 403 x 226 cm
Photo: Christian Capurro

Justene Williams

Baroness The Bridge, 2024
automotive carpet, metal, found mannequin, fibreglass, closed cell foam, convex mirror
203 x 175 x 114 cm
Photo: Christian Capurro

Stargazing Breech Baby, 2024
glitter perspex light box cell foam metal paint fan plastic bag foil
90 x 200 x 160 cm
Photography: Christian Capurro

Kerrie Poliness

Non-Objective Wildflower Painting
pale green with lilac, orange, yellow-orange, white, brown, green, grey and black lines, 2024
acrylic paint on canvas
197 x 195 cm
Photo: Christian Capurro

Kerrie Poliness

Non-Objective Wildflower Painting
pink with light green, yellow, black, magenta, grey, orange and purple lines, 2024
acrylic paint on canvas
194 x 195 cm
Photo: Christian Capurro

Kerrie Poliness

Non-Objective Wildflower Painting
yellow with red, lilac, white, orange, magenta and green lines, 2024
acrylic paint on canvas
198 x 193 cm
Photo: Christian Capurro

Britt d’Argaville, ‘Earthquake’, 2024
chipboard, acrylic paint, epoxy resin, inkjet paper, ink, adhesive
310 x 310 x 310 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Heater 3’, 2024
glass, metal, acrylic paint
74 x 64 x 28 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 4’, 2024
garbage bag, crate, box, plastic, acrylic paint
83 x 56 x 46 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 5’, 2024
Mylar, PVC duct tape, acrylic paint
20 x 70 x 63 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 8’, 2024
pleather, paint, mail polish, crystal, fabric, glass, beads, plastic, felt, lace, chopping board, spray paint, acrylic paint
50 x 180 x 160 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 9’, 2024
‘Melbourne stainless steel benches’, clipboard, acrylic paint
95 x 60 x 70 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 12’, 2024
glass, wooden table, steel, fake fingernail, acrylic paint
75 x 92 x 46 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 14’, 2024
mdf, pine, acrylic paint
240 x 249 x 47 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 15’, 2024
canvas, CSL RICHPAST Healthyfuture, wood, chopping board, acrylic paint
117 x 231 x 18 cm
Photo: Christian Capurro

Stephanie Pile, ‘Untitled 1’, 2024
found fabric on plywood
95 x 120 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Silver Objects’, 2024
Photo: Christian Capurro

Jan Nelson

Black River Running #21, 2024
foam, epoxy paint on linen
80 x 62 x 16 cm
Photo: Christian Capurro

Jan Nelson

Black River Running #18, 2024
foam, epoxy paint on linen
270 x 207 x 32 cm
Photo: Christian Capurro

Jan Nelson

Black River Running #19, 2024
oil paint on linen
168 x 198 cm
Photo: Christian Capurro

Jan Nelson

Black River Running #24, 2024
oil paint on linen
41 x 50 cm
Photo: Christian Capurro

Jan Nelson

Black River Running #25, 2024
oil paint on linen
41 x 41 cm
Photo: Christian Capurro

Angelica Mesiti

The Rites of When, 2024
seven-channel digital video installation, colour, sound
34 minutes 29 seconds
Edition of 3 plus 2AP

Kerrie Poliness

Non-Objective Wildflower Painting, 2024
acrylic paint on stretched canvas
193 x 193 cm

Kerrie Poliness

Non-Objective Wildflower Painting, 2024
acrylic paint on stretched canvas
193 x 193 cm

Peter Tyndall

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [Johann Kaspar Lavater), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [Étienne de Silhouette), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

etail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail/A Person Looks At A Work Of Art/someone looks at something.…LOGOS/ HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

“blank words, but I use them” Samuel Beckett, The Unnamable, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

“blank words, but I use them” Samuel Beckett, The Unnamable, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

“blank words, but I use them” Samuel Beckett, The Unnamable, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail/A Person Looks At A Work Of Art/someone looks at something.…LOGOS/ HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail/A Person Looks At A Work Of Art/someone looks at something.…LOGOS/ HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail/A Person Looks At A Work Of Art/someone looks at something.…LOGOS/ HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [after ‘House Under Construction’, Kazimir Malevich, 1915 – 1916), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [TARist composition with Ten Red Label Diamonds, after K.M.), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [with Laughing Title), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [Laughing Title), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

“blank words, but I use them” Samuel Beckett, The Unnamable, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Peter Tyndall

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [commissioned from the Chinese copy-artists of Dafen village), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Angelica Mesiti

Sidereal, 2024
High definition colour video, 8:9, stereo sound
7 minutes
Edition of 5 plus 2AP

Rose Nolan

A Big Word – THINKING (medium), 2024
acrylic paint, found box, screen board
40 x 27 x 15cm

Kathy Temin

Woven: Silver, 2024
metallic material, synthetic filling and wood
75 x 81 x 17 cm
Photo: Christian Capurro

Kathy Temin

Woven: Purple, 2024
synthetic fur, synthetic filling and wood
170 x 126 x 24 cm
Photo: Christian Capurro

Kathy Temin

Woven: Camouflage, 2024
synthetic fur, synthetic filling and wood
87 x 85 x 27cm
Photo: Christian Capurro

Chiharu Shiota

Chiharu Shiota, Endless Line (black), 2024
thread on canvas
160 x 140 cm
Photo: Christian Capurro

Jenny Watson

Party girl with a pink pom pom, 2024
oil stick, acrylic, found pom pom on Disney cotton fabric with red velvet ribbon “frame” over Italian backing fabric
132.5 x 90.5 x 0.7 cm
Photo: Christoper Capurro

Kerrie Poliness

Non-Objective Wildflower Painting lilac with yellow, green, white, pink and purple lines, 2024
acrylic paint on canvas
198 x 193 cm

David Noonan

The Desert, 2024
liquid pigment on fabric in artist frame
46 x 57.5 x 4 cm

David Noonan

The Raven, 2024
liquid pigment on fabric in artist frame
46 x 57.5 x 4 cm

David Noonan

The Hypnotist, 2024
liquid pigment on fabric in artist frame
46 x 57.5 x 4 cm

Beth Maslen, ‘Maternal Figures 12’, 2023 — 2024
Victorian ash, plaster, oak veneer
93 x 233 x 145 cm
Photo: Christian Capurro

Kathy Temin

Wall Work: Hanging with Two Balls, 2023
Synthetic fur, synthetic filling and wood
100 x 180 x 30 cm

Wall Work: Large Rectangle with Two Balls, 2023
Synthetic fur, synthetic filling and wood
150 x 200 x 30 cm

Su san Cohn

Peace Tool Kit, 2023
Fine silver, Japanese cotton wrap, walnut wood, s/s scribe,
s/s peace touch mark, waxed linen thread, rapid draw film,
herringbone tape, polymer clay
Wrap: 345mm square, Piece of peace (pop): 215 x 85 x .04mm

Su san Cohn

Peace Token, 2023
Aluminum, paper package, unlimited edition
44mm diameter

Su san Cohn

Peace Earrings, 2023
Anodised aluminium, fine silver fittings
44mm diameter

Su san Cohn

Peace Rings, 2023
Fine silver rings, galvanised steel, polymer clay, Japanese cotton, aluminium
Ring: 65mm thick, various diameters
Ring stand: 33.7mm x 30mm x 11.5mm

Stieg Persson

Good on paper, 2023
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro

Amrita Hepi

The Blue Tax (the blew tax), 2023
Inkjet print on Ilford Pearl 310gsm
82 x 125.5cm
Photo: Christian Capurro

Amrita Hepi

Heir 2, Air to the throne, 2023
Inkjet print on Ilford Gallerie Pearl 310gsm
72 x 146cm
Photo: Christian Capurro

Amrita Hepi

Blak owt blind, 2023
Custom printed vertical blinds
160 x 120 cm

Amrita Hepi

Too peace sealing, 2023
custom printed vertical blinds
220 x 160cm
Photo: Christian Capurro

Amrita Hepi

Knightengale phace (nightengale face) II, 2023
Inkjet print on Ilford Gallerie Pearl 310gsm
82 cm x 122 cm

Amrita Hepi

Aisle, Isle (I’ll), 2023
Inkjet print on Ilford Gallerie Pearl 310gsm
82 x 122 cm

Louisa Bufardeci

holding several threads at once, figuring a future together, 2023
Waist band elastic, gallery walls, sound Variable

Grupo Coral Sol Nascente (Sunrise Choir), 2023
Sunlight, tais (traditional Timorese cloth), and fabric protector
89 x 128 cm
Photo: Christian Capurro

Kathy Temin

Wall Work: Large Rectangle with Two Balls, 2023
Synthetic fur, synthetic filling and wood
150 x 200 x 30 cm

Chiharu Shiota

State of Being (Masks), 2023
Metal frame, masks, thread
120 x 80 x 45 cm

Stieg Persson

Chicken Soup, 2023
watercolour on paper
76cm x 55 cm

Stieg Persson

Modern Australian, 2023
watercolour on paper
76cm x 55 cm

Kerrie Poliness

Non-Objective Wildflower Painting lilac on black with yellow , purple, green, red, grey and pink lines, 2023
acrylic paint on canvas
198 x 193 cm

Maria Madeira

Hau Nia Dalan (My Journey), 2023
Mixed Media on paper: Tais (traditional East Timorese Cloth, Acrylic, gesso, impasto gel, red earth, pencil, charcoal, betel nut, ink, glue, sealer
40 x 30 cm

Callum Morton

Window 1, 2022 – 23
synthetic polymer paint on canvas
360 x 240 cm

Callum Morton

Blind 1, 2022 – 23
synthetic polymer paint on canvas
360 x 240 cm

Callum Morton

Blind 2, 2022 – 23
synthetic polymer paint on canvas
360 x 240 cm

Nicola Blumenthal, ‘Object 7’, 2022 – 2024
plywood, rope, Mylar, duct tape, acrylic paint
50 x 56 x 43 cm
Photo: Christian Capurro

David Noonan

Untitled, 2022
C‑type print, aluminium frame, linen window mount
38.5 x 40.5 cm

Angelica Mesiti

The rain that fell in the faint light of the young Sun (peach), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm

Angelica Mesiti

The rain that fell in the faint light of the young Sun (yellow), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm

Angelica Mesiti

The rain that fell in the faint light of the young Sun (mauve), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm

Rose Nolan

Big Words (Not Mine) – Be confident that…, 2022
Acrylic paint, hessian, embroidery thread, tap washers
180 x 179cm
Image: Christian Capurro

Amrita Hepi

Scripture for a smoke screen: Episode 1 – dolphin house, 2022

Callum Morton

Window 6, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Callum Morton

Utility no. 1, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Callum Morton

The Hole Story 2, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Callum Morton

The Hole Story 4, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Daniel von Sturmer

Projections (cream), 2022
Acrylic enamel on aluminium
120 x 80 cm

Daniel von Sturmer

Projections (azure), 2022
Acrylic enamel on aluminium
120 x 80 cm

Stieg Persson

Mr Leopold Bloom, 2022
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro

Stieg Persson

Sleeping St Joesph, 2022
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro

Stieg Persson

Oyster Eyes, 2022
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro

Stieg Persson

Eggs Berlioz, 2022
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro

Jenny Watson

Corner of Broadway and Prince Street New York 1991, 2022
Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen with fabric collage
216cm x 156cm
Photo: Christian Capurro

Angela de la Cruz

Loop (S) (Pearl Blue), 2022
Oil and acrylic on canvas
70 x 50 x 12 cm
Photo: Christian Capurro

Angela de la Cruz

Loop S (Caribbean Blue) II, 2022
Oil and acrylic on canvas
71 x 50 x 7.5 cm
Photo: Christian Capurro

Stephen Bram

Untitled, 2022
acrylic on canvas
70 x 60cm

Kerrie Poliness

Untitled 6, 2022
pencil, acrylic, gouache, watercolour and house paint on board
40 x 60cm

Kerrie Poliness

Untitled 4, 2022
pencil, acrylic, gouache, watercolour and house paint on board
35.5 x 35.3cm

Kerrie Poliness

Untitled 2, 2022
pencil, acrylic, gouache, watercolour and house paint on board
60 x 40cm

Maria Madeira

Loron Loron (Day by Day), 2022
Sunlight, tais (traditional Timorese cloth), and fabric protector
186 x 293 cm
Photo: Christian Capurro

Maria Madeira

My Mother’s Fingerprints (Hau Nia Ama Nia Liman Fatin), 2022
Sunlight, tais (traditional Timorese cloth), and fabric protector
147 x 192 cm
Photo: Christian Capurro

Maria Madeira

Timor-Leste, 2022
Sunlight, tais (traditional Timorese cloth), and fabric protector
138 x 190 cm
Photo: Christian Capurro

David Noonan

Untitled, 2022
C‑type print, aluminium frame, linen window mount
38.5 x 40.5 cm

Callum Morton

Window, 2022
Pencil and ink on paper
sheet 40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Callum Morton

Window, 2022
Pencil and ink on paper
sheet 40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Callum Morton

The Hole Story 5, 2022
Pencil on paper
sheet 40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Chiharu Shiota

Connected to the Universe, 2022
Water colour and thread on paper Thread on canvas
24.5 x 35.5 cm

Stieg Persson

Turtle Soup, 2022
watercolour on paper
76cm x 55 cm

Stieg Persson

Scheherazade, 2022
watercolour on paper
76cm x 55 cm

Stieg Persson

Stanley Brandy, 2022
watercolour on paper
76cm x 55 cm

Stieg Persson

St. Abigail, 2022
watercolour on paper
76cm x 55 cm

Stieg Persson

Wellness Peebles, 2022
watercolour on paper
76cm x 55 cm

Kerrie Poliness

Untitled 7, 2022
pencil, acrylic, gouache, watercolour and house paint on board
40 x 60 cm

Jenny Watson

The First Riding Lesson, 2021
acrylic and gesso on rabbit skin glue primed Belgian linen
183 x 274 cm

Stieg Persson

Barbabietole di Chioggia, 2021
oil on linen
183 x 168 cm

Angelica Mesiti

Over Land and Sea, 2021
dipytch: archival photographic prints
122 x 68.6cm

Stieg Persson

Working Blue, 2021
watercolour on paper
76cm x 55 cm

Mikala Dwyer

Mobius and I, 2020
polished stainless steel and iphone
190 x 40 x 164 cm

Stephen Bram

Untitled (two-point perspective), 2020
synthetic polymer paint on canvasboard
35.6 x 28 cm

Amrita Hepi

The Kiss, 2020
(stills) HD video, 16:9, colour, sound
3 minutes 17 seconds
Commissioned by the National Gallery of Australia

Rose Nolan

SO / SO, 2020
Acrylic paint, cardboard
2 x panels each 34 x 29 x 12cm
Image: Christian Capurro

Jenny Watson

A Horse in Chocolate, 2020
oil, acrylic, pigment and collage on rabbit skin glue-primed on Belgian linen
210 x 182 cm

Vivienne Shark LeWitt

The Unity of Opposites, detail (black bird), 2020
Water based paint on Hessian
27cm x 22.5cm
Photo: Zan Wimberley

Vivienne Shark LeWitt

The Unity of Opposites, detail (red robin), 2020
Water based paint on Hessian
27cm x 22.5cm
Photo: Zan Wimberley

Vivienne Shark LeWitt

The Unity of Opposites, detail (green bird), 2020
Water based paint on Hessian
27cm x 22.5cm
Photo: Zan Wimberley

Vivienne Shark LeWitt

Works of Mercy, detail (pray for the living and the dead), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley

Vivienne Shark LeWitt

Works of Mercy, detail (bury the dead), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley

Works of Mercy, detail (visit the sick), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley

Vivienne Shark LeWitt

Works of Mercy, detail (counsel the doubtful), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley

Maria Madeira

Refugee Camp, 2020
Rock powder, red earth, Betel nut, cotton, gauze, betadine, glue, shellac, ink and sealer on canvas
70cm x 115cm

Maria Madeira

Resistencia Timorense (Timorese Resistance), 2020
Fabric material, cotton, tais (traditional Timorese cloth), betel nut, diluted red earth, glue, and sealer
110cm x 130cm

Rose Nolan

MORE, 2020
acrylic paint, cardboard, found box
41 x 30 x 11cm

Louisa Bufardeci

Looking in to the land attached 2, 2020
wool and linen
21 x 31cm

Louisa Bufardeci

Looking in to the land attached 1, 2020
wool and linen
28 x 29cm

Kathy Temin

Green Garden Shelf, 2020
Synthetic fur, polyester fill, wood, steel, plastic
120 x 60 x 30 cm

Angelica Mesiti

Over the Air and Underground, 2020
Five-channel video installation, colour, 10 channel mono sound
9 minutes 8 seconds
Edition of 3, 2 AP (AP ¹⁄₂)

Stieg Persson

Dead Ends, 2020
oil on linen
183 x 168 cm

Maria Kozic

Resistencia Timorense (Timorese Resistance), 2020
fabric material, cotton, tais (traditional Timorese cloth), betel nut, diluted red earth, glue, and sealer
110 x 130 cm

Emily Floyd

Owl of Minerva, 2019
owl: cast aluminium, two-part epoxy paint
lantern: cast and fabricated aluminium, lighting insert
150 x 130.65 x 99.7 cm
Edition of 3

Mikala Dwyer

Gertrude, 2019
steel quartz crystals (Rose, Amethyst, White), rubber feet, acrylic paint
approx. 90 x 30 x 60 cm
Photo: Zan Wimberley

Mikala Dwyer

Fall Measure, 2019
polished stainless steel
60 x 40 cm (+ string)

Mikala Dwyer

Collapsed Line, 2019
amber, gumtree, turquoise, glass, coins, clay, bandage, porcelain, plastic, gapfiller, readymades, chains, hooks, wire
280 x 70 x 70 cm

Mikala Dwyer

Line, 2019
polished stainless steel
346 x 12 cm

Mikala Dwyer

Flat Square Circle, 2019
polished stainless steel and copper
350 x 160 cm

Mikala Dwyer

Empty Sculpture, 2019
plastic
270 x 100 x 80 cm

Mikala Dwyer

Tear Flat Drop, 2019
trilobal polyester
700 x 264 cm

Angelica Mesiti

ASSEMBLY, 2019
(still) three-channel video installation in architectural amphitheater HD video projections, colour, six-channel mono sound
25 minutes
Commissioned by the Australia Council for the Arts on the occasion of the 58^th International Art Exhibition – La Biennale di Venezia
Photo: Josh Raymond

Louisa Bufardeci

Sweeping One and the Other Away, 2019
LED display
20 x 200 cm
22 hours 20 minutes

Kate Mitchell

It’s A Sign, 2019
single-channel High Definition video, 16:9, colour, sound
17 minutes 32 seconds
Edition of 3

Amrita Hepi

Movement of Place, 2019
(stills) HD video, 16:9, colour, sound
5 minutes 44 seconds
Amrita Hepi in collaboration with Claire Winsor
Commissioned by Taylor Culitiy Lethean Architecture Firm

Shaun Gladwell

Surfer Funeral for Liberty 1, 2019
etching (liftground, open bite, spit bite and aquatint) on BFK Rives 300gsm paper
102.5 x 129.5 cm

Shaun Gladwell

Skulls ‘R’ Us 1, 2019
etching (lift ground, open bite, spit bite and aquatint) on BFK Rives 300gsm paper
102.5 x 129.5 cm

Jenny Watson

Feed, 2019
acrylic on Italian damask
140 x 107 cm

Rose Nolan

Barcode House, 2019
found packaging, cardboard, synthetic polymer paint
30.5 x 44.5 x 25 cm

Rose Nolan

iTunes Museum, 2019
found packaging, cardboard, synthetic polymer paint
37 x 15.5 x 8.5 cm

Maria Madeira

Remains, 2019
Rock powder, red earth, glue, charcoal, pencil and sealer on canvas
100cm x 115cm

Stieg Persson

Patate, 2019
oil on linen
97 x 77cm

Stieg Persson

Cacciatori, 2019
oil on linen
97 x 77cm

Peter Tyndall

Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA , 2019
‘Liquitex’ and ‘Matisse’ acrylic paint and ‘Liquitex’ Satin varnish on canvas
157.5 x 112cm

Stephen Bram

Untitled, 2019
Acrylic on Canvas
210 x 390cm

Jenny Watson

White Mischief, 2019
acrylic on Italian damask and cutting collaged to Japanese plywood support
painting: 153 x 105.5 cm object: 14 x 14 x 2 cm

Jenny Watson

A School Girl from the Back, 2019
acrylic on vintage French Chintz and French Disney jigsaw puzzle
painting: 151 x 94 cm jigsaw box: 3.5 x 15.2 x 10 cm

Stieg Persson

Torroncini, 2019
oil on linen
97 x 77 cm

Stieg Persson

Salame di Cervo e Mortadella, 2019
oil on linen
97 x 77 cm

Stieg Persson

Pomodori, 2019
oil on linen
97 x 77 cm

Stieg Persson

Limoni, 2019
oil on linen
97 x 77 cm

Stieg Persson

Bocconcino, 2019
oil on linen
97 x 77 cm

Emily Floyd

Female Orgasm: a codex of sorts, after Ursula Le Guin, 2018 – 19
artist’s book (screenprint) with supplement
artist’s book (screenprint) with supplement

Marco Fusinato

Louisville Slugger, 2018
bronze multiple made for the occasion of the 21^st Biennale of Sydney, Carriageworks
82 x 7 cm (diameter)
Edition of 15

Callum Morton

Screen Shot #37, 2018
wood and synthetic polymer paint
93 x 46 x 110 cm

Skin, 2018
Thread on canvvas
140 x 80 cm

Stephen Bram

Untitled, 2018
acrylic on canvas
203 x 203 cm
Photo: Christian Capurro

Vivienne Shark LeWitt

Pine Tree, 2018
Water based paint on linen
91cm x 72cm
Photo: Zan Wimberley

Vivienne Shark LeWitt

My theory which is mine, 2018
Water based paint on linen
50cm x 50cm
Photo: Zan Wimberley

Vivienne Shark LeWitt

Scapegoat, 2018
Water based paint on linen
91cm x 60cm
Photo: Zan Wimberley

Jan Nelson

Black River Running # 11, 2018
oil on linen
75 x 57.5cm

Stephen Bram

Untitled, 2018
acrylic on cotton/synthetic
500 x 400 mm

Callum Morton

Screen Shot #35, 2018
wood and synthetic polymer paint
93 x 46 x 110 cm

Big Words (Not Mine) — Repetition compulsion or a drive to repeat a singular impulse over and over again to get it right or righter is distinguished from some unstoppable urge to create, 2018
Multi-purpose identification labels, PVA, acrylic paint, pencil, cardboard
15.3 x 1396.6 cm

Kerrie Poliness

Nice Spot, 2018
digital video: colour, sound, 50 minutes 30 seconds Six paintings: Acrylic and gouache on acrylic sheet
40.5 x 56.5cm each variable dimensions 4, AP (#3/4)

Stephen Bram

Untitled, 2018
Acrylic on canvas
50 x 40 cm

Stephen Bram

Untitled, 2018
Acrylic on Canvas
50 x 40 cm

Static No.22 (Gyre and Gimbal), 2017
single-channel High Definition video, 9:16, stereo
4 minutes 54 seconds
Edition of 3

Louisa Bufardeci

Hey!, 2017
wool, cotton
80 x 80 cm

Louisa Bufardeci

Eh! (Vietnamese), 2017
wool, cotton
80 x 80 cm

Louisa Bufardeci

Hoi! (Dari), 2017
wool, cotton
40 x 40 cm

Louisa Bufardeci

Machang! (Sinhalese), 2017
wool, cotton
60 x 60 cm

Profile, 2017
three single-channel videos, colour, sound (looped)
Edition of 25

Angelica Mesiti

Angelica Mesiti, SOS II, 2017
brass bells and steel wire
115 x 16 x 16 cm

High Street (After Ruscha), 2017
single-channel video, 2:1, 4K, stereo sound
17 minutes 52 seconds
Edition of 3

Static No.21 (Double Helix), 2017
single-channel High Definition video, 9:16, stereo
4 minutes 44 seconds
Edition of 3

Louisa Bufardeci

O aalai! (Dari), 2017
wool, cotton
80 x 80 cm

Marco Fusinato

Mass Black Implosion (Ludwig van, Mauricio Kagel), 2017
ink on archival facsimile of score
10 parts, each 76.5 x 100 cm

Amrita Hepi

Dance Rites, 2017
(still) single-channel HD video installation, 16:9, colour, silent, sand, rope
7 minutes 19 seconds

Jenny Watson

White Cat, 2017
il and acrylic on red velvet; acrylic on panel text
image: 144 x 90 cm text: 21 x 14.8 cm

David Noonan

A Dark and Quiet Place, 2017
film, black & white, stereo sound 28 minutes

Angelica Mesiti

Tossed by Waves, 2017
HD video, 16:9, colour, silent
6 minutes 17 seconds
Edition of 3, 2 AP (#3/3)

Emily Floyd

Puffin with Fish #21 Bjarnfreður Ólafsson, 2017
wood, two part epoxy paint (matte black, red), mild steel with black oxide coating
45 x 25 x 35 cm

Chiharu Shiota

Belonging, 2017
bronze
10 x 24 x 30 cm

Su san Cohn

Boring Beige, 2017
HIPS plastic doughnuts, plinth, Perspex 49 doughnuts
3.4 x 13.3 cm diameter (each) plinth: 151 x 50 x 50 cm (# ¹⁄₀)

Emily Floyd

Emily Floyd, Gulag Archipelago, 2016 — 2025
Red Oak, Huon Pine, stain and polish
dimensions variable, approx. 135 x 135 x 98 cm
Photo: Christian Capurro

John Nixon

Yellow Monochrome (Japan), 2016
Enamel on canvas with nine pieces of bamboo
41 x 30.5 x 4.5 cm

John Nixon

Yellow Monochrome (Japan), 2016
Enamel on canvas with woven screen and bamboo frame
41 x 30.5 x 3.5 cm

Kate Mitchell

Hypnotised Into Being, 2016
single-channel High Definition digital video, 16:9, colour, silent
17 minutes 48 seconds
Edition of 3

Kate Mitchell

The Artist Thrown #1 — #42, 2016
Type‑C prints
13 x 18 cm (each)
Edition of 3

The Subtle Knife, 2016
single-channel High Definition video, 1080p 24, stereo
8 minutes 23 seconds
Edition of 3

Emily Floyd

Gulags in the Sun, 2016
Unique woodblock print on Velin Arches paper
61 x 31.5 cm

Mirror Man, 2015
Acrylic on canvas
190 x 300 cm

John Nixon

Yellow Monochrome (Japan), 2015
enamel on canvas with once piece of bamboo
40 x 31 x 4.5 cm

Kate Mitchell

Bad Luck Rearranged I and II, 2015
Type‑C photograph
30 x 30 cm each
Edition of 3

Warwick Thornton

Luka, 2015
pigment print on cotton rag art paper
diptych: 152 x 153; 25 x 25 cm
Edition of 3

Warwick Thornton

Sterling, 2015
pigment print on cotton rag art paper
diptych: 152 x 153; 25 x 25 cm
Edition of 3

Warwick Thornton

Shanika, 2015
pigment print on cotton rag art paper
diptych: 152 x 153; 25 x 25 cm
Edition of 3

Joseph Kosuth

‘Mondrian’s Work XI’, 2015
silkscreen on glass, white neon mounted directly on the wall
200 x 200 cm
Photo: Zan Wimberley

David Noonan

Untitled, 2015
silkscreen on dyed linen collage, steel tray frame
204 x 146 x 6 cm

Warwick Thornton

Way of the Ngangkari, 2015
High Definition video, 9:16, colour, silent
10 minutes 30 seconds
Edition of 3

Warwick Thornton

Way of the Ngangkari, 2015
High Definition video, 9:16, colour, silent
10 minutes 30 seconds
Edition of 3

Callum Morton

Cover Up #25, 2015
wood, polyurethane, resin, synthetic polymer paint
84 x 98 cm

Su san Cohn

Peace/Let’s start again, 2015
Cotton, sterling silver, gold solder, magnets
430 x 400mm

Jan Nelson

Sympathy for the Devil #1, 2015
Acrylic and enamel on linen
38.5 x 38.5cm

Jan Nelson

Sympathy for the Devil #1, 2015
Acrylic and enamel on linen
38.5 x 38.5cm

David Noonan

Untitled, 2015
silkscreen on linen collage
78 x 58 cm

Angelica Mesiti

Play, 2015
single-channel High Definition video, 16:9, colour, stereo sound
4 minutes 4 seconds
Edition of 3 plus 2 AP (#3/3)

Angelica Mesiti

Nakh Removed, 2015
single-channel High Definition video, 16:9, colour, silent
9 minutes 6 seconds
Edition of 3 plus 2 AP (#3/3)

Angelica Mesiti

The Colour of Saying, 2015
Three-channel video installation, colour, sound
25 minutes
Edition of 3, 2 AP (AP ¹⁄₂)

Angelica Mesiti

Silent Polyphony, 2015
HD video, 16:9, colour, silent
3 minutes 33 seconds
Edition of 3 plus 2 AP (#3/3)

Stieg Persson

Activated Gold II, 2015
two run lithograph on 250gsm Magnani Revere white paper (Run 1. — Orange, Run 2. — Gold Flocking)
93.5 x 72 cm 10 (#3/10)

Warwick Thornton

Way of the Ngangkari, 2015
video, 10 minutes 23 seconds
3, 2 APs (#2/3)

Warwick Thornton

Way of the Ngangkari, 2015
HD video, 9:16, colour, silent looped
Edition of 3 plus 2 AP (#3/3)

A Dance of Inconsistencies, 2014
High Definition video, 16: 9, stereo, colour, sound
4 minutes 33 seconds
Edition of 3

Daniel von Sturmer

These Constructs (empty white space), 2014
single-channel High Definition digital video, 16:9, colour
1 minute 8 seconds
Edition of 3

Daniel von Sturmer

These Constructs (laser scans), 2014
single-channel High Definition digital video, 16:9, colour
3 minutes 45 seconds
Edition of 3

Daniel von Sturmer

These Constructs (cutaway black), 2014
single-channel High Definition digital video, 16:9, colour
1 minutes 38 seconds
Edition of 3

Daniel von Sturmer

These Constructs (RGB cube), 2014
single-channel High Definition digital video, 16:9, colour
1 minutes 46 seconds
Edition of 3

Daniel von Sturmer

These Constructs (flashlight), 2014
single-channel High Definition digital video, 16:9, colour
1 minute 25 seconds
Edition of 3

John Nixon

Untitled, 2014
enamel on MDF
76 x 75 cm

Kathy Temin

Pet Tomb: Tina, 2014
synthetic fur, MDF and filling
178 x 100 x 110 cm

Kathy Temin

Pet Tomb: Roger, 2014
synthetic fur, MDF and filling
109 x 210 x 50 cm

Kathy Temin

Pet Tomb: Ebeneza, 2014
synthetic fur, MDF and filling
220 x 95 x 95 cm

Truths Unveiled by Time #5, 2014
stereolithographic resin, automotive paint and stainless steel
three pieces: 48 x 20 x 26 cm

Nina Beier

The Demonstrators (Sinking Coins), 2014
Poster, glue, trapeze
645 x 58 cm, 705 x 58 cm and 726 x 58 cm

Alicia Frankovich

Defending Plural Experiences: MOCAP Creation, 2014
36 minutes 28 seconds

Simon Denny

New Management, 2014
Anodised aluminium, digital print on perspex, screws, 55″ Samsung 3D Smart TV, remote control
97 x 170 x 12.5 cm

Simon Denny

Disrupt Peter Thiel Sweet Spot, 2014
Digital print on billboard mesh, custom aluminium frame, fittings, TechCrunch Berlin Disrupt Banner
320 x 600 x 10 cm

Simon Denny

Seedcamp Documentary, 2014
High Definition video, 65″ Samsung curved 3D Smart TV
2 minutes 41seconds

Marlie Mul

Air Vent/Butt Stop (Fake Coughing In Front Of Smokers Just To Make Them Feel…), 2014
Steel, cigarette, paper
120 x 90 cm

Marlie Mul

Plaster Pole (Healing), 2014
Silk screen on Plexiglas
200 x 25 x 25 cm

Kate Mitchell

Beyond Setting Suns, 2014
single-channel High Definition digital video, 16:9, colour, silent
40 second loop
Edition of 3

John Nixon

Untitled (White Monochrome with Picture Frame), 2014
Paint on canvas, wood, wood frame
64 x 45 x 6cm

John Nixon

Untitled (White Monochrome with Spoon), 2014
Enamel paint on two canvases with spoon and wood
64 x 45 x 6 cm

John Nixon

Untitled, 2014
enamel on two canvases
81 x 75cm

John Nixon

Untitled, 2014
enamel on three canvases
68 x 70cm

John Nixon

Untitled (White Monochrome), 2014
Enamel paint, wood and ceramic tiles on canvas
60 x 40 x 6cm

Kathy Temin

Pet Tomb: Nikki, 2014
synthetic fur and MDF
108 x 60 x 65 cm

Stieg Persson

Untitled 5, 2014
ink on paper
113 x 83 cm

Maria Madeira

Contemporary Issues (Asuntus Kontemporáneus), 2014
Mixed Media on canvas: acrylic, gesso, impasto gel, red earth, lipstick, pencil, charcoal, betel nut, shellac, ink, glue, tais (traditional East Timorese cloth), sealer
42 x 30 cm (x 16 — overall 600cm when shown linear)

Stieg Persson

Opportunity Loss, 2013 – 23
signed and dated on verso oil on canvas
183 x 173

Emily Floyd

Ripple, Radical Ecology, 2013 – 14
screenprint on BFK Arches paper unique state
110 x 70cm

Emily Floyd

Ripple, Community, 2013 – 14
screenprint on BFK Arches paper unique state
110 x 70cm

Angelica Mesiti

In the Ear of the Tyrant, 2013 – 14
Three-channel video installation, surround sound
5 minutes 5 seconds
Edition of 3, 2 AP (#1/3)

Emily Floyd

Nomadic Shepherds, 2013
synthetic polymer paint and wood
200 x 100 x 100 cm

Stieg Persson

Cumulus, 2013
oil on linen
153 x 127 cm

John Stezaker

Grotto, 2013
Collage
24 x 30.2 cm

John Stezaker

Man and Light, 2013
Collage
25.5 x 20.7 cm

John Stezaker

Marriage (Film Portrait Collage) LXXXX, 2013
Collage
26.6 x 20.8 cm

John Stezaker

Narrative Flight I, 2013
Collage
20.5 x 25.4 cm

John Stezaker

Narrative Flight II, 2013
Collage
20.6 x 25.9 cm

John Stezaker

Obstacle, 2013
Collage
24.4 x 29.9cm

John Stezaker

Path II, 2013
Collage
23.8 x 29.8 cm

John Stezaker

Path III, 2013
Collage
20.7 x 25.4 cm

John Stezaker

Tabula Rasa XXXIII, 2013
Collage
23.6 x 29.4 cm

John Stezaker

Untitled, 2013
Collage
25.6 x 22.5 cm

John Stezaker

Untitled, 2013
Collage
23 x 28.7 cm

Emily Floyd

Abstract Labour, 2013
screenprint on full sheet of Somerset Satin White paper
76 x 112 cm
Edition of 30

Jenny Watson

Moon, Sophie + Me, 2013
acrylic, oil, oilstick, pigment, pom poms on Japanese gesso-primed Belgian linen
293 x 124 cm

Mikala Dwyer

Aggebo Skoven 2, 2013
pigment print on rag with wooden frame
61.8 x 88.4 cm
Edition of 3

Emily Floyd

Warm Circles, 2013
synthetic polymer paint and pencil on paper unique state
20 x 30cm

Emily Floyd

Abstract Solar, 2013
synthetic polymer paint and lacquer on wood (Huon Pine and Wenge) and MDF
35 x 26 x 25 cm

Cloud Atlas (Fitzroy 1:23), 2012
single-channel High Definition digital video, 16:9, colour, silent
21 minutes
Edition of 3

Portrait #10 (Tom), 2012
Lambda photographic print
130 x 130 cm
Edition of 3

Portrait #8 (Andy), 2012
Lambda photographic print
130 x 130 cm
Edition of 3

Daniel von Sturmer

small world (kinetic sculpture), 2012
single-channel High Definition digital video, 16:9, colour, sound
1 minute 10 seconds
Edition of 3

Daniel von Sturmer

small world (portrait painting), 2012
single-channel High Definition digital video, 16:9 (vertical), colour, silent
8 minutes 40 seconds
Edition of 3

Daniel von Sturmer

small world (desktop sculpture), 2012
single-channel High Definition digital video, 16:9, colour, silent
3 minutes 46 seconds
Edition of 3

Daniel von Sturmer

small world (pen drawing), 2012
single-channel High Definition digital video, 16:9, colour, silent
1 minute 46 seconds
Edition of 3

Daniel von Sturmer

small world (shadow puppets), 2012
single-channel High Definition digital video, 16:9, colour, silent
3 minutes 7 seconds
Edition of 3

Daniel von Sturmer

small world (chalk drawing), 2012
single-channel High Definition digital video, 16:9, colour, silent
1 minute 34 seconds
Edition of 3

Daniel von Sturmer

small world (landscape painting), 2012
single-channel High Definition digital video, 16:9, colour, silent
5 minutes 46 seconds
Edition of 3

Angelica Mesiti

Citizens Band, 2012
(still) four-channel HD video installation, 16:9, colour, sound
21 minutes 25 seconds
Commissioned for NEW12; Australian Centre for Contemporary Art, Melbourne

Stieg Persson

Verge, 2012
oil and metallic paint on linen
51 x 46 cm

Haegue Yang

Strange Fruit, 2012
Six mixed-media sculptures
Dimensions variable

Ming Wong

Persona Performa (Actress’ Entrance), 2012
Single-channel High Definition video, colour, silent
4 minutes

Jane and Louise Wilson

False Positives and False Negatives, 2012
16 parts, photo-silkscreen on mirrored perspex, framed
Each: 96.5 x 77.5 cm (framed)

Michael Cook

Civilised #5, 2012
Inkjet print on paper, framed
125 x 111 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Free Variations, Béla Bartók), 2012
ink on archival facsimile of score
87 x 68 cm

John Stezaker

Echo (Film Still Collage) II, 2012
Collage
25.9 x 20.4 cm

John Stezaker

Mask CXLVIII, 2012
Collage
25.8 x 20.4 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Free Canon, Bela Bartok), 2012
ink on archival facsimile of score
78 x 57 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Increasing – Diminishing, Bela Bartok), 2012
ink on archival facsimile of score
78 x 57 cm

Mikala Dwyer

Empty Sculpture, 2012
plastic
250 x 75 x 60 cm

Portrait #23 (Self), 2012
Lambda photographic print
400 x 400 cm
Edition of 3

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Line and Point, Bela Bartok), 2012
ink on archival facsimile of score
64 x 83 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Clashing Sounds, Bela Bartok), 2012
ink on archival facsimile of score
64 x 83 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Buzzing, Bela Bartok), 2012
ink on archival facsimile of scoremar
78 x 57 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Change of Time, Bela Bartok), 2012
ink on archival facsimile of score
78 x 57 cm

Kathy Temin

Small White Tree, 2012
synthetic fur, steel, synthetic filling, wood
42 x 36 x 17 cm

Marco Fusinato

Mass Black Implosion (February Pieces, Cornelius Cardew), 2012
ink on archival facsimile of score
two panels: 68 x 58.5 cm (each, framed)

David Noonan

Untitled, 2012
paper collage on linen, Perspex
62 x 47 cm

Stieg Persson

Joy and Fun, 2012
oil and metallic paint on linen
51 x 46cm

David Noonan

Untitled, 2012
paper collage on linen, Perspex
62 x 47cm

Jenny Watson

Mum in dressing gown, 2012
synthetic polymer paint on rabbit skin glue primed cotton
128 x 80 cm

Jenny Watson

Me in short dress, 2012
synthetic polymer paint on rabbit skin glue primed cotton
220 x 80 cm

David Noonan

Untitled, 2012
paper collage on linen, Perspex
62 x 47 cm

Angelica Mesiti

Some Dance to Remember, Some Dance to Forget, 2012
HD video, 16:9, colour, stereo sound
6 minutes 4 seconds
Edition of 3, 2 AP (#2/3)

Stieg Persson

Prada, 2012
Signed and dated on verso oil on linen
51 x 46 cm

Gabriella Mangano & Silvana Mangano

Study for Form, 2011
Print on Museo Rag paper
88.5 x 134.5 cm (framed)

Gabriella Mangano & Silvana Mangano

Continuous Drift, 2011
single-channel High Definition digital video, 16:9, black and white, sound
2 minutes 11 seconds
Edition of 3

Angela de la Cruz

Deflated 21 (Red), 2011
oil on canvas
190 x 80 x 40 cm

Erwin Wurm

Untitled, 2011
Bronze, patina
27 x 78 x 53 cm

John Stezaker

Hidden, 2011
Collage
20.4 x 26 cm

Louisa Bufardeci

Flag for the Fourth Dimension [4], 2011
seersucker fabric, metal press studs
dimensions variable

Louisa Bufardeci

Flag for the Fourth Dimension, 2011
seersucker fabric, metal press studs
dimensions variable

Stephen Bram

Untitled (two point perspective), 2011
oil and acrylic on canvas
30 x 24.2 cm

Louisa Bufardeci

Flag for the Fourth Dimension [3], 2011
seersucker fabric, metal press studs
Dimensions variable

Louisa Bufardeci

Flag for the Fourth Dimension [1], 2011
seersucker fabric, metal press studs
Dimensions variable

Angelica Mesiti

Water Sleeves, 2011
HD video, 16:9, colour
6 minutes 41 seconds
Edition of 3 plus 2 AP (#3/3)

Angelica Mesiti

Trains Approaching, 2011
HD video, 16:9, colour, sound
5 minutes 10 seconds
Edition of 3 plus 2 AP (#2/3)

Angelica Mesiti

Dance Hall, 2011
HD video, 16:9, colour, sound
4 minutes 15 seconds
Edition of 3 plus 2 AP (#3/3)

Angelica Mesiti

Old Man River, 2011
HD video, 16:9, colour, stereo sound
4 minutes
Edition of 3 plus 2 AP (#3/3)

Stieg Persson

St. Etienne, 2010
oil on linen
51 x 46 cm

Erwin Wurm

Crap Head, 2010
Bronze, gold-plated
63 x 30 x 35 cm

Erwin Wurm

Untitled, 2010
Aluminium, paint
146 x 50 x 12 cm

Jesse Jones

The Predicament of Man, 2010
Single channel digital video from 16mm and digital flash frames, 16:9, colour
3 minutes

Benjamin Armstrong

Dust (dust to gold) Golden Hour (dust to gold), 2010

John Stezaker

Crossing Over Series (Between) II, 2010
Image fragment
2.6 x 1.8 cm

John Stezaker

Crossing Over Series (Blind Surveyor) I, 2010
Image fragment
2.6 x 3.8 cm

John Stezaker

Crossing Over Series (Blind Surveyor) II, 2010
Image fragment
2.6 x 3.5 cm

John Stezaker

Crossing Over Series (The Corner) III, 2010
Image fragment
3.4 x 5.1 cm

John Stezaker

Crossing Over Series (The Corner) IV, 2010
Image fragment
3 x 4.5 cm

John Stezaker

Mask CL, 2010
Collage
25 x 19.9 cm

John Stezaker

Untitled I, 2010
Found image
16.3 x 20.6 cm

15 hours v.4, 2010
found object kinetic sculpture, live video and audio
126 x 67 x 59 cm

Marco Fusinato

Escapism has its price The artist has his income from the series ‘Noise & Capitalism’, 2010
UV and indian ink on Fabriano Artistico 300gsm paper, framed
232 x 324 cm

Daniel von Sturmer

The Cinema Complex (Sequence 4), 2010
HD video, 16:9, colour, sound
3 minutes 17 seconds
Edition of 3

Daniel von Sturmer

The Cinema Complex (Sequence 5), 2010
HD video, 9:16, colour, silent
1 minute 47 seconds
Edition of 3

Daniel von Sturmer

The Cinema Complex (Sequence 6), 2010
HD video, 16:9, colour, silent
1 minute 10 seconds
Edition of 3

AES+F

The Feast of Trimalchio, Allegory #1 (The Triumph of America), 2010
Lambda print on paper
210 x 185 cm
Edition of 5

AES+F

The Feast of Trimalchio, Allegory #2 (The Triumph of Asia), 2010
Lambda print on paper
210 x 185 cm
Edition of 5

Joseph Kosuth

‘(Waiting for-) Texts for Nothing #8’, 2010
Warm white neon, dipped in matt black, mounted directly on the wall
17.5 x 104 cm

Joseph Kosuth

‘(Waiting for-) Texts for Nothing #14’, 2010
Warm white neon, dipped in matt black, mounted directly on the wall
17.5 x 418 cm

Taryn Simon

Animal Corpses (Prohibited), Animal Parts (Prohibited), Animal Skeletons (Prohibited), Butterflies (Prohibited), Snails (Prohibited), 2010
15 archival inkjet prints in 6 Plexiglas boxes
Box 1: 23.5 x 57.8 x 6.4 cm; Box 2: 23.5 x 76.2 x 6.4 cm; Box 3, 4: 23.5 x 57.8 x 6.4 cm; Box 5, 6: 23.5 x 21 x 6.4 cm

Taryn Simon

Duck Tongue (Prohibited), Duck Misc. (Prohibited), 2010
11 archival inkjet prints in 3 Plexiglas boxes
Box 1, 2: 23.5 x 76.2 x 6.4 cm; Box 3: 23.5 x 57.8 x 6.4 cm

Taryn Simon

Deer Antlers (Prohibited), Deer Penis (Prohibited), Deer Tongue (Prohibited), 2010
8 archival inkjet prints in 4 Plexiglas boxes
Box 1: 23.5 x 76.2 x 6.4 cm; Box 2: 23.5 x 20.95 x 6.4 cm; Box 3: 23.5 x 39.4 x 6.4 cm; Box 4: 23.5 x 20.95 x 6.4 cm

Taryn Simon

Erectile Disfunction Medication/Cialis & Viagra (Counterfeit), 2010
12 archival inkjet prints in 2 Plexiglas boxes
Box 1, 2: 23.5 x 113 x 6.4 cm

Taryn Simon

Cashier’s Checks (Counterfeit), Checks (Counterfeit), Money Orders (Counterfeit), Traveler’s Cheques (Counterfeit), 2010
27 archival inkjet prints in 5 Plexiglas boxes
Box 1: 23.5 x 57.8 cm; Box 2: 23.5 x 76.2 cm; Box 3, 5: 23.5 x 131.4 cm; Box 4: 23.5 x 113 cm

Taryn Simon

Fat (Prohibited), 2010
5 archival inkjet prints in 1 Plexiglas box
23.5 x 94.6 x 6.4 cm

Taryn Simon

Footwear (Nike, Counterfeit), 2010
6 archival inkjet prints in 1 Plexiglas box
23.5 x 113 x 6.4 cm

Taryn Simon

GBL, Component of Date Rape Drug (Illegal), 2010
3 archival inkjet prints in 1 Plexiglas box
23.5 x 57.8 x 6.4 cm

Taryn Simon

Sausages (Prohibited), 2010
27 archival inkjet prints in 5 Plexiglas boxes
Box 1: 23.5 x 76.2 x 6.4 cm; Box 2: 23.5 x 94.6 x 6.4 cm; Box 3, 4, 5: 23.5 x 113 x 6.4 cm

Taryn Simon

Watches (Counterfeit), 2010
17 archival inkjet prints in 3 Plexiglas boxes
Box 1, 2: 23.5 x 113 x 6.4 cm; Box 3: 23.5 x 94.7 x 6.4 cm

Taryn Simon

Khat (Illegal), 2010
40 archival inkjet prints in 7 Plexiglas boxes
Box 1, 2, 3, 4, 5, 6: 23.5 x 113 x 6.4 cm; Box 7: 23.5 x 76.2 x 6.4 cm

Stephen Bram

Untitled (two point perspective), 2010
oil and acrylic on canvas
25.4 x 20.5 cm

John Nixon

Silver Monochrome, 2010
enamel on bark on canvas
30.3 x 22.5 x 2.5cm

John Nixon

Silver Monochrome, 2010
enamel on canvas and wood
30.5 x 23 x 4cm

John Nixon

Silver Monochrome, 2010
enamel on canvas and wood
32 x 24 x 8cm

Angelica Mesiti

Heritage Park, 2010
single-channel High Definition video,16:9, colour, stereo sound
7 minutes 30 seconds
Edition of 5 plus 2 AP (#4/5)

Angelica Mesiti

Old Time, 2010
single-channel High Definition video, 16:9, colour, stereo sound
5 minutes 25 seconds
Edition of 5 plus 2 AP (#3/5)

Gabriella Mangano & Silvana Mangano

The Surround, 2009
single-channel digital video, 16:9, black & white, sound
2 minutes 5 seconds
Edition of 5

Joseph Kosuth

‘The Paradox of Content #9.2’ [White], 2009
Neon
16 x 155 cm

Louisa Bufardeci

Yes and No, 2009
cotton thread on stretched linen
diptych: 80 x 80 cm (each)

Kathy Temin

Large Striped Across Tree, 2009
synthetic fur and filling, wood
253 x 50 x 50 cm

Callum Morton

Screen Shot #2, 2009
wood, synthetic polymer paint and paper
93 x 46 x 110 cm

Angelica Mesiti

The Line of Lode and Death of Charlie Day, 2009
digital video, 4:3, colour, stereo sound
17 minutes 43 seconds
Edition of 5 plus 2 AP (#3/5)

Intersection No.2 (vertical plane), 2008
single-channel High Definition video, 16:9, colour, sound
3 minutes 59 seconds
Edition of 3

Erwin Wurm

Untitled, 2008
Acrylic, wood, wool
190 x 41 x 28 cm

John Stezaker

Untitled, 2008
Found image
18.6 x 19 cm

John Stezaker

Tabula Rasa XXIII, 2008
Collage
20.2 x 26.1 cm

Stieg Persson

Second Empire, 2008
Oil and metallic paint on linen
229 x 167 cm

Stieg Persson

Martyrdom, 2008
Oil and metallic paint on linen
183 x 168 cm

Stieg Persson

Little Gerhard, 2008
oil and alkyd resin on linen
122 x 112 cm

Daniel von Sturmer

Tableaux Plastique (Sequence 5), 2008
single-channel High Definition digital video; 16:9, colour, silent
2 minutes 12 seconds
Edition of 3

Daniel von Sturmer

Tableaux Plastique (Sequence 6), 2008
single-channel High Definition digital video, 16:9, colour, silent
5 minutes 19 seconds
Edition of 3

Louisa Bufardeci

Recent plans for the equal distribution of internet suppliers, 2008
digital print
90 x 90 cm
Edition of 5

Kerrie Poliness

snowprint #9, 2008
acrylic sheet
100 x 100 cm

Louisa Bufardeci

Recent plans for the equal distribution of literate people, 2008
framed digital print
110 x 110
edition of 5

Louisa Bufardeci

Recent plans for the equal distribution of people living with HIV/AIDS, 2008
framed digital print
110 x 110
edition of 5

Sarah Morris

Beijing, 2008
35mm/HD
84 minutes 47 seconds
Credit the artist & White Cube

Rose Nolan

Twinings Tea Tower, 2008
found packaging, cardboard, synthetic polymer paint
57 x 23 x 7 cm

Kerrie Poliness

snowprint #3, 2008
acrylic sheet
100 x 100cm

Kerrie Poliness

snowprint #1, 2008
acrylic sheet
100 x 100cm

Emily Floyd

Design Science, 2008
etching with aquatint printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate.
29.5 x 21 cm (image), 29.5 x 21 cm (paper)

Emily Floyd

A Little Community, 2008
relief etching printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate
29.5 x 21 cm (image), 29.5 x 21 cm (paper)

Callum Morton

Screen Shot #3, 2008
wood, synthetic polymer paint and paper
93 x 46 x 110 cm

Maria Madeira

Tebe Hare/Sama Hare (Stepping on Rice Husks – Rice Harvesting), 2008
Mixed media on canvas: acrylic, diluted red earth, impasto gel, glue, betel nut, shellac, sealer
183 x 91 cm

Erwin Wurm

Untitled (Hamlet), 2007
C‑print
159.1 x 126.5 cm

Joseph Kosuth

‘Double Reference #1’ [Violet], 2007
Violet neon mounted directly on the wall
28 x 231 cm

Shaun Gladwell

Allegorical Study/Riding with Death, 2007
hand-coloured etching on Velin Arches 250gsm
46 x 65 cm
Edition of 8

David Noonan

Untitled, 2006 – 2019
white bronze
31 x 20 x 19cm

Imaginary Object #20, 2006
Lambda print
110 x 110 cm
Edition of 5

Imaginary Object #13, 2006
Lambda print
109 x 109 cm
Edition of 5

Shaun Gladwell

In a Station of the Metro (1), 2006
Lambda Durst print
56.2 x 56.2 xm
Edition of 5
Photographer: Gotaro Uematsu

Once Upon Awakening, 2006
archival pigment print on paper
105.5 x 163.5 cm
Edition of 3

John Stezaker

The Stain, 2006
Found image
16.5 x 20.5 cm

John Stezaker

The Story V, 2006
Collage
23.8 x 27 cm

John Stezaker

The Story VI, 2006
Collage
20.8 x 28.2 cm

Marco Fusinato

The Approaching of The Disco Void Repeated, 2006
synchronised dual-channel digital video, 16:9, colour, sound
3 minutes 55 seconds
Edition of 3

Stieg Persson

Untitled, 2006
oil on linen
50.8 x 46 cm

Marco Fusinato

Rose #2 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

Rose #4 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

Rose #5 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

Rose #6 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

Rose #7 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

Rose #11 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

Rose #12 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Callum Morton

Monument #7 — Crate, 2006
wool and enamel paint
15 x 33.5 x 19.5 cm

Louisa Bufardeci

Before the war, 2006
bargello wool needlepoint
17 x 59 cm

Once Upon Awakening, 2006
archival pigment print on paper
105.5 x 163.5 cm
Edition of 3

Once Upon Awakening, 2006
archival pigment print on paper
105.5 x 163.5 cm
Edition of 3

Rose Nolan

It’s hard to see what this all means (box version), 2006
acrylic paint, cardboard
78 x 53 x 13cm

Maria Madeira

Journey (Dalan Halao), 2006
Mixed media on canvas: acrylic, pastel, impasto gel, gesso, glue, tais (traditional East Timorese cloth)
sealer 121 x 91cm

AES+F

Last Riot, Composition #1, 2005
aluminium, enamel paint
195 x 240 x 220 cm

Stieg Persson

FactorVIII, 2005
oil and alkyd resin on linen
122 x 112 cm

Kerrie Poliness

Untitled, 2005
acrylic and enamel on canvas
122 x 91cm

Rose Nolan

Not so sure this works (empty centre version), 2005
acrylic paint, cardboard
86 x 53cm

Emily Floyd

A Strategy to infiltrate the homes of the bourgeoisie, 2005
paint and wood
dimensions variable

Mikala Dwyer

I, Maybe You, 2004
enamel paint, light concrete
20 x 60 x 16 cm

Vivienne Shark LeWitt

The True Legend of Lady Godiva, 2004
oil and crayon on linen
61.5 x 56 cm

Stephen Bram

Untitled (two point perspective)
, 2004
oil on canvas
20.7 x 30.7 cm

Callum Morton

Untitled, 2003 – 2016
timber, Perspex, audio
300 x 212.5 x 124 cm

Jan Nelson

Walking in Tall Grass, Forest, 2003
C‑type photograph
117 x 153.6 cm

Jan Nelson

Walking in Tall Grass, Storm, 2003
C‑type photograph
117 x 150.3 cm
Edition of 3

Jan Nelson

Walking in Tall Grass, Bag, 2003
C type photograph
113.6 x 136.2cm

Marco Fusinato

SUN SERIES Photograph #01 — 06.03.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #02 — 31.03.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #03 — 21.04.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #04 — 05.05.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #06 — 08.05.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #10 — 06.06.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #07 — 21.05.02, 2002
type c print
126 x 176 cm
Edition of 5

Stieg Persson

Wordsworth Street, 2002
Signed and dated on verso oil on linen
51 x 46 cm

Gabriella Mangano & Silvana Mangano

Drawing 2, 2001
single-channel video, 4:3, black and white, sound
8 minutes 52 seconds
Edition of 5

Callum Morton

Mac Attack, Wahroonga, NSW, 2001 from the series Local +/or General, 2001
digital print on paper
115.2 x 153.25 cm
Edition of 5

Stephen Bram

Untitled (two point perspective)
, 2001
acrylic on board
30.3 x 25.2 cm

Mutlu Çerkez

As Long As I Have You, 17 April 2012 , 2001
Mixed Media
perspex box 34 x 33 x 5cm, record diameter 30cm

Jan Nelson

Walking in Tall Grass, Alice, 2001
oil on linen
66 x 56 cm

Peter Tyndall

A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA , 1999
Enamel paint on pre-primed canvas
44 x 132cm (including frame)

Stephen Bram

Untitled (two point perspective), 1998 – 2023
acrylic on canvas
50.7 x 30.5 cm

Vivienne Shark LeWitt

Untitled watercolour sketch, 1997
Watercolour on paper
110cm x 75cm

Vivienne Shark LeWitt

Untitled watercolour sketch (shouting), 1997
Watercolour on paper
110cm x 75cm

Vivienne Shark LeWitt

Untitled watercolour sketch (enquiries), 1997
Watercolour on paper
110cm x 75cm

Stephen Bram

Untitled (two point perspective), 1997
oil and acrylic on canvas
30.5 x 22.7cm

Stieg Persson

Untitled, 1997
oil on canvas
56 x 50.8cm

Stieg Persson

Untitled, 1997
oil on canvas
50.7 x 45.5 cm

Stieg Persson

Untitled, 1997
oil on canvas
27.9 x 45.3 cm

Jenny Watson

I will not say that I will drink that water #2 + text (labels), 1996
two panels: text: acrylic on gold synthetic; image: oil on doona fabric
142 x 91cm

John Nixon

John Nixon, Untitled (Red Monochrome with Coffee Pot, 1995
enamel paint on wood, coffee pot, wooden shelf
57 x 62 x 12 cm
Photo: Christian Capurro

Untitled (Red Monochrome with Coffee Pot), 1995
enamel paint on wood, coffee pot, wooden shelf
57 x 62 x 12 cm

John Stezaker

Opening II, 1994
Collage
24 x 16.8 cm

Mutlu Çerkez

26969 19 July 2038, 1994
Acrlyic on canvas
76 x 50cm

Kerrie Poliness

Untitled Painting, 1994
spray enamel on linen
48 x 39 x 7cm

Kerrie Poliness

Untitled Painting, 1994
spray enamel on linen
107 x 86.5cm

Mutlu Çerkez

26980 30 July 2038, 1994
acrylic on canvas
76 x 50cm

Jenny Watson

Wild, White Horse, 1993
oil and acrylic on Chinese velvet with white horse tail
image: 152 x 107 cm; text: 20 x 15 cm

Stieg Persson

Collage1 993 — Sept 12, 1993
canvas, gesso and synthetic polymer paint on paper, collage diptych
175 x 102.5 cm

Callum Morton

Untitled, 1992
pencil and fibre-tipped pen on paper
65 x 73 cm

Stephen Bram

Untitled, 1992
oil on canvasboard
30 x 23 cm

Stephen Bram

Untitled (two point perspective), 1992
oil on canvas
30.5 x 23 cm

Callum Morton

Untitled, 1992
coloured pencil on printed paper (framed)
41.5 x 60.2cm

Stephen Bram

Untitled (two point perspective)
, 1991
oil and acrylic on canvas
38 x 28 cm

Stephen Bram

Untitled (two point perspective)
, 1991
oil and acrylic on canvas
40.8 x 30.5 cm

Peter Tyndall

Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA (WHEN THIS YOU SEE REMBER MEE), 1990
oil on pre-primed canvas, Art Stretchers’ Paraloid/Gloss Varnish
64 x 126cm (framed)

Jenny Watson

Self Portrait, horse, Landscape + Sotheby’s Definition 6,, 1989 – 90
oil on canvas
image panel: 183 x 122 cm; text panel: 76 x 51 cm

Clement Meadmore

Upsurge, 1989
Bronze
46 x 23 x 28 cm
8 + 2AP

Stephen Bram

Stephen Bram, Untitled, 1989
Acrylic on canvas
28 x 28 cm
Photo: Christian Capurro

Jenny Watson

Jenny Watson, The Disenchanted House, 1988
oil, acrylic, dress fabric on linen
122 x 92 cm

Joseph Kosuth

‘A Conditioning of Consciousness’, 1988
blue neon mounted directly on the wall, black & white photograph
250 x 194 cm

John Nixon

Self Portrait, Non-Objective Composition (Night), 1987
enamel and eggshell on Masonite
91.5 x 61 cm

Jenny Watson

The Crimean Wars: The Stage at the Crystal Ballroom, 1986
oil, pigment, mixed media on cotton
244 x 176 cm

John Nixon

Untitled (Starry Night), 1986
eggshell and enamel on plywood
51 x 40.5 cm

Jenny Watson

The Wisdom of Gary Gilmore, 1984
ink on paper
23 x 30.5cm (unframed); 39 x 46cm (framed)

Jenny Watson

The Executioner’s Song, 1984
biro on paper
28.5 x 23cm (unframed); 47 x 39.5cm (framed)

Peter Tyndall

A Person Looks At A Work Of Art/someone looks at something… / LOGOS HA HA, 1982 — 1984
group of 5 x paintings, acrylic on canvas
175.5 x 124 cm; 154.5 x 78.6 cm; 123.5 x 78.7 cm; 154.5 x 78.6 cm; 64 x 49 cm