Available Works
Peter Tyndall
Label Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA Medium A Person Looks At A Work of Art/someone looks at something … CULTURAL CONSUMPTION PRODUCTION, Date – 2011 – 2024 –
Artist Theatre of the Actors of Regard
95 x 278 cm
Photo: Christian Capurro
Peter Tyndall
Label Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA Medium A Person Looks At A Work of Art/someone looks at something … CULTURAL CONSUMPTION PRODUCTION, Date – 2011 – 2024 –
Artist Theatre of the Actors of Regard
125.5 x 369.5 cm
Photo: Christian Capurro
Peter Tyndall
Label Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA Medium A Person Looks At A Work of Art/someone looks at something … CULTURAL CONSUMPTION PRODUCTION, Date – 2011 – 2024
Artist Theatre of the Actors of Regard 9
Photo: Christian Capurro
John Nixon
Untitled (White Cross), c 1985
Enamel paint on chipboard
61 x 45.5 cm
John Nixon
Untitled (White Monochrome with Eggshell), c 1985
Paint and eggshells on board
91.5 x 61 cm
Kathy Temin
Woven: Gold, 2025
gold sequin material, synthetic filling and wood
70 x 60 x 17cm
Photo: Christian Capurro
Emily Floyd
Gulags in the Sun, 2025
Archival inkjet print on cotton rag paper
77 x 55.5 x 7 cm
The seed grows into a plant from within, 2024
Patinated bronze, aluminium with two-part epoxy paint, steel with black oxide coating
120cm x 127cm x 40cm
Photo: Christian Capurro
Emily Floyd
A is you and B is myself, 2024
Polished and patinated bronze, aluminium with two-part epoxy paint,
steel with black oxide coating
120cm x 92cm x 40cm
Photo: Christian Capurro
Emily Floyd
Commoning as a process, 2024
Patinated bronze, aluminium with two-part epoxy paint, steel with black oxide coating
120cm x 85cm x 40cm
Photo: Christian Capurro
Emily Floyd
Old binaries / anti-inflammatories, 2024
Polished bronze, aluminium with two-part epoxy paint, steel with black oxide coating
120cm x 92cm x 40cm
Photo: Christian Capurro
Emily Floyd
Emoticon #7, 2024
Steel, black oxide
61cm x 14cm x 1cm
Photo: Christian Capurro
Emily Floyd
Emoticon #5, 2024
Steel, black oxide
14cm x 65cm x 1cm
Photo: Christian Capurro
Justene Williams
Tuning Into You Aeriola, 2024
closed cell foam, fibreglass, paint, aluminium rod, metal rod, builders bog, found mannequin part
257 x 160 x 162 cm
Photo: Carl Warner
Justene Williams
Congenital Pedestal, 2024
closed cell foam, fibreglass, paint, aluminium rod, metal rod, builders bog, found mannequin part
150 x 403 x 226 cm
Photo: Christian Capurro
Justene Williams
Baroness The Bridge, 2024
automotive carpet, metal, found mannequin, fibreglass, closed cell foam, convex mirror
203 x 175 x 114 cm
Photo: Christian Capurro
Justene Williams
We Could Be Together Walking On The Moon - A Love Song For Neutrino Stars, 2024
silver helium balloons, closed-cell foam, aluminium rods, 2 photographic transparency lightbox lights, plastic mannequins, paint and resin lights, floor underlay, insulation tape
200 x 330 x 177 cm
(Julie no 1 lightbox 180 x 177 x 117 cm)
(Julie no 2 lightbox 180 x 177 x 90.5 cm)
Photo: Christian Capurro
Stargazing Breech Baby, 2024
glitter perspex light box cell foam metal paint fan plastic bag foil
90 x 200 x 160 cm
Photography: Christian Capurro
Kerrie Poliness
Non-Objective Wildflower Painting
pale green with lilac, orange, yellow-orange, white, brown, green, grey and black lines, 2024
acrylic paint on canvas
197 x 195 cm
Photo: Christian Capurro
Kerrie Poliness
Non-Objective Wildflower Painting
pink with light green, yellow, black, magenta, grey, orange and purple lines, 2024
acrylic paint on canvas
194 x 195 cm
Photo: Christian Capurro
Kerrie Poliness
Non-Objective Wildflower Painting
yellow with red, lilac, white, orange, magenta and green lines, 2024
acrylic paint on canvas
198 x 193 cm
Photo: Christian Capurro
Britt d’Argaville, ‘Earthquake’, 2024
chipboard, acrylic paint, epoxy resin, inkjet paper, ink, adhesive
310 x 310 x 310 cm
Photo: Christian Capurro
Nicola Blumenthal, ‘Heater 3’, 2024
glass, metal, acrylic paint
74 x 64 x 28 cm
Photo: Christian Capurro
Nicola Blumenthal, ‘Object 4’, 2024
garbage bag, crate, box, plastic, acrylic paint
83 x 56 x 46 cm
Photo: Christian Capurro
Nicola Blumenthal, ‘Object 5’, 2024
Mylar, PVC duct tape, acrylic paint
20 x 70 x 63 cm
Photo: Christian Capurro
Nicola Blumenthal, ‘Object 8’, 2024
pleather, paint, mail polish, crystal, fabric, glass, beads, plastic, felt, lace, chopping board, spray paint, acrylic paint
50 x 180 x 160 cm
Photo: Christian Capurro
Nicola Blumenthal, ‘Object 9’, 2024
‘Melbourne stainless steel benches’, clipboard, acrylic paint
95 x 60 x 70 cm
Photo: Christian Capurro
Nicola Blumenthal, ‘Object 12’, 2024
glass, wooden table, steel, fake fingernail, acrylic paint
75 x 92 x 46 cm
Photo: Christian Capurro
Nicola Blumenthal, ‘Object 14’, 2024
mdf, pine, acrylic paint
240 x 249 x 47 cm
Photo: Christian Capurro
Nicola Blumenthal, ‘Object 15’, 2024
canvas, CSL RICHPAST Healthyfuture, wood, chopping board, acrylic paint
117 x 231 x 18 cm
Photo: Christian Capurro
Stephanie Pile, ‘Untitled 1’, 2024
found fabric on plywood
95 x 120 cm
Photo: Christian Capurro
Nicola Blumenthal, ‘Silver Objects’, 2024
Photo: Christian Capurro
Jan Nelson
Black River Running #21, 2024
foam, epoxy paint on linen
80 x 62 x 16 cm
Photo: Christian Capurro
Jan Nelson
Black River Running #18, 2024
foam, epoxy paint on linen
270 x 207 x 32 cm
Photo: Christian Capurro
Jan Nelson
Black River Running #19, 2024
oil paint on linen
168 x 198 cm
Photo: Christian Capurro
Jan Nelson
Black River Running #20, 2024
foam, epoxy paint on linen
48 x 40 x 13 cm
Photo: Christian Capurro
Jan Nelson
Black River Running #24, 2024
oil paint on linen
41 x 50 cm
Photo: Christian Capurro
Jan Nelson
Black River Running #25, 2024
oil paint on linen
41 x 41 cm
Photo: Christian Capurro
David Noonan
Mask, 2024
liquid pigment on dyed fabric
57.5 x 42 x 4 cm
David Noonan
Eclipse, 2024
liquid pigment on dyed fabric
57.5 x 42 x 4 cm
Angelica Mesiti
The Rites of When, 2024
seven-channel digital video installation, colour, sound
34 minutes 29 seconds
Edition of 3 plus 2AP
Kerrie Poliness
Non-Objective Wildflower Painting, 2024
acrylic paint on stretched canvas
193 x 193 cm
Kerrie Poliness
Non-Objective Wildflower Painting, 2024
acrylic paint on stretched canvas
193 x 193 cm
Peter Tyndall
detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [Johann Kaspar Lavater), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [Étienne de Silhouette), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
etail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail/A Person Looks At A Work Of Art/someone looks at something.…LOGOS/ HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
“blank words, but I use them” Samuel Beckett, The Unnamable, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
“blank words, but I use them” Samuel Beckett, The Unnamable, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
“blank words, but I use them” Samuel Beckett, The Unnamable, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail/A Person Looks At A Work Of Art/someone looks at something.…LOGOS/ HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail/A Person Looks At A Work Of Art/someone looks at something.…LOGOS/ HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail/A Person Looks At A Work Of Art/someone looks at something.…LOGOS/ HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [after ‘House Under Construction’, Kazimir Malevich, 1915 – 1916), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [TARist composition with Ten Red Label Diamonds, after K.M.), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [with Laughing Title), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [Laughing Title), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
“blank words, but I use them” Samuel Beckett, The Unnamable, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Peter Tyndall
detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [commissioned from the Chinese copy-artists of Dafen village), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro
Angelica Mesiti
Sidereal, 2024
High definition colour video, 8:9, stereo sound
7 minutes
Edition of 5 plus 2AP
Rose Nolan
A Big Word – THINKING (medium), 2024
acrylic paint, found box, screen board
40 x 27 x 15cm
Kathy Temin
Woven: Silver, 2024
metallic material, synthetic filling and wood
75 x 81 x 17 cm
Photo: Christian Capurro
Kathy Temin
Woven: Houndstooth, 2024
synthetic fur, synthetic filling and wood
58 x 58 x 18 cm
Photo: Christian Capurro
Kathy Temin
Woven: Cream, 2024
synthetic fur, synthetic filling and wood
165 x 133 x 20cm
Photo: Christian Capurro
Kathy Temin
Woven: Purple, 2024
synthetic fur, synthetic filling and wood
170 x 126 x 24 cm
Photo: Christian Capurro
Kathy Temin
Woven: Brown and Tan, 2024
synthetic fur, synthetic filling and wood
186 x 96 x 22 cm
Photo: Christian Capurro
Kathy Temin
Woven: Rose, 2024
synthetic fur, synthetic filling and wood
76 x 76 x 19cm
Photo: Christian Capurro
Kathy Temin
Woven: Black, 2024
black sequin material, synthetic filling and wood
64 x 64 x 17 cm
Photo: Christian Capurro
Kathy Temin
Woven: Houndstooth Metallic, 2024
silver lame material, synthetic filling and wood
136 x 73 x 17cm
Photo: Christian Capurro
Kathy Temin
Woven: Camouflage, 2024
synthetic fur, synthetic filling and wood
87 x 85 x 27cm
Photo: Christian Capurro
Kathy Temin
Woven: Green, 2024
synthetic fur, synthetic filling and wood
130 x 143 x 21 cm
Photo: Christian Capurro
Chiharu Shiota
Chiharu Shiota, Endless Line (black), 2024
thread on canvas
160 x 140 cm
Photo: Christian Capurro
Jenny Watson
Party girl with a pink pom pom, 2024
oil stick, acrylic, found pom pom on Disney cotton fabric with red velvet ribbon “frame” over Italian backing fabric
132.5 x 90.5 x 0.7 cm
Photo: Christoper Capurro
Emily Floyd
To read in a non-extractive way, 2024
Patinated bronze, aluminium with two-part epoxy paint, steel with black oxide coating
120 x 85 x 40 cm
Kerrie Poliness
Non-Objective Wildflower Painting lilac with yellow, green, white, pink and purple lines, 2024
acrylic paint on canvas
198 x 193 cm
Jan Nelson
Black River Running #16, 2023 – 2024
foam, epoxy paint on linen
210 x 162 x 26 cm
Photo: Christian Capurro
Jan Nelson
Black River Running #17, 2023- 2024
oil paint on linen
200 x 254 cm
Photo: Christian Capurro
Beth Maslen, ‘Maternal Figures 12’, 2023 — 2024
Victorian ash, plaster, oak veneer
93 x 233 x 145 cm
Photo: Christian Capurro
Kathy Temin
Wall Work: Hanging with Two Balls, 2023
Synthetic fur, synthetic filling and wood
100 x 180 x 30 cm
Kathy Temin
Wall Work: Large Hanging 2, 2023
Synthetic fur, synthetic filling and wood
270 x 220 x 20 cm
Wall Work: Large Rectangle with Two Balls, 2023
Synthetic fur, synthetic filling and wood
150 x 200 x 30 cm
Su san Cohn
Peace Tool Kit, 2023
Fine silver, Japanese cotton wrap, walnut wood, s/s scribe,
s/s peace touch mark, waxed linen thread, rapid draw film,
herringbone tape, polymer clay
Wrap: 345mm square, Piece of peace (pop): 215 x 85 x .04mm
Su san Cohn
Peace Token, 2023
Aluminum, paper package, unlimited edition
44mm diameter
Su san Cohn
Peace Earrings, 2023
Anodised aluminium, fine silver fittings
44mm diameter
Su san Cohn
Peace Rings, 2023
Fine silver rings, galvanised steel, polymer clay, Japanese cotton, aluminium
Ring: 65mm thick, various diameters
Ring stand: 33.7mm x 30mm x 11.5mm
Stieg Persson
Good on paper, 2023
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro
Amrita Hepi
The Blue Tax (the blew tax), 2023
Inkjet print on Ilford Pearl 310gsm
82 x 125.5cm
Photo: Christian Capurro
Amrita Hepi
Heir 2, Air to the throne, 2023
Inkjet print on Ilford Gallerie Pearl 310gsm
72 x 146cm
Photo: Christian Capurro
Amrita Hepi
Blak owt blind, 2023
Custom printed vertical blinds
160 x 120 cm
Amrita Hepi
Too peace sealing, 2023
custom printed vertical blinds
220 x 160cm
Photo: Christian Capurro
Amrita Hepi
Knightengale phace (nightengale face) II, 2023
Inkjet print on Ilford Gallerie Pearl 310gsm
82 cm x 122 cm
Amrita Hepi
Aisle, Isle (I’ll), 2023
Inkjet print on Ilford Gallerie Pearl 310gsm
82 x 122 cm
David Noonan
Untitled, 2023
Jacquard tapestry
195cm x 290cm
Photo: Christian Capurro
Louisa Bufardeci
holding several threads at once, figuring a future together, 2023
Waist band elastic, gallery walls, sound Variable
Jan Nelson
Black River Running #23, 2023
oil paint on linen
46 x 61 cm
Photo: Christian Capurro
Grupo Coral Sol Nascente (Sunrise Choir), 2023
Sunlight, tais (traditional Timorese cloth), and fabric protector
89 x 128 cm
Photo: Christian Capurro
Kathy Temin
Wall Work: Large Rectangle with Two Balls, 2023
Synthetic fur, synthetic filling and wood
150 x 200 x 30 cm
Chiharu Shiota
State of Being (Masks), 2023
Metal frame, masks, thread
120 x 80 x 45 cm
Stieg Persson
Chicken Soup, 2023
watercolour on paper
76cm x 55 cm
Stieg Persson
Modern Australian, 2023
watercolour on paper
76cm x 55 cm
Kerrie Poliness
Non-Objective Wildflower Painting lilac on black with yellow , purple, green, red, grey and pink lines, 2023
acrylic paint on canvas
198 x 193 cm
Maria Madeira
Hau Nia Dalan (My Journey), 2023
Mixed Media on paper: Tais (traditional East Timorese Cloth, Acrylic, gesso, impasto gel, red earth, pencil, charcoal, betel nut, ink, glue, sealer
40 x 30 cm
Callum Morton
Window 1, 2022 – 23
synthetic polymer paint on canvas
360 x 240 cm
Callum Morton
Blind 1, 2022 – 23
synthetic polymer paint on canvas
360 x 240 cm
Callum Morton
Blind 2, 2022 – 23
synthetic polymer paint on canvas
360 x 240 cm
Nicola Blumenthal, ‘Object 7’, 2022 – 2024
plywood, rope, Mylar, duct tape, acrylic paint
50 x 56 x 43 cm
Photo: Christian Capurro
David Noonan
Untitled, 2022
C‑type print, aluminium frame, linen window mount
38.5 x 40.5 cm
David Noonan
Untitled, 2022
C‑type print, aluminium frame, linen window mount
38.5 x 40.5 cm
David Noonan
Untitled, 2022
C‑type print, aluminium frame, linen window mount
38.5 x 40.5 cm
Angelica Mesiti
The rain that fell in the faint light of the young Sun (peach), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm
Angelica Mesiti
The rain that fell in the faint light of the young Sun (yellow), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm
Angelica Mesiti
The rain that fell in the faint light of the young Sun (mauve), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm
Rose Nolan
Big Words (Not Mine) – Be confident that…, 2022
Acrylic paint, hessian, embroidery thread, tap washers
180 x 179cm
Image: Christian Capurro
Amrita Hepi
Scripture for a smoke screen: Episode 1 – dolphin house, 2022
Callum Morton
Window 6, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm
Callum Morton
Utility no. 1, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm
Callum Morton
The Hole Story 2, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm
Callum Morton
The Hole Story 4, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm
Daniel von Sturmer
Projections (cream), 2022
Acrylic enamel on aluminium
120 x 80 cm
Daniel von Sturmer
Projections (azure), 2022
Acrylic enamel on aluminium
120 x 80 cm
Stieg Persson
Mr Leopold Bloom, 2022
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro
Stieg Persson
Sleeping St Joesph, 2022
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro
Stieg Persson
Fail safe, 2022
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro
Stieg Persson
Oyster Eyes, 2022
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro
Stieg Persson
Eggs Berlioz, 2022
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro
Jenny Watson
Corner of Broadway and Prince Street New York 1991, 2022
Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen with fabric collage
216cm x 156cm
Photo: Christian Capurro
Angela de la Cruz
Loop (S) (Pearl Blue), 2022
Oil and acrylic on canvas
70 x 50 x 12 cm
Photo: Christian Capurro
Angela de la Cruz
Loop S (Caribbean Blue) II, 2022
Oil and acrylic on canvas
71 x 50 x 7.5 cm
Photo: Christian Capurro
Stephen Bram
Untitled, 2022
acrylic on canvas
70 x 60cm
Kerrie Poliness
Untitled 6, 2022
pencil, acrylic, gouache, watercolour and house paint on board
40 x 60cm
Kerrie Poliness
Untitled 4, 2022
pencil, acrylic, gouache, watercolour and house paint on board
35.5 x 35.3cm
Kerrie Poliness
Untitled 2, 2022
pencil, acrylic, gouache, watercolour and house paint on board
60 x 40cm
Maria Madeira
Loron Loron (Day by Day), 2022
Sunlight, tais (traditional Timorese cloth), and fabric protector
186 x 293 cm
Photo: Christian Capurro
Maria Madeira
My Mother’s Fingerprints (Hau Nia Ama Nia Liman Fatin), 2022
Sunlight, tais (traditional Timorese cloth), and fabric protector
147 x 192 cm
Photo: Christian Capurro
Maria Madeira
Timor-Leste, 2022
Sunlight, tais (traditional Timorese cloth), and fabric protector
138 x 190 cm
Photo: Christian Capurro
Kathy Temin
Wall Work: Large Hanging 1, 2022
Synthetic fur, synthetic filling and wood
165 x 165 x 15 cm
David Noonan
Untitled, 2022
C‑type print, aluminium frame, linen window mount
38.5 x 40.5 cm
Angelica Mesiti
The rain that fell in the faint light of the young Sun (burgundy), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm
Angelica Mesiti
The rain that fell in the faint light of the young Sun (magenta), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm
Angelica Mesiti
he rain that fell in the faint light of the young Sun (green), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm
Angelica Mesiti
The rain that fell in the faint light of the young Sun (blue), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm
Angelica Mesiti
The rain that fell in the faint light of the young Sun (acqua), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm
Callum Morton
Window, 2022
Pencil and ink on paper
sheet 40.5 x 28.5 cm
frame size 55.1 x 45.2 cm
Callum Morton
Window, 2022
Pencil and ink on paper
sheet 40.5 x 28.5 cm
frame size 55.1 x 45.2 cm
Callum Morton
The Hole Story 5, 2022
Pencil on paper
sheet 40.5 x 28.5 cm
frame size 55.1 x 45.2 cm
Chiharu Shiota
Connected to the Universe, 2022
Water colour and thread on paper Thread on canvas
24.5 x 35.5 cm
Chiharu Shiota
Connected to the Universe, 2022
Water colour and thread on paper Thread on canvas
24.5 x 35.5 cm
Stieg Persson
Realities, 2022
watercolour on paper
76cm x 55 cm
Stieg Persson
Turtle Soup, 2022
watercolour on paper
76cm x 55 cm
Stieg Persson
Scheherazade, 2022
watercolour on paper
76cm x 55 cm
Stieg Persson
Stanley Brandy, 2022
watercolour on paper
76cm x 55 cm
Stieg Persson
St. Abigail, 2022
watercolour on paper
76cm x 55 cm
Stieg Persson
Wellness Peebles, 2022
watercolour on paper
76cm x 55 cm
Kerrie Poliness
Untitled 7, 2022
pencil, acrylic, gouache, watercolour and house paint on board
40 x 60 cm
Stephen Bram
Untitled, 2021
acrylic on cotton
171 x 144.5 cm
Jenny Watson
The First Riding Lesson, 2021
acrylic and gesso on rabbit skin glue primed Belgian linen
183 x 274 cm
Stieg Persson
Barbabietole di Chioggia, 2021
oil on linen
183 x 168 cm
Stephen Bram
Untitled, 2021
acrylic on cotton
151 x 144.5 cm
Angelica Mesiti
Over Land and Sea, 2021
dipytch: archival photographic prints
122 x 68.6cm
Stieg Persson
Working Blue, 2021
watercolour on paper
76cm x 55 cm
Mikala Dwyer
Mobius and I, 2020
polished stainless steel and iphone
190 x 40 x 164 cm
Stephen Bram
Untitled (two-point perspective), 2020
synthetic polymer paint on canvasboard
35.6 x 28 cm
Amrita Hepi
The Kiss, 2020
(stills) HD video, 16:9, colour, sound
3 minutes 17 seconds
Commissioned by the National Gallery of Australia
Rose Nolan
SO / SO, 2020
Acrylic paint, cardboard
2 x panels each 34 x 29 x 12cm
Image: Christian Capurro
Jenny Watson
A Horse in Chocolate, 2020
oil, acrylic, pigment and collage on rabbit skin glue-primed on Belgian linen
210 x 182 cm
Vivienne Shark LeWitt
The Unity of Opposites, detail (black bird), 2020
Water based paint on Hessian
27cm x 22.5cm
Photo: Zan Wimberley
Vivienne Shark LeWitt
The Unity of Opposites, detail (red robin), 2020
Water based paint on Hessian
27cm x 22.5cm
Photo: Zan Wimberley
Vivienne Shark LeWitt
The Unity of Opposites, detail (green bird), 2020
Water based paint on Hessian
27cm x 22.5cm
Photo: Zan Wimberley
Vivienne Shark LeWitt
Works of Mercy, detail (pray for the living and the dead), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley
Vivienne Shark LeWitt
Works of Mercy, detail (bury the dead), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley
Works of Mercy, detail (visit the sick), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley
Vivienne Shark LeWitt
Works of Mercy, detail (counsel the doubtful), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley
Maria Madeira
Refugee Camp, 2020
Rock powder, red earth, Betel nut, cotton, gauze, betadine, glue, shellac, ink and sealer on canvas
70cm x 115cm
Maria Madeira
Resistencia Timorense (Timorese Resistance), 2020
Fabric material, cotton, tais (traditional Timorese cloth), betel nut, diluted red earth, glue, and sealer
110cm x 130cm
Rose Nolan
MORE, 2020
acrylic paint, cardboard, found box
41 x 30 x 11cm
Louisa Bufardeci
Looking in to the land attached 2, 2020
wool and linen
21 x 31cm
Louisa Bufardeci
Looking in to the land attached 1, 2020
wool and linen
28 x 29cm
Kathy Temin
Green Garden Shelf, 2020
Synthetic fur, polyester fill, wood, steel, plastic
120 x 60 x 30 cm
Angelica Mesiti
Over the Air and Underground, 2020
Five-channel video installation, colour, 10 channel mono sound
9 minutes 8 seconds
Edition of 3, 2 AP (AP 1⁄2)
Stieg Persson
Dead Ends, 2020
oil on linen
183 x 168 cm
Maria Kozic
Resistencia Timorense (Timorese Resistance), 2020
fabric material, cotton, tais (traditional Timorese cloth), betel nut, diluted red earth, glue, and sealer
110 x 130 cm
Emily Floyd
Owl of Minerva, 2019
owl: cast aluminium, two-part epoxy paint
lantern: cast and fabricated aluminium, lighting insert
150 x 130.65 x 99.7 cm
Edition of 3
Mikala Dwyer
Gertrude, 2019
steel quartz crystals (Rose, Amethyst, White), rubber feet, acrylic paint
approx. 90 x 30 x 60 cm
Photo: Zan Wimberley
Mikala Dwyer
Fall Measure, 2019
polished stainless steel
60 x 40 cm (+ string)
Mikala Dwyer
Collapsed Line, 2019
amber, gumtree, turquoise, glass, coins, clay, bandage, porcelain, plastic, gapfiller, readymades, chains, hooks, wire
280 x 70 x 70 cm
Mikala Dwyer
Line, 2019
polished stainless steel
346 x 12 cm
Mikala Dwyer
Flat Square Circle, 2019
polished stainless steel and copper
350 x 160 cm
Mikala Dwyer
Empty Sculpture, 2019
plastic
270 x 100 x 80 cm
Mikala Dwyer
Tear Flat Drop, 2019
trilobal polyester
700 x 264 cm
Angelica Mesiti
ASSEMBLY, 2019
(still) three-channel video installation in architectural amphitheater HD video projections, colour, six-channel mono sound
25 minutes
Commissioned by the Australia Council for the Arts on the occasion of the 58th International Art Exhibition – La Biennale di Venezia
Photo: Josh Raymond
Louisa Bufardeci
Sweeping One and the Other Away, 2019
LED display
20 x 200 cm
22 hours 20 minutes
Kate Mitchell
It’s A Sign, 2019
single-channel High Definition video, 16:9, colour, sound
17 minutes 32 seconds
Edition of 3
Amrita Hepi
Movement of Place, 2019
(stills) HD video, 16:9, colour, sound
5 minutes 44 seconds
Amrita Hepi in collaboration with Claire Winsor
Commissioned by Taylor Culitiy Lethean Architecture Firm
Shaun Gladwell
Surfer Funeral for Liberty 1, 2019
etching (liftground, open bite, spit bite and aquatint) on BFK Rives 300gsm paper
102.5 x 129.5 cm
Shaun Gladwell
Skulls ‘R’ Us 1, 2019
etching (lift ground, open bite, spit bite and aquatint) on BFK Rives 300gsm paper
102.5 x 129.5 cm
Jenny Watson
Feed, 2019
acrylic on Italian damask
140 x 107 cm
Rose Nolan
Barcode House, 2019
found packaging, cardboard, synthetic polymer paint
30.5 x 44.5 x 25 cm
Rose Nolan
iTunes Museum, 2019
found packaging, cardboard, synthetic polymer paint
37 x 15.5 x 8.5 cm
Maria Madeira
Remains, 2019
Rock powder, red earth, glue, charcoal, pencil and sealer on canvas
100cm x 115cm
Stieg Persson
Patate, 2019
oil on linen
97 x 77cm
Stieg Persson
Cacciatori, 2019
oil on linen
97 x 77cm
Peter Tyndall
Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA , 2019
‘Liquitex’ and ‘Matisse’ acrylic paint and ‘Liquitex’ Satin varnish on canvas
157.5 x 112cm
Stephen Bram
Untitled, 2019
Acrylic on Canvas
210 x 390cm
Jenny Watson
White Mischief, 2019
acrylic on Italian damask and cutting collaged to Japanese plywood support
painting: 153 x 105.5 cm object: 14 x 14 x 2 cm
Jenny Watson
A School Girl from the Back, 2019
acrylic on vintage French Chintz and French Disney jigsaw puzzle
painting: 151 x 94 cm jigsaw box: 3.5 x 15.2 x 10 cm
David Noonan
Untitled, 2019
giclée print collage on linen mounted on aluminium, Perspex box frame
85.2 x 105.2 cm
Emily Floyd
THESIS 11, 2019
aluminium and two-part epoxy paint
340 x 234 x 70 cm
Stieg Persson
Torroncini, 2019
oil on linen
97 x 77 cm
Stieg Persson
Salame di Cervo e Mortadella, 2019
oil on linen
97 x 77 cm
Stieg Persson
Pomodori, 2019
oil on linen
97 x 77 cm
Stieg Persson
Limoni, 2019
oil on linen
97 x 77 cm
Stieg Persson
Bocconcino, 2019
oil on linen
97 x 77 cm
Emily Floyd
Female Orgasm: a codex of sorts, after Ursula Le Guin, 2018 – 19
artist’s book (screenprint) with supplement
artist’s book (screenprint) with supplement
Marco Fusinato
Louisville Slugger, 2018
bronze multiple made for the occasion of the 21st Biennale of Sydney, Carriageworks
82 x 7 cm (diameter)
Edition of 15
Callum Morton
Screen Shot #37, 2018
wood and synthetic polymer paint
93 x 46 x 110 cm
Skin, 2018
Thread on canvvas
140 x 80 cm
Vivienne Shark LeWitt
Pine Tree, 2018
Water based paint on linen
91cm x 72cm
Photo: Zan Wimberley
Vivienne Shark LeWitt
My theory which is mine, 2018
Water based paint on linen
50cm x 50cm
Photo: Zan Wimberley
Vivienne Shark LeWitt
Scapegoat, 2018
Water based paint on linen
91cm x 60cm
Photo: Zan Wimberley
Jan Nelson
Black River Running # 11, 2018
oil on linen
75 x 57.5cm
Stephen Bram
Untitled, 2018
acrylic on cotton/synthetic
500 x 400 mm
Callum Morton
Screen Shot #35, 2018
wood and synthetic polymer paint
93 x 46 x 110 cm
Big Words (Not Mine) — Repetition compulsion or a drive to repeat a singular impulse over and over again to get it right or righter is distinguished from some unstoppable urge to create, 2018
Multi-purpose identification labels, PVA, acrylic paint, pencil, cardboard
15.3 x 1396.6 cm
Kerrie Poliness
Nice Spot, 2018
digital video: colour, sound, 50 minutes 30 seconds Six paintings: Acrylic and gouache on acrylic sheet
40.5 x 56.5cm each variable dimensions 4, AP (#3/4)
Daniel Crooks
Static No.22 (Gyre and Gimbal), 2017
single-channel High Definition video, 9:16, stereo
4 minutes 54 seconds
Edition of 3
Louisa Bufardeci
Hey!, 2017
wool, cotton
80 x 80 cm
Louisa Bufardeci
Eh! (Vietnamese), 2017
wool, cotton
80 x 80 cm
Louisa Bufardeci
Hoi! (Dari), 2017
wool, cotton
40 x 40 cm
Louisa Bufardeci
Machang! (Sinhalese), 2017
wool, cotton
60 x 60 cm
Candice Breitz
Profile, 2017
three single-channel videos, colour, sound (looped)
Edition of 25
Angelica Mesiti
Angelica Mesiti, SOS II, 2017
brass bells and steel wire
115 x 16 x 16 cm
Daniel Crooks
High Street (After Ruscha), 2017
single-channel video, 2:1, 4K, stereo sound
17 minutes 52 seconds
Edition of 3
Daniel Crooks
Static No.21 (Double Helix), 2017
single-channel High Definition video, 9:16, stereo
4 minutes 44 seconds
Edition of 3
Louisa Bufardeci
O aalai! (Dari), 2017
wool, cotton
80 x 80 cm
Marco Fusinato
Mass Black Implosion (Ludwig van, Mauricio Kagel), 2017
ink on archival facsimile of score
10 parts, each 76.5 x 100 cm
Amrita Hepi
Dance Rites, 2017
(still) single-channel HD video installation, 16:9, colour, silent, sand, rope
7 minutes 19 seconds
Puffin with Fish #18 Elín Sigfúsdóttir, 2017
Wood, two part epoxy paint (matte black, blue), mild steel with black oxide coating
45 x 25 x 35cm
Jenny Watson
White Cat, 2017
il and acrylic on red velvet; acrylic on panel text
image: 144 x 90 cm text: 21 x 14.8 cm
David Noonan
A Dark and Quiet Place, 2017
film, black & white, stereo sound 28 minutes
Angelica Mesiti
Tossed by Waves, 2017
HD video, 16:9, colour, silent
6 minutes 17 seconds
Edition of 3, 2 AP (#3/3)
Emily Floyd
Puffin with Fish #22 Lýður Guðmundsson, 2017
Wood, two part epoxy paint (matte black, orange), mild steel with black oxide coating
45 x 25 x 35 cm
Emily Floyd
Puffin with Fish #21 Bjarnfreður Ólafsson, 2017
wood, two part epoxy paint (matte black, red), mild steel with black oxide coating
45 x 25 x 35 cm
Emily Floyd
Puffin with Fish #13 Hannes Þór Smárason, 2017
wood, two part epoxy paint (matte black, blue), mild steel with black oxide coating
45 x 25 x 35 cm
Chiharu Shiota
Belonging, 2017
bronze
10 x 24 x 30 cm
Su san Cohn
Boring Beige, 2017
HIPS plastic doughnuts, plinth, Perspex 49 doughnuts
3.4 x 13.3 cm diameter (each) plinth: 151 x 50 x 50 cm (# 1⁄0)
Emily Floyd
Emily Floyd, Gulag Archipelago, 2016 — 2025
Red Oak, Huon Pine, stain and polish
dimensions variable, approx. 135 x 135 x 98 cm
Photo: Christian Capurro
John Nixon
Yellow Monochrome (Japan), 2016
Enamel on canvas with nine pieces of bamboo
41 x 30.5 x 4.5 cm
John Nixon
Yellow Monochrome (Japan), 2016
Enamel on canvas with woven screen and bamboo frame
41 x 30.5 x 3.5 cm
Kate Mitchell
Hypnotised Into Being, 2016
single-channel High Definition digital video, 16:9, colour, silent
17 minutes 48 seconds
Edition of 3
Kate Mitchell
The Artist Thrown #1 — #42, 2016
Type‑C prints
13 x 18 cm (each)
Edition of 3
Daniel Crooks
The Subtle Knife, 2016
single-channel High Definition video, 1080p 24, stereo
8 minutes 23 seconds
Edition of 3
Emily Floyd
Gulags in the Sun, 2016
Unique woodblock print on Velin Arches paper
61 x 31.5 cm
Mirror Man, 2015
Acrylic on canvas
190 x 300 cm
John Nixon
Yellow Monochrome (Japan), 2015
enamel on canvas with once piece of bamboo
40 x 31 x 4.5 cm
Kate Mitchell
Bad Luck Rearranged I and II, 2015
Type‑C photograph
30 x 30 cm each
Edition of 3
Warwick Thornton
Luka, 2015
pigment print on cotton rag art paper
diptych: 152 x 153; 25 x 25 cm
Edition of 3
Warwick Thornton
Sterling, 2015
pigment print on cotton rag art paper
diptych: 152 x 153; 25 x 25 cm
Edition of 3
Warwick Thornton
Shanika, 2015
pigment print on cotton rag art paper
diptych: 152 x 153; 25 x 25 cm
Edition of 3
Joseph Kosuth
‘Mondrian’s Work XI’, 2015
silkscreen on glass, white neon mounted directly on the wall
200 x 200 cm
Photo: Zan Wimberley
David Noonan
Untitled, 2015
silkscreen on dyed linen collage, steel tray frame
204 x 146 x 6 cm
David Noonan
Untitled, 2015
silkscreen on dyed linen collage, steel tray frame
204 x 146 x 6 cm
Warwick Thornton
Way of the Ngangkari, 2015
High Definition video, 9:16, colour, silent
10 minutes 30 seconds
Edition of 3
Warwick Thornton
Way of the Ngangkari, 2015
High Definition video, 9:16, colour, silent
10 minutes 30 seconds
Edition of 3
Callum Morton
Cover Up #25, 2015
wood, polyurethane, resin, synthetic polymer paint
84 x 98 cm
Su san Cohn
Peace/Let’s start again, 2015
Cotton, sterling silver, gold solder, magnets
430 x 400mm
Jan Nelson
Sympathy for the Devil #1, 2015
acrylic and enamel on linen
38.5 x 38.5 cm
Jan Nelson
Sympathy for the Devil #1, 2015
acrylic and enamel on linen
acrylic and enamel on linen
Jan Nelson
Sympathy for the Devil #1, 2015
Acrylic and enamel on linen
38.5 x 38.5cm
Jan Nelson
Sympathy for the Devil #1, 2015
Acrylic and enamel on linen
38.5 x 38.5cm
Kathy Temin
The Memorial Project: Black Wall (Detail: Three Trees), 2015
synthetic fur, MDF and filling
285 x 130 x 50 cm
Kathy Temin
The Memorial Project: Black Seat, 2015
synthetic fur, MDF and filling
290 x 250 x 250 cm
David Noonan
Untitled, 2015
silkscreen on linen collage
78 x 58 cm
Angelica Mesiti
Play, 2015
single-channel High Definition video, 16:9, colour, stereo sound
4 minutes 4 seconds
Edition of 3 plus 2 AP (#3/3)
Angelica Mesiti
Nakh Removed, 2015
single-channel High Definition video, 16:9, colour, silent
9 minutes 6 seconds
Edition of 3 plus 2 AP (#3/3)
Angelica Mesiti
The Colour of Saying, 2015
Three-channel video installation, colour, sound
25 minutes
Edition of 3, 2 AP (AP 1⁄2)
Angelica Mesiti
Silent Polyphony, 2015
HD video, 16:9, colour, silent
3 minutes 33 seconds
Edition of 3 plus 2 AP (#3/3)
Emily Floyd
A, 2015
aluminium, bronze, automotive paint
2 parts, 62 x 30 x 30 cm (each)
Emily Floyd
N #2 (Field Libraries), 2015
aluminium, bronze, automotive paint
215 x 105 x 30 cm
Stieg Persson
Activated Gold II, 2015
two run lithograph on 250gsm Magnani Revere white paper (Run 1. — Orange, Run 2. — Gold Flocking)
93.5 x 72 cm 10 (#3/10)
Warwick Thornton
Way of the Ngangkari, 2015
video, 10 minutes 23 seconds
3, 2 APs (#2/3)
Warwick Thornton
Way of the Ngangkari, 2015
HD video, 9:16, colour, silent looped
Edition of 3 plus 2 AP (#3/3)
Daniel Crooks
A Dance of Inconsistencies, 2014
High Definition video, 16: 9, stereo, colour, sound
4 minutes 33 seconds
Edition of 3
Daniel von Sturmer
These Constructs (empty white space), 2014
single-channel High Definition digital video, 16:9, colour
1 minute 8 seconds
Edition of 3
Daniel von Sturmer
These Constructs (laser scans), 2014
single-channel High Definition digital video, 16:9, colour
3 minutes 45 seconds
Edition of 3
Daniel von Sturmer
These Constructs (cutaway black), 2014
single-channel High Definition digital video, 16:9, colour
1 minutes 38 seconds
Edition of 3
Daniel von Sturmer
These Constructs (RGB cube), 2014
single-channel High Definition digital video, 16:9, colour
1 minutes 46 seconds
Edition of 3
Daniel von Sturmer
These Constructs (flashlight), 2014
single-channel High Definition digital video, 16:9, colour
1 minute 25 seconds
Edition of 3
John Nixon
Untitled, 2014
enamel on MDF
76 x 75 cm
Kathy Temin
Pet Tomb: Tina, 2014
synthetic fur, MDF and filling
178 x 100 x 110 cm
Kathy Temin
Pet Tomb: Roger, 2014
synthetic fur, MDF and filling
109 x 210 x 50 cm
Kathy Temin
Pet Tomb: Ebeneza, 2014
synthetic fur, MDF and filling
220 x 95 x 95 cm
Daniel Crooks
Truths Unveiled by Time #5, 2014
stereolithographic resin, automotive paint and stainless steel
three pieces: 48 x 20 x 26 cm
Nina Beier
The Demonstrators (Sinking Coins), 2014
Poster, glue, trapeze
645 x 58 cm, 705 x 58 cm and 726 x 58 cm
Alicia Frankovich
Defending Plural Experiences: MOCAP Creation, 2014
36 minutes 28 seconds
Simon Denny
New Management, 2014
Anodised aluminium, digital print on perspex, screws, 55″ Samsung 3D Smart TV, remote control
97 x 170 x 12.5 cm
Simon Denny
Disrupt Peter Thiel Sweet Spot, 2014
Digital print on billboard mesh, custom aluminium frame, fittings, TechCrunch Berlin Disrupt Banner
320 x 600 x 10 cm
Simon Denny
Seedcamp Documentary, 2014
High Definition video, 65″ Samsung curved 3D Smart TV
2 minutes 41seconds
Marlie Mul
Air Vent/Butt Stop (Fake Coughing In Front Of Smokers Just To Make Them Feel…), 2014
Steel, cigarette, paper
120 x 90 cm
Marlie Mul
Plaster Pole (Healing), 2014
Silk screen on Plexiglas
200 x 25 x 25 cm
Kate Mitchell
Beyond Setting Suns, 2014
single-channel High Definition digital video, 16:9, colour, silent
40 second loop
Edition of 3
John Nixon
Untitled (White Monochrome with Picture Frame), 2014
Paint on canvas, wood, wood frame
64 x 45 x 6cm
John Nixon
Untitled (White Monochrome with Spoon), 2014
Enamel paint on two canvases with spoon and wood
64 x 45 x 6 cm
John Nixon
Untitled, 2014
enamel on two canvases
81 x 75cm
John Nixon
Untitled, 2014
enamel on three canvases
68 x 70cm
John Nixon
Untitled (White Monochrome), 2014
Enamel paint, wood and ceramic tiles on canvas
60 x 40 x 6cm
Kathy Temin
Pet Tomb: Nikki, 2014
synthetic fur and MDF
108 x 60 x 65 cm
Kathy Temin
Pet Tomb: Gizelle, 2014
synthetic fur, MDF and filling
156 x 54 x 54 cm
Stieg Persson
Untitled 5, 2014
ink on paper
113 x 83 cm
Maria Madeira
Contemporary Issues (Asuntus Kontemporáneus), 2014
Mixed Media on canvas: acrylic, gesso, impasto gel, red earth, lipstick, pencil, charcoal, betel nut, shellac, ink, glue, tais (traditional East Timorese cloth), sealer
42 x 30 cm (x 16 — overall 600cm when shown linear)
Stieg Persson
Opportunity Loss, 2013 – 23
signed and dated on verso oil on canvas
183 x 173
Emily Floyd
Ripple, Radical Ecology, 2013 – 14
screenprint on BFK Arches paper unique state
110 x 70cm
Emily Floyd
Ripple, Community, 2013 – 14
screenprint on BFK Arches paper unique state
110 x 70cm
Angelica Mesiti
In the Ear of the Tyrant, 2013 – 14
Three-channel video installation, surround sound
5 minutes 5 seconds
Edition of 3, 2 AP (#1/3)
Emily Floyd
Nomadic Shepherds, 2013
synthetic polymer paint and wood
200 x 100 x 100 cm
Stieg Persson
Cumulus, 2013
oil on linen
153 x 127 cm
John Stezaker
Grotto, 2013
Collage
24 x 30.2 cm
John Stezaker
Man and Light, 2013
Collage
25.5 x 20.7 cm
John Stezaker
Marriage (Film Portrait Collage) LXXXX, 2013
Collage
26.6 x 20.8 cm
John Stezaker
Narrative Flight I, 2013
Collage
20.5 x 25.4 cm
John Stezaker
Narrative Flight II, 2013
Collage
20.6 x 25.9 cm
John Stezaker
Obstacle, 2013
Collage
24.4 x 29.9cm
John Stezaker
Path II, 2013
Collage
23.8 x 29.8 cm
John Stezaker
Path III, 2013
Collage
20.7 x 25.4 cm
John Stezaker
Tabula Rasa XXXIII, 2013
Collage
23.6 x 29.4 cm
John Stezaker
Untitled, 2013
Collage
25.6 x 22.5 cm
John Stezaker
Untitled, 2013
Collage
23 x 28.7 cm
Emily Floyd
Abstract Labour, 2013
screenprint on full sheet of Somerset Satin White paper
76 x 112 cm
Edition of 30
Jenny Watson
Moon, Sophie + Me, 2013
acrylic, oil, oilstick, pigment, pom poms on Japanese gesso-primed Belgian linen
293 x 124 cm
Mikala Dwyer
Aggebo Skoven 2, 2013
pigment print on rag with wooden frame
61.8 x 88.4 cm
Edition of 3
Emily Floyd
Warm Circles, 2013
synthetic polymer paint and pencil on paper unique state
20 x 30cm
Emily Floyd
A Human Scale 2, 2013
synthetic polymer paint on paper unique state
12 x 20 cm
Emily Floyd
A Human Scale 1, 2013
synthetic polymer paint on paper unique state
12 x 20 cm
Emily Floyd
Abstract Solar, 2013
synthetic polymer paint and lacquer on wood (Huon Pine and Wenge) and MDF
35 x 26 x 25 cm
Daniel Crooks
Cloud Atlas (Fitzroy 1:23), 2012
single-channel High Definition digital video, 16:9, colour, silent
21 minutes
Edition of 3
Daniel Crooks
Portrait #10 (Tom), 2012
Lambda photographic print
130 x 130 cm
Edition of 3
Daniel Crooks
Portrait #8 (Andy), 2012
Lambda photographic print
130 x 130 cm
Edition of 3
Daniel von Sturmer
small world (kinetic sculpture), 2012
single-channel High Definition digital video, 16:9, colour, sound
1 minute 10 seconds
Edition of 3
Daniel von Sturmer
small world (portrait painting), 2012
single-channel High Definition digital video, 16:9 (vertical), colour, silent
8 minutes 40 seconds
Edition of 3
Daniel von Sturmer
small world (desktop sculpture), 2012
single-channel High Definition digital video, 16:9, colour, silent
3 minutes 46 seconds
Edition of 3
Daniel von Sturmer
small world (pen drawing), 2012
single-channel High Definition digital video, 16:9, colour, silent
1 minute 46 seconds
Edition of 3
Daniel von Sturmer
small world (shadow puppets), 2012
single-channel High Definition digital video, 16:9, colour, silent
3 minutes 7 seconds
Edition of 3
Daniel von Sturmer
small world (chalk drawing), 2012
single-channel High Definition digital video, 16:9, colour, silent
1 minute 34 seconds
Edition of 3
Daniel von Sturmer
small world (landscape painting), 2012
single-channel High Definition digital video, 16:9, colour, silent
5 minutes 46 seconds
Edition of 3
Angelica Mesiti
Citizens Band, 2012
(still) four-channel HD video installation, 16:9, colour, sound
21 minutes 25 seconds
Commissioned for NEW12; Australian Centre for Contemporary Art, Melbourne
Stieg Persson
Verge, 2012
oil and metallic paint on linen
51 x 46 cm
Haegue Yang
Strange Fruit, 2012
Six mixed-media sculptures
Dimensions variable
Ming Wong
Persona Performa (Actress’ Entrance), 2012
Single-channel High Definition video, colour, silent
4 minutes
Jane and Louise Wilson
False Positives and False Negatives, 2012
16 parts, photo-silkscreen on mirrored perspex, framed
Each: 96.5 x 77.5 cm (framed)
Michael Cook
Civilised #5, 2012
Inkjet print on paper, framed
125 x 111 cm
Marco Fusinato
Mass Black Implosion (Mikrokosmos: Free Variations, Béla Bartók), 2012
ink on archival facsimile of score
87 x 68 cm
John Stezaker
Echo (Film Still Collage) II, 2012
Collage
25.9 x 20.4 cm
John Stezaker
Mask CXLVIII, 2012
Collage
25.8 x 20.4 cm
Marco Fusinato
Mass Black Implosion (Mikrokosmos: Free Canon, Bela Bartok), 2012
ink on archival facsimile of score
78 x 57 cm
Marco Fusinato
Mass Black Implosion (Mikrokosmos: Increasing – Diminishing, Bela Bartok), 2012
ink on archival facsimile of score
78 x 57 cm
Mikala Dwyer
Empty Sculpture, 2012
plastic
250 x 75 x 60 cm
Daniel Crooks
Portrait #23 (Self), 2012
Lambda photographic print
400 x 400 cm
Edition of 3
Marco Fusinato
Mass Black Implosion (Mikrokosmos: Line and Point, Bela Bartok), 2012
ink on archival facsimile of score
64 x 83 cm
Marco Fusinato
Mass Black Implosion (Mikrokosmos: Clashing Sounds, Bela Bartok), 2012
ink on archival facsimile of score
64 x 83 cm
Marco Fusinato
Mass Black Implosion (Mikrokosmos: Buzzing, Bela Bartok), 2012
ink on archival facsimile of scoremar
78 x 57 cm
Marco Fusinato
Mass Black Implosion (Mikrokosmos: Change of Time, Bela Bartok), 2012
ink on archival facsimile of score
78 x 57 cm
Kathy Temin
Small White Tree, 2012
synthetic fur, steel, synthetic filling, wood
42 x 36 x 17 cm
Marco Fusinato
Mass Black Implosion (February Pieces, Cornelius Cardew), 2012
ink on archival facsimile of score
two panels: 68 x 58.5 cm (each, framed)
David Noonan
Untitled, 2012
paper collage on linen, Perspex
62 x 47 cm
David Noonan
Untitled, 2012
paper collage on linen, Perspex
62 x 47 cm
David Noonan
Untitled, 2012
paper collage on linen, Perspex
62 x 47 cm
Stieg Persson
Joy and Fun, 2012
oil and metallic paint on linen
51 x 46cm
David Noonan
Untitled, 2012
paper collage on linen, Perspex
62 x 47cm
Jenny Watson
Mum in dressing gown, 2012
synthetic polymer paint on rabbit skin glue primed cotton
128 x 80 cm
Jenny Watson
Me in short dress, 2012
synthetic polymer paint on rabbit skin glue primed cotton
220 x 80 cm
David Noonan
Untitled, 2012
paper collage on linen, Perspex
62 x 47 cm
David Noonan
Untitled, 2012
paper collage on linen, Perspex
62 x 47 cm
David Noonan
Untitled, 2012
paper collage on linen, Perspex
62 x 47 cm (each)
Angelica Mesiti
Some Dance to Remember, Some Dance to Forget, 2012
HD video, 16:9, colour, stereo sound
6 minutes 4 seconds
Edition of 3, 2 AP (#2/3)
Stieg Persson
Prada, 2012
Signed and dated on verso oil on linen
51 x 46 cm
Gabriella Mangano & Silvana Mangano
Study for Form, 2011
Print on Museo Rag paper
88.5 x 134.5 cm (framed)
Gabriella Mangano & Silvana Mangano
Continuous Drift, 2011
single-channel High Definition digital video, 16:9, black and white, sound
2 minutes 11 seconds
Edition of 3
Angela de la Cruz
Deflated 21 (Red), 2011
oil on canvas
190 x 80 x 40 cm
Erwin Wurm
Untitled, 2011
Bronze, patina
27 x 78 x 53 cm
John Stezaker
Hidden, 2011
Collage
20.4 x 26 cm
Louisa Bufardeci
Flag for the Fourth Dimension [4], 2011
seersucker fabric, metal press studs
dimensions variable
Louisa Bufardeci
Flag for the Fourth Dimension, 2011
seersucker fabric, metal press studs
dimensions variable
David Noonan
Untitled, 2011
paper collage on linen, Perspex
62 x 47 cm
Stephen Bram
Untitled (two point perspective), 2011
oil and acrylic on canvas
30 x 24.2 cm
Louisa Bufardeci
Flag for the Fourth Dimension [3], 2011
seersucker fabric, metal press studs
Dimensions variable
Louisa Bufardeci
Flag for the Fourth Dimension [1], 2011
seersucker fabric, metal press studs
Dimensions variable
Angelica Mesiti
Water Sleeves, 2011
HD video, 16:9, colour
6 minutes 41 seconds
Edition of 3 plus 2 AP (#3/3)
Angelica Mesiti
Trains Approaching, 2011
HD video, 16:9, colour, sound
5 minutes 10 seconds
Edition of 3 plus 2 AP (#2/3)
Angelica Mesiti
Dance Hall, 2011
HD video, 16:9, colour, sound
4 minutes 15 seconds
Edition of 3 plus 2 AP (#3/3)
Angelica Mesiti
Old Man River, 2011
HD video, 16:9, colour, stereo sound
4 minutes
Edition of 3 plus 2 AP (#3/3)
Stieg Persson
St. Etienne, 2010
oil on linen
51 x 46 cm
Erwin Wurm
Crap Head, 2010
Bronze, gold-plated
63 x 30 x 35 cm
Erwin Wurm
Untitled, 2010
Aluminium, paint
146 x 50 x 12 cm
Jesse Jones
The Predicament of Man, 2010
Single channel digital video from 16mm and digital flash frames, 16:9, colour
3 minutes
Benjamin Armstrong
Dust (dust to gold) Golden Hour (dust to gold), 2010
John Stezaker
Crossing Over Series (Between) II, 2010
Image fragment
2.6 x 1.8 cm
John Stezaker
Crossing Over Series (Blind Surveyor) I, 2010
Image fragment
2.6 x 3.8 cm
John Stezaker
Crossing Over Series (Blind Surveyor) II, 2010
Image fragment
2.6 x 3.5 cm
John Stezaker
Crossing Over Series (The Corner) III, 2010
Image fragment
3.4 x 5.1 cm
John Stezaker
Crossing Over Series (The Corner) IV, 2010
Image fragment
3 x 4.5 cm
John Stezaker
Mask CL, 2010
Collage
25 x 19.9 cm
John Stezaker
Untitled I, 2010
Found image
16.3 x 20.6 cm
15 hours v.4, 2010
found object kinetic sculpture, live video and audio
126 x 67 x 59 cm
Marco Fusinato
Escapism has its price The artist has his income from the series ‘Noise & Capitalism’, 2010
UV and indian ink on Fabriano Artistico 300gsm paper, framed
232 x 324 cm
Daniel von Sturmer
The Cinema Complex (Sequence 4), 2010
HD video, 16:9, colour, sound
3 minutes 17 seconds
Edition of 3
Daniel von Sturmer
The Cinema Complex (Sequence 5), 2010
HD video, 9:16, colour, silent
1 minute 47 seconds
Edition of 3
Daniel von Sturmer
The Cinema Complex (Sequence 6), 2010
HD video, 16:9, colour, silent
1 minute 10 seconds
Edition of 3
AES+F
The Feast of Trimalchio, Allegory #1 (The Triumph of America), 2010
Lambda print on paper
210 x 185 cm
Edition of 5
AES+F
The Feast of Trimalchio, Allegory #2 (The Triumph of Asia), 2010
Lambda print on paper
210 x 185 cm
Edition of 5
Joseph Kosuth
‘(Waiting for-) Texts for Nothing #8’, 2010
Warm white neon, dipped in matt black, mounted directly on the wall
17.5 x 104 cm
Joseph Kosuth
‘(Waiting for-) Texts for Nothing #14’, 2010
Warm white neon, dipped in matt black, mounted directly on the wall
17.5 x 418 cm
Taryn Simon
Animal Corpses (Prohibited), Animal Parts (Prohibited), Animal Skeletons (Prohibited), Butterflies (Prohibited), Snails (Prohibited), 2010
15 archival inkjet prints in 6 Plexiglas boxes
Box 1: 23.5 x 57.8 x 6.4 cm; Box 2: 23.5 x 76.2 x 6.4 cm; Box 3, 4: 23.5 x 57.8 x 6.4 cm; Box 5, 6: 23.5 x 21 x 6.4 cm
Taryn Simon
Duck Tongue (Prohibited), Duck Misc. (Prohibited), 2010
11 archival inkjet prints in 3 Plexiglas boxes
Box 1, 2: 23.5 x 76.2 x 6.4 cm; Box 3: 23.5 x 57.8 x 6.4 cm
Taryn Simon
Deer Antlers (Prohibited), Deer Penis (Prohibited), Deer Tongue (Prohibited), 2010
8 archival inkjet prints in 4 Plexiglas boxes
Box 1: 23.5 x 76.2 x 6.4 cm; Box 2: 23.5 x 20.95 x 6.4 cm; Box 3: 23.5 x 39.4 x 6.4 cm; Box 4: 23.5 x 20.95 x 6.4 cm
Taryn Simon
Erectile Disfunction Medication/Cialis & Viagra (Counterfeit), 2010
12 archival inkjet prints in 2 Plexiglas boxes
Box 1, 2: 23.5 x 113 x 6.4 cm
Taryn Simon
Cashier’s Checks (Counterfeit), Checks (Counterfeit), Money Orders (Counterfeit), Traveler’s Cheques (Counterfeit), 2010
27 archival inkjet prints in 5 Plexiglas boxes
Box 1: 23.5 x 57.8 cm; Box 2: 23.5 x 76.2 cm; Box 3, 5: 23.5 x 131.4 cm; Box 4: 23.5 x 113 cm
Taryn Simon
Fat (Prohibited), 2010
5 archival inkjet prints in 1 Plexiglas box
23.5 x 94.6 x 6.4 cm
Taryn Simon
Footwear (Nike, Counterfeit), 2010
6 archival inkjet prints in 1 Plexiglas box
23.5 x 113 x 6.4 cm
Taryn Simon
GBL, Component of Date Rape Drug (Illegal), 2010
3 archival inkjet prints in 1 Plexiglas box
23.5 x 57.8 x 6.4 cm
Taryn Simon
Sausages (Prohibited), 2010
27 archival inkjet prints in 5 Plexiglas boxes
Box 1: 23.5 x 76.2 x 6.4 cm; Box 2: 23.5 x 94.6 x 6.4 cm; Box 3, 4, 5: 23.5 x 113 x 6.4 cm
Taryn Simon
Watches (Counterfeit), 2010
17 archival inkjet prints in 3 Plexiglas boxes
Box 1, 2: 23.5 x 113 x 6.4 cm; Box 3: 23.5 x 94.7 x 6.4 cm
Taryn Simon
Khat (Illegal), 2010
40 archival inkjet prints in 7 Plexiglas boxes
Box 1, 2, 3, 4, 5, 6: 23.5 x 113 x 6.4 cm; Box 7: 23.5 x 76.2 x 6.4 cm
Stephen Bram
Untitled (two point perspective), 2010
oil and acrylic on canvas
25.4 x 20.5 cm
John Nixon
Silver Monochrome, 2010
enamel on bark on canvas
30.3 x 22.5 x 2.5cm
John Nixon
Silver Monochrome, 2010
enamel on canvas and wood
30.5 x 23 x 4cm
John Nixon
Silver Monochrome, 2010
enamel on canvas and wood
32 x 24 x 8cm
Angelica Mesiti
Heritage Park, 2010
single-channel High Definition video,16:9, colour, stereo sound
7 minutes 30 seconds
Edition of 5 plus 2 AP (#4/5)
Angelica Mesiti
Old Time, 2010
single-channel High Definition video, 16:9, colour, stereo sound
5 minutes 25 seconds
Edition of 5 plus 2 AP (#3/5)
AES+F
The Feast of Trimalchio, 2009-10
nine-channel High Definition video
25 minutes 23 seconds
3, AP (#3/3)
Gabriella Mangano & Silvana Mangano
The Surround, 2009
single-channel digital video, 16:9, black & white, sound
2 minutes 5 seconds
Edition of 5
Joseph Kosuth
‘The Paradox of Content #9.2’ [White], 2009
Neon
16 x 155 cm
Louisa Bufardeci
Yes and No, 2009
cotton thread on stretched linen
diptych: 80 x 80 cm (each)
Kathy Temin
Large Striped Across Tree, 2009
synthetic fur and filling, wood
253 x 50 x 50 cm
Callum Morton
Screen Shot #2, 2009
wood, synthetic polymer paint and paper
93 x 46 x 110 cm
Angelica Mesiti
The Line of Lode and Death of Charlie Day, 2009
digital video, 4:3, colour, stereo sound
17 minutes 43 seconds
Edition of 5 plus 2 AP (#3/5)
Daniel Crooks
Intersection No.2 (vertical plane), 2008
single-channel High Definition video, 16:9, colour, sound
3 minutes 59 seconds
Edition of 3
Erwin Wurm
Untitled, 2008
Acrylic, wood, wool
190 x 41 x 28 cm
John Stezaker
Untitled, 2008
Found image
18.6 x 19 cm
John Stezaker
Tabula Rasa XXIII, 2008
Collage
20.2 x 26.1 cm
Stieg Persson
Second Empire, 2008
Oil and metallic paint on linen
229 x 167 cm
Stieg Persson
Martyrdom, 2008
Oil and metallic paint on linen
183 x 168 cm
Stieg Persson
Little Gerhard, 2008
oil and alkyd resin on linen
122 x 112 cm
Daniel von Sturmer
Tableaux Plastique (Sequence 5), 2008
single-channel High Definition digital video; 16:9, colour, silent
2 minutes 12 seconds
Edition of 3
Daniel von Sturmer
Tableaux Plastique (Sequence 6), 2008
single-channel High Definition digital video, 16:9, colour, silent
5 minutes 19 seconds
Edition of 3
Louisa Bufardeci
Recent plans for the equal distribution of internet suppliers, 2008
digital print
90 x 90 cm
Edition of 5
Kerrie Poliness
snowprint #9, 2008
acrylic sheet
100 x 100 cm
Louisa Bufardeci
Recent plans for the equal distribution of literate people, 2008
framed digital print
110 x 110
edition of 5
Louisa Bufardeci
Recent plans for the equal distribution of people living with HIV/AIDS, 2008
framed digital print
110 x 110
edition of 5
Sarah Morris
Beijing, 2008
35mm/HD
84 minutes 47 seconds
Credit the artist & White Cube
Rose Nolan
Twinings Tea Tower, 2008
found packaging, cardboard, synthetic polymer paint
57 x 23 x 7 cm
Kerrie Poliness
snowprint #3, 2008
acrylic sheet
100 x 100cm
Kerrie Poliness
snowprint #1, 2008
acrylic sheet
100 x 100cm
Emily Floyd
All That False Instruction, 2008
etching with aquatint printed in 2 colours from 2 copper plates.
Image size: 64.5 x 44.5 cm, Paper size: 64.5 x 44.5 cm
Edition of 15 plus 1 AP (AP 1⁄1)
Emily Floyd
Design Science, 2008
etching with aquatint printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate.
29.5 x 21 cm (image), 29.5 x 21 cm (paper)
Emily Floyd
Permaculture Two, 2008
etching with aquatint printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate.
29.5 x 21 cm (image), 29.5 x 21 cm (paper)
Emily Floyd
Permaculture One, 2008
Etching with aquatint printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate.
29.5 x 21 cm (image), 29.5 x 21 cm (paper)
Emily Floyd
A Little Community, 2008
relief etching printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate
29.5 x 21 cm (image), 29.5 x 21 cm (paper)
Callum Morton
Screen Shot #3, 2008
wood, synthetic polymer paint and paper
93 x 46 x 110 cm
Maria Madeira
Tebe Hare/Sama Hare (Stepping on Rice Husks – Rice Harvesting), 2008
Mixed media on canvas: acrylic, diluted red earth, impasto gel, glue, betel nut, shellac, sealer
183 x 91 cm
Erwin Wurm
Untitled (Hamlet), 2007
C‑print
159.1 x 126.5 cm
Joseph Kosuth
‘Double Reference #1’ [Violet], 2007
Violet neon mounted directly on the wall
28 x 231 cm
Shaun Gladwell
Allegorical Study/Riding with Death, 2007
hand-coloured etching on Velin Arches 250gsm
46 x 65 cm
Edition of 8
David Noonan
Untitled, 2006 – 2019
white bronze
31 x 20 x 19cm
Daniel Crooks
Imaginary Object #20, 2006
Lambda print
110 x 110 cm
Edition of 5
Daniel Crooks
Imaginary Object #13, 2006
Lambda print
109 x 109 cm
Edition of 5
Shaun Gladwell
In a Station of the Metro (1), 2006
Lambda Durst print
56.2 x 56.2 xm
Edition of 5
Photographer: Gotaro Uematsu
Once Upon Awakening, 2006
archival pigment print on paper
105.5 x 163.5 cm
Edition of 3
John Stezaker
The Stain, 2006
Found image
16.5 x 20.5 cm
John Stezaker
The Story V, 2006
Collage
23.8 x 27 cm
John Stezaker
The Story VI, 2006
Collage
20.8 x 28.2 cm
Marco Fusinato
The Approaching of The Disco Void Repeated, 2006
synchronised dual-channel digital video, 16:9, colour, sound
3 minutes 55 seconds
Edition of 3
Stieg Persson
Untitled, 2006
oil on linen
50.8 x 46 cm
Marco Fusinato
Rose #2 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5
Marco Fusinato
Rose #4 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5
Marco Fusinato
Rose #5 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5
Marco Fusinato
Rose #6 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5
Marco Fusinato
Rose #7 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5
Marco Fusinato
Rose #11 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5
Marco Fusinato
Rose #12 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5
Callum Morton
Monument #7 — Crate, 2006
wool and enamel paint
15 x 33.5 x 19.5 cm
Louisa Bufardeci
Before the war, 2006
bargello wool needlepoint
17 x 59 cm
Once Upon Awakening, 2006
archival pigment print on paper
105.5 x 163.5 cm
Edition of 3
Once Upon Awakening, 2006
archival pigment print on paper
105.5 x 163.5 cm
Edition of 3
Rose Nolan
It’s hard to see what this all means (box version), 2006
acrylic paint, cardboard
78 x 53 x 13cm
Maria Madeira
Journey (Dalan Halao), 2006
Mixed media on canvas: acrylic, pastel, impasto gel, gesso, glue, tais (traditional East Timorese cloth)
sealer 121 x 91cm
AES+F
Last Riot, Composition #1, 2005
aluminium, enamel paint
195 x 240 x 220 cm
Stieg Persson
FactorVIII, 2005
oil and alkyd resin on linen
122 x 112 cm
Kerrie Poliness
Untitled, 2005
acrylic and enamel on canvas
122 x 91cm
Rose Nolan
Not so sure this works (empty centre version), 2005
acrylic paint, cardboard
86 x 53cm
Emily Floyd
A Strategy to infiltrate the homes of the bourgeoisie, 2005
paint and wood
dimensions variable
Mikala Dwyer
I, Maybe You, 2004
enamel paint, light concrete
20 x 60 x 16 cm
Vivienne Shark LeWitt
The True Legend of Lady Godiva, 2004
oil and crayon on linen
61.5 x 56 cm
Stephen Bram
Untitled (two point perspective)
, 2004
oil on canvas
20.7 x 30.7 cm
Callum Morton
Untitled, 2003 – 2016
timber, Perspex, audio
300 x 212.5 x 124 cm
Jan Nelson
Walking in Tall Grass, Forest, 2003
C‑type photograph
117 x 153.6 cm
Jan Nelson
Walking in Tall Grass, Storm, 2003
C‑type photograph
117 x 150.3 cm
Edition of 3
Jan Nelson
Walking in Tall Grass, Bag, 2003
C type photograph
113.6 x 136.2cm
Marco Fusinato
SUN SERIES Photograph #01 — 06.03.02, 2002
type c print
126 x 176 cm
Edition of 5
Marco Fusinato
SUN SERIES Photograph #02 — 31.03.02, 2002
type c print
126 x 176 cm
Edition of 5
Marco Fusinato
SUN SERIES Photograph #03 — 21.04.02, 2002
type c print
126 x 176 cm
Edition of 5
Marco Fusinato
SUN SERIES Photograph #04 — 05.05.02, 2002
type c print
126 x 176 cm
Edition of 5
Marco Fusinato
SUN SERIES Photograph #06 — 08.05.02, 2002
type c print
126 x 176 cm
Edition of 5
Marco Fusinato
SUN SERIES Photograph #10 — 06.06.02, 2002
type c print
126 x 176 cm
Edition of 5
Marco Fusinato
SUN SERIES Photograph #07 — 21.05.02, 2002
type c print
126 x 176 cm
Edition of 5
Stieg Persson
Wordsworth Street, 2002
Signed and dated on verso oil on linen
51 x 46 cm
Gabriella Mangano & Silvana Mangano
Drawing 2, 2001
single-channel video, 4:3, black and white, sound
8 minutes 52 seconds
Edition of 5
Callum Morton
Mac Attack, Wahroonga, NSW, 2001 from the series Local +/or General, 2001
digital print on paper
115.2 x 153.25 cm
Edition of 5
Stephen Bram
Untitled (two point perspective)
, 2001
acrylic on board
30.3 x 25.2 cm
Mutlu Çerkez
As Long As I Have You, 17 April 2012 , 2001
Mixed Media
perspex box 34 x 33 x 5cm, record diameter 30cm
Jan Nelson
Walking in Tall Grass, Alice, 2001
oil on linen
66 x 56 cm
Peter Tyndall
A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA , 1999
Enamel paint on pre-primed canvas
44 x 132cm (including frame)
Stephen Bram
Untitled (two point perspective), 1998 – 2023
acrylic on canvas
50.7 x 30.5 cm
Vivienne Shark LeWitt
Untitled watercolour sketch, 1997
Watercolour on paper
110cm x 75cm
Vivienne Shark LeWitt
Untitled watercolour sketch (shouting), 1997
Watercolour on paper
110cm x 75cm
Vivienne Shark LeWitt
Untitled watercolour sketch (enquiries), 1997
Watercolour on paper
110cm x 75cm
Stephen Bram
Untitled (two point perspective), 1997
oil and acrylic on canvas
30.5 x 22.7cm
Stieg Persson
Untitled, 1997
oil on canvas
56 x 50.8cm
Stieg Persson
Untitled, 1997
oil on canvas
50.7 x 45.5 cm
Stieg Persson
Untitled, 1997
oil on canvas
27.9 x 45.3 cm
Stephen Bram
Untitled (Two Point Perspective)
, 1996
acrylic on canvas
25.4 x 20.5 cm
Stephen Bram
Untitled (two point perspective)
, 1996
oil on canvas
30.5 x 23 cm
Jenny Watson
I will not say that I will drink that water #2 + text (labels), 1996
two panels: text: acrylic on gold synthetic; image: oil on doona fabric
142 x 91cm
John Nixon
John Nixon, Untitled (Red Monochrome with Coffee Pot, 1995
enamel paint on wood, coffee pot, wooden shelf
57 x 62 x 12 cm
Photo: Christian Capurro
Untitled (Red Monochrome with Coffee Pot), 1995
enamel paint on wood, coffee pot, wooden shelf
57 x 62 x 12 cm
John Stezaker
Opening II, 1994
Collage
24 x 16.8 cm
Mutlu Çerkez
26969 19 July 2038, 1994
Acrlyic on canvas
76 x 50cm
Kerrie Poliness
Untitled Painting, 1994
spray enamel on linen
48 x 39 x 7cm
Kerrie Poliness
Untitled Painting, 1994
spray enamel on linen
107 x 86.5cm
Mutlu Çerkez
26980 30 July 2038, 1994
acrylic on canvas
76 x 50cm
Jenny Watson
Wild, White Horse, 1993
oil and acrylic on Chinese velvet with white horse tail
image: 152 x 107 cm; text: 20 x 15 cm
Stieg Persson
Collage1 993 — Sept 12, 1993
canvas, gesso and synthetic polymer paint on paper, collage diptych
175 x 102.5 cm
Stephen Bram
Untitled (two point perspective), 1992 – 2023
acrylic on canvas
35.5 x 50.7 cm
Callum Morton
Untitled, 1992
pencil and fibre-tipped pen on paper
65 x 73 cm
Stephen Bram
Untitled, 1992
oil on canvasboard
30 x 23 cm
Stephen Bram
Untitled (two point perspective), 1992
oil on canvas
30.5 x 23 cm
Callum Morton
Untitled, 1992
coloured pencil on printed paper (framed)
41.5 x 60.2cm
Stephen Bram
Untitled (two point perspective), 1991
oil on canvas
40.7 x 30.5 cm
Stephen Bram
Untitled (two point perspective)
, 1991
oil and acrylic on canvas
38 x 28 cm
Stephen Bram
Untitled (two point perspective)
, 1991
oil and acrylic on canvas
40.8 x 30.5 cm
Peter Tyndall
Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA (WHEN THIS YOU SEE REMBER MEE), 1990
oil on pre-primed canvas, Art Stretchers’ Paraloid/Gloss Varnish
64 x 126cm (framed)
Jenny Watson
Self Portrait, horse, Landscape + Sotheby’s Definition 6,, 1989 – 90
oil on canvas
image panel: 183 x 122 cm; text panel: 76 x 51 cm
Clement Meadmore
Upsurge, 1989
Bronze
46 x 23 x 28 cm
8 + 2AP
Stephen Bram
Stephen Bram, Untitled, 1989
Acrylic on canvas
28 x 28 cm
Photo: Christian Capurro
Jenny Watson
Jenny Watson, The Disenchanted House, 1988
oil, acrylic, dress fabric on linen
122 x 92 cm
Stephen Bram
Untitled (two point perspective)
, 1988
oil and acrylic on canvas
38.2 x 28 cm
Joseph Kosuth
‘A Conditioning of Consciousness’, 1988
blue neon mounted directly on the wall, black & white photograph
250 x 194 cm
John Nixon
Self Portrait, Non-Objective Composition (Night), 1987
enamel and eggshell on Masonite
91.5 x 61 cm
Jenny Watson
The Crimean Wars: The Stage at the Crystal Ballroom, 1986
oil, pigment, mixed media on cotton
244 x 176 cm
John Nixon
Untitled (Starry Night), 1986
eggshell and enamel on plywood
51 x 40.5 cm
Jenny Watson
The Wisdom of Gary Gilmore, 1984
ink on paper
23 x 30.5cm (unframed); 39 x 46cm (framed)
Jenny Watson
The Executioner’s Song, 1984
biro on paper
28.5 x 23cm (unframed); 47 x 39.5cm (framed)
Peter Tyndall
A Person Looks At A Work Of Art/someone looks at something… / LOGOS HA HA, 1982 — 1984
group of 5 x paintings, acrylic on canvas
175.5 x 124 cm; 154.5 x 78.6 cm; 123.5 x 78.7 cm; 154.5 x 78.6 cm; 64 x 49 cm
Peter Tyndall
A Person Looks At A Work Of Art/someone looks at something.…
LOGOS/ HA HA, 1976
oil paint on canvas
56 x 41cm
Peter Tyndall
A Person Looks At A Work Of Art/someone looks at something.… LOGOS/ HA HA, 1976
oil paint on canvas
49.5 x 34cm
Joseph Kosuth
‘Self-Defined Object’ [Orange], 1966
orange neon mounted directly on the wall
10 x 173 cm
Joseph Kosuth
Joseph Kosuth, ‘Self-Defined Object’ [Orange], 1966
orange neon mounted directly on the wall
10 x 173 cm
Photo: Zan Wimberley
Peter Tyndall
detail
A Person Looks At A Work Of Art/
someone looks at something …
LOGOS/ HA HA
John Nixon
Untitled (White Monochrome), Enamel on Masonite with bottle tops and coins
61 x 61 cm
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AES+F
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Stephen Bram
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Candice Breitz
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Mutlu Çerkez
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Su san Cohn
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Angela de la Cruz
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Emily Floyd
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Joseph Kosuth
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Maria Madeira
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Clement Meadmore
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Angelica Mesiti
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Callum Morton
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Jan Nelson
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John Nixon
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Rose Nolan
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David Noonan
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Stieg Persson
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Kerrie Poliness
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Chiharu Shiota
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Yinka Shonibare, CBE
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Kathy Temin
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Warwick Thornton
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Peter Tyndall
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Jenny Watson
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Justene Williams
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Yin Xiuzhen
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