John Nixon

Self Portrait Non-Objective Composition, circa 1985
enamel paint on Masonite
90 x 60 cm

Emily Floyd

Gulags in the Sun, 2025
Archival inkjet print on cotton rag paper
77 x 55.5 x 7 cm

Rose Nolan

Big Words (Not Mine) – LOOKING AND SEEING AT THE SAME TIME, 2025
Synthetic polymer paint, scene board, cardboard
18 x 123 x 18 cm

Stieg Persson

Past Performance, 2025
Oil on canvas
122 x 112 cm

Stieg Persson

Handsome, 2025
Oil on canvas
122 x 112 cm

Justene Williams

Little Sheila soul mirror, 2025
Stainless steel, bronze, clear coat
67 x 55 x 18 cm

Britt d’Argaville, ‘Earthquake’, 2024
chipboard, acrylic paint, epoxy resin, inkjet paper, ink, adhesive
310 x 310 x 310 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Silver Objects’, 2024
Photo: Christian Capurro

Stephanie Pile, ‘Untitled 1’, 2024
found fabric on plywood
95 x 120 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 15’, 2024
canvas, CSL RICHPAST Healthyfuture, wood, chopping board, acrylic paint
117 x 231 x 18 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 14’, 2024
mdf, pine, acrylic paint
240 x 249 x 47 cm
Photo: Christian Capurro

Kerrie Poliness

Non-Objective Wildflower Painting lilac with yellow, green, white, pink and purple lines, 2024
acrylic paint on canvas
198 x 193 cm

Nicola Blumenthal, ‘Object 12’, 2024
glass, wooden table, steel, fake fingernail, acrylic paint
75 x 92 x 46 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 9’, 2024
‘Melbourne stainless steel benches’, clipboard, acrylic paint
95 x 60 x 70 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 8’, 2024
pleather, paint, mail polish, crystal, fabric, glass, beads, plastic, felt, lace, chopping board, spray paint, acrylic paint
50 x 180 x 160 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 5’, 2024
Mylar, PVC duct tape, acrylic paint
20 x 70 x 63 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Object 4’, 2024
garbage bag, crate, box, plastic, acrylic paint
83 x 56 x 46 cm
Photo: Christian Capurro

Nicola Blumenthal, ‘Heater 3’, 2024
glass, metal, acrylic paint
74 x 64 x 28 cm
Photo: Christian Capurro

Justene Williams

Congenital Pedestal, 2024
closed cell foam, fibreglass, paint, aluminium rod, metal rod, builders bog, found mannequin part
150 x 403 x 226 cm
Photo: Christian Capurro

Kerrie Poliness

Non-Objective Wildflower Painting
yellow with red, lilac, white, orange, magenta and green lines, 2024
acrylic paint on canvas
198 x 193 cm
Photo: Christian Capurro

Kerrie Poliness

Non-Objective Wildflower Painting
pale green with lilac, orange, yellow-orange, white, brown, green, grey and black lines, 2024
acrylic paint on canvas
197 x 195 cm
Photo: Christian Capurro

Stargazing Breech Baby, 2024
glitter perspex light box cell foam metal paint fan plastic bag foil
90 x 200 x 160 cm
Photography: Christian Capurro

Justene Williams

Baroness The Bridge, 2024
automotive carpet, metal, found mannequin, fibreglass, closed cell foam, convex mirror
203 x 175 x 114 cm
Photo: Christian Capurro

Emily Floyd

A is you and B is myself, 2024
Polished and patinated bronze, aluminium with two-part epoxy paint,
steel with black oxide coating
120cm x 92cm x 40cm
Photo: Christian Capurro

Emily Floyd

Emoticon #5, 2024
Steel, black oxide
14cm x 65cm x 1cm
Photo: Christian Capurro

Justene Williams

Tuning Into You Aeriola, 2024
closed cell foam, fibreglass, paint, aluminium rod, metal rod, builders bog, found mannequin part
257 x 160 x 162 cm
Photo: Carl Warner

Jan Nelson

Black River Running #18, 2024
foam, epoxy paint on linen
270 x 207 x 32 cm
Photo: Christian Capurro

Kathy Temin

‘Woven: Camouflage’, 2024
synthetic fur, synthetic filling and wood
87 x 85 x 27cm
Photo: Christian Capurro

Chiharu Shiota

Chiharu Shiota, Endless Line (black), 2024
thread on canvas
160 x 140 cm
Photo: Christian Capurro

Kathy Temin

‘Woven: Purple’, 2024
synthetic fur, synthetic filling and wood
170 x 126 x 24 cm
Photo: Christian Capurro

Label Title detail A Person Looks At A Work Of Art/someone looks at something… LOGOS/HA HA [thoughts arise /HA HA) Medium A Person Looks At A Work Of Art/someone looks at something… CULTURAL CONSUMPTION PRODUCTION Date — -, 2024
acrylic on canvas
28 x 21 cm

Rose Nolan

A Big Word – THINKING (medium), 2024
acrylic paint, found box, screen board
40 x 27 x 15cm

Label Title detail A Person Looks At A Work Of Art/someone looks at something… LOGOS/HA HA [thoughts arise /HA HA) Medium A Person Looks At A Work Of Art/someone looks at something… CULTURAL CONSUMPTION PRODUCTION Date — -, 2024
acrylic on canvas
28 x 21 cm

Stieg Persson

Quickly, 2024
Oil on canvas
122 x 112 cm

Angelica Mesiti

Sidereal, 2024
High definition colour video, 8:9, stereo sound
7 minutes
Edition of 5 plus 2AP

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [commissioned from the Chinese copy-artists of Dafen village), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Jenny Watson

Party girl with a pink pom pom, 2024
oil stick, acrylic, found pom pom on Disney cotton fabric with red velvet ribbon “frame” over Italian backing fabric
132.5 x 90.5 x 0.7 cm
Photo: Christoper Capurro

detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA [with Laughing Title), 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

detail/A Person Looks At A Work Of Art/someone looks at something.…LOGOS/ HA HA, 2024
Anna Schwartz Gallery, Naarm/Melbourne
Photo: Christian Capurro

Kerrie Poliness

Non-Objective Wildflower Painting, 2024
acrylic paint on stretched canvas
193 x 193 cm

Jan Nelson

Black River Running #25, 2024
oil paint on linen
41 x 41 cm
Photo: Christian Capurro

Jan Nelson

Black River Running #24, 2024
oil paint on linen
41 x 50 cm
Photo: Christian Capurro

Jan Nelson

Black River Running #19, 2024
oil paint on linen
168 x 198 cm
Photo: Christian Capurro

Jan Nelson

Black River Running #21, 2024
foam, epoxy paint on linen
80 x 62 x 16 cm
Photo: Christian Capurro

Beth Maslen, ‘Maternal Figures 12’, 2023 — 2024
Victorian ash, plaster, oak veneer
93 x 233 x 145 cm
Photo: Christian Capurro

Chiharu Shiota

State of Being (Masks), 2023
Metal frame, masks, thread
120 x 80 x 45 cm

Grupo Coral Sol Nascente (Sunrise Choir), 2023
Sunlight, tais (traditional Timorese cloth), and fabric protector
89 x 128 cm
Photo: Christian Capurro

Stieg Persson

Modern Australian, 2023
watercolour on paper
76cm x 55 cm

Amrita Hepi

The Blue Tax (the blew tax), 2023
Inkjet print on Ilford Pearl 310gsm
82 x 125.5cm
Photo: Christian Capurro

Su san Cohn

Peace Rings, 2023
Fine silver rings, galvanised steel, polymer clay, Japanese cotton, aluminium
Ring: 65mm thick, various diameters
Ring stand: 33.7mm x 30mm x 11.5mm

Su san Cohn

Peace Earrings, 2023
Anodised aluminium, fine silver fittings
44mm diameter

Stieg Persson

Chicken Soup, 2023
watercolour on paper
76cm x 55 cm

Kerrie Poliness

Non-Objective Wildflower Painting lilac on black with yellow , purple, green, red, grey and pink lines, 2023
acrylic paint on canvas
198 x 193 cm

Kathy Temin

Wall Work: Large Hanging 2, 2023
Synthetic fur, synthetic filling and wood
270 x 220 x 20 cm

Wall Work: Large Rectangle with Two Balls, 2023
Synthetic fur, synthetic filling and wood
150 x 200 x 30 cm

Su san Cohn

Peace Tool Kit, 2023
Fine silver, Japanese cotton wrap, walnut wood, s/s scribe,
s/s peace touch mark, waxed linen thread, rapid draw film,
herringbone tape, polymer clay
Wrap: 345mm square, Piece of peace (pop): 215 x 85 x .04mm

Stieg Persson

Good on paper, 2023
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro

Amrita Hepi

Heir 2, Air to the throne, 2023
Inkjet print on Ilford Gallerie Pearl 310gsm
72 x 146cm
Photo: Christian Capurro

Louisa Bufardeci

holding several threads at once, figuring a future together, 2023
Waist band elastic, gallery walls, sound Variable

Amrita Hepi

Blak owt blind, 2023
Custom printed vertical blinds
160 x 120 cm

Amrita Hepi

Too peace sealing, 2023
custom printed vertical blinds
220 x 160cm
Photo: Christian Capurro

Amrita Hepi

Knightengale phace (nightengale face) II, 2023
Inkjet print on Ilford Gallerie Pearl 310gsm
82 cm x 122 cm

Amrita Hepi

Aisle, Isle (I’ll), 2023
Inkjet print on Ilford Gallerie Pearl 310gsm
82 x 122 cm

Su san Cohn

Peace Token, 2023
Aluminum, paper package, unlimited edition
44mm diameter

Callum Morton

Window 1, 2022 – 23
synthetic polymer paint on canvas
360 x 240 cm

Callum Morton

Blind 1, 2022 – 23
synthetic polymer paint on canvas
360 x 240 cm

Callum Morton

Blind 2, 2022 – 23
synthetic polymer paint on canvas
360 x 240 cm

Nicola Blumenthal, ‘Object 7’, 2022 – 2024
plywood, rope, Mylar, duct tape, acrylic paint
50 x 56 x 43 cm
Photo: Christian Capurro

Angela de la Cruz

Loop S (Caribbean Blue) II, 2022
Oil and acrylic on canvas
71 x 50 x 7.5 cm
Photo: Christian Capurro

Callum Morton

The Hole Story 4, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Stieg Persson

Mr Leopold Bloom, 2022
watercolour on paper
76cm x 55 cm
Photo: Christian Capurro

Maria Madeira

Timor-Leste, 2022
Sunlight, tais (traditional Timorese cloth), and fabric protector
138 x 190 cm
Photo: Christian Capurro

Jenny Watson

Corner of Broadway and Prince Street New York 1991, 2022
Acrylic and Japanese pigment on rabbit skin glue primed Belgian linen with fabric collage
216cm x 156cm
Photo: Christian Capurro

Maria Madeira

My Mother’s Fingerprints (Hau Nia Ama Nia Liman Fatin), 2022
Sunlight, tais (traditional Timorese cloth), and fabric protector
147 x 192 cm
Photo: Christian Capurro

Maria Madeira

Loron Loron (Day by Day), 2022
Sunlight, tais (traditional Timorese cloth), and fabric protector
186 x 293 cm
Photo: Christian Capurro

Callum Morton

The Hole Story 2, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Callum Morton

Utility no. 1, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Callum Morton

Window 6, 2022
Pencil on paper sheet
40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Amrita Hepi

Scripture for a smoke screen: Episode 1 – dolphin house, 2022

Angelica Mesiti

The rain that fell in the faint light of the young Sun (mauve), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm

Angelica Mesiti

The rain that fell in the faint light of the young Sun (yellow), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm

Angelica Mesiti

The rain that fell in the faint light of the young Sun (peach), 2022
Pigment print on cotton rag, dry-mounted on aluminium
85 x 63 cm

Stephen Bram

Untitled, 2022
acrylic on canvas
70 x 60cm

Kerrie Poliness

Untitled 6, 2022
pencil, acrylic, gouache, watercolour and house paint on board
40 x 60cm

Kerrie Poliness

Untitled 4, 2022
pencil, acrylic, gouache, watercolour and house paint on board
35.5 x 35.3cm

Kerrie Poliness

Untitled 2, 2022
pencil, acrylic, gouache, watercolour and house paint on board
60 x 40cm

Angela de la Cruz

Loop (S) (Pearl Blue), 2022
Oil and acrylic on canvas
70 x 50 x 12 cm
Photo: Christian Capurro

Stieg Persson

Stanley Brandy, 2022
watercolour on paper
76cm x 55 cm

Kerrie Poliness

Untitled 7, 2022
pencil, acrylic, gouache, watercolour and house paint on board
40 x 60 cm

Stieg Persson

Wellness Peebles, 2022
watercolour on paper
76cm x 55 cm

Callum Morton

Window, 2022
Pencil and ink on paper
sheet 40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Callum Morton

Window, 2022
Pencil and ink on paper
sheet 40.5 x 28.5 cm
frame size 55.1 x 45.2 cm

Stieg Persson

St. Abigail, 2022
watercolour on paper
76cm x 55 cm

Chiharu Shiota

Connected to the Universe, 2022
Water colour and thread on paper Thread on canvas
24.5 x 35.5 cm

Stieg Persson

Barbabietole di Chioggia, 2021
oil on linen
183 x 168 cm

Stieg Persson

Working Blue, 2021
watercolour on paper
76cm x 55 cm

Vivienne Shark LeWitt

The Unity of Opposites, detail (black bird), 2020
Water based paint on Hessian
27cm x 22.5cm
Photo: Zan Wimberley

Stephen Bram

Untitled (two-point perspective), 2020
synthetic polymer paint on canvasboard
35.6 x 28 cm

Vivienne Shark LeWitt

Works of Mercy, detail (bury the dead), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley

Vivienne Shark LeWitt

Works of Mercy, detail (counsel the doubtful), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley

Mikala Dwyer

Mobius and I, 2020
polished stainless steel and iphone
190 x 40 x 164 cm

Vivienne Shark LeWitt

The Unity of Opposites, detail (red robin), 2020
Water based paint on Hessian
27cm x 22.5cm
Photo: Zan Wimberley

Vivienne Shark LeWitt

The Unity of Opposites, detail (green bird), 2020
Water based paint on Hessian
27cm x 22.5cm
Photo: Zan Wimberley

Vivienne Shark LeWitt

Works of Mercy, detail (pray for the living and the dead), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley

Jenny Watson

A Horse in Chocolate, 2020
oil, acrylic, pigment and collage on rabbit skin glue-primed on Belgian linen
210 x 182 cm

Angelica Mesiti

Over the Air and Underground, 2020
Five-channel video installation, colour, 10 channel mono sound
9 minutes 8 seconds
Edition of 3, 2 AP (AP ¹⁄₂)

Maria Madeira

Refugee Camp, 2020
Rock powder, red earth, Betel nut, cotton, gauze, betadine, glue, shellac, ink and sealer on canvas
70cm x 115cm

Amrita Hepi

The Kiss, 2020
(stills) HD video, 16:9, colour, sound
3 minutes 17 seconds
Commissioned by the National Gallery of Australia

Stieg Persson

Dead Ends, 2020
oil on linen
183 x 168 cm

Louisa Bufardeci

Looking in to the land attached 1, 2020
wool and linen
28 x 29cm

Louisa Bufardeci

Looking in to the land attached 2, 2020
wool and linen
21 x 31cm

Works of Mercy, detail (visit the sick), 2020
Water based paint on linen
61cm x 31cm
Photo: Zan Wimberley

Mikala Dwyer

Fall Measure, 2019
polished stainless steel
60 x 40 cm (+ string)

Rose Nolan

Barcode House, 2019
found packaging, cardboard, synthetic polymer paint
30.5 x 44.5 x 25 cm

Amrita Hepi

Movement of Place, 2019
(stills) HD video, 16:9, colour, sound
5 minutes 44 seconds
Amrita Hepi in collaboration with Claire Winsor
Commissioned by Taylor Culitiy Lethean Architecture Firm

Mikala Dwyer

Tear Flat Drop, 2019
trilobal polyester
700 x 264 cm

Mikala Dwyer

Empty Sculpture, 2019
plastic
270 x 100 x 80 cm

Mikala Dwyer

Flat Square Circle, 2019
polished stainless steel and copper
350 x 160 cm

Mikala Dwyer

Line, 2019
polished stainless steel
346 x 12 cm

Mikala Dwyer

Collapsed Line, 2019
amber, gumtree, turquoise, glass, coins, clay, bandage, porcelain, plastic, gapfiller, readymades, chains, hooks, wire
280 x 70 x 70 cm

Kate Mitchell

It’s A Sign, 2019
single-channel High Definition video, 16:9, colour, sound
17 minutes 32 seconds
Edition of 3

Angelica Mesiti

ASSEMBLY, 2019
(still) three-channel video installation in architectural amphitheater HD video projections, colour, six-channel mono sound
25 minutes
Commissioned by the Australia Council for the Arts on the occasion of the 58^th International Art Exhibition – La Biennale di Venezia
Photo: Josh Raymond

Mikala Dwyer

Gertrude, 2019
steel quartz crystals (Rose, Amethyst, White), rubber feet, acrylic paint
approx. 90 x 30 x 60 cm
Photo: Zan Wimberley

Emily Floyd

Owl of Minerva, 2019
owl: cast aluminium, two-part epoxy paint
lantern: cast and fabricated aluminium, lighting insert
150 x 130.65 x 99.7 cm
Edition of 3

Stephen Bram

Untitled, 2019
Acrylic on Canvas
210 x 390cm

Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA , 2019
‘Liquitex’ and ‘Matisse’ acrylic paint and ‘Liquitex’ Satin varnish on canvas
157.5 x 112cm

Shaun Gladwell

Surfer Funeral for Liberty 1, 2019
etching (liftground, open bite, spit bite and aquatint) on BFK Rives 300gsm paper
102.5 x 129.5 cm

Jenny Watson

Feed, 2019
acrylic on Italian damask
140 x 107 cm

Shaun Gladwell

Skulls ‘R’ Us 1, 2019
etching (lift ground, open bite, spit bite and aquatint) on BFK Rives 300gsm paper
102.5 x 129.5 cm

Louisa Bufardeci

Sweeping One and the Other Away, 2019
LED display
20 x 200 cm
22 hours 20 minutes

Vivienne Shark LeWitt

Pine Tree, 2018
Water based paint on linen
91cm x 72cm
Photo: Zan Wimberley

Kerrie Poliness

Nice Spot, 2018
digital video: colour, sound, 50 minutes 30 seconds Six paintings: Acrylic and gouache on acrylic sheet
40.5 x 56.5cm each variable dimensions 4, AP (#3/4)

Jan Nelson

Black River Running # 11, 2018
oil on linen
75 x 57.5cm

Stephen Bram

Untitled, 2018
Acrylic on canvas
50 x 40 cm

Stephen Bram

Untitled, 2018
acrylic on canvas
203 x 203 cm
Photo: Christian Capurro

Marco Fusinato

Louisville Slugger, 2018
bronze multiple made for the occasion of the 21^st Biennale of Sydney, Carriageworks
82 x 7 cm (diameter)
Edition of 15

Callum Morton

Screen Shot #37, 2018
wood and synthetic polymer paint
93 x 46 x 110 cm

Vivienne Shark LeWitt

Scapegoat, 2018
Water based paint on linen
91cm x 60cm
Photo: Zan Wimberley

Big Words (Not Mine) — Repetition compulsion or a drive to repeat a singular impulse over and over again to get it right or righter is distinguished from some unstoppable urge to create, 2018
Multi-purpose identification labels, PVA, acrylic paint, pencil, cardboard
15.3 x 1396.6 cm

Vivienne Shark LeWitt

My theory which is mine, 2018
Water based paint on linen
50cm x 50cm
Photo: Zan Wimberley

Skin, 2018
Thread on canvvas
140 x 80 cm

Angelica Mesiti

Tossed by Waves, 2017
HD video, 16:9, colour, silent
6 minutes 17 seconds
Edition of 3, 2 AP (#3/3)

Amrita Hepi

Dance Rites, 2017
(still) single-channel HD video installation, 16:9, colour, silent, sand, rope
7 minutes 19 seconds

Static No.22 (Gyre and Gimbal), 2017
single-channel High Definition video, 9:16, stereo
4 minutes 54 seconds
Edition of 3

Louisa Bufardeci

Machang! (Sinhalese), 2017
wool, cotton
60 x 60 cm

Louisa Bufardeci

Hoi! (Dari), 2017
wool, cotton
40 x 40 cm

Louisa Bufardeci

Eh! (Vietnamese), 2017
wool, cotton
80 x 80 cm

Louisa Bufardeci

Hey!, 2017
wool, cotton
80 x 80 cm

Profile, 2017
three single-channel videos, colour, sound (looped)
Edition of 25

Louisa Bufardeci

O aalai! (Dari), 2017
wool, cotton
80 x 80 cm

David Noonan

A Dark and Quiet Place, 2017
film, black & white, stereo sound 28 minutes

Label Title detail A Person Looks At A Work Of Art/someone looks at something… LOGOS/HA HA [thoughts arise /HA HA) Medium A Person Looks At A Work Of Art/someone looks at something… CULTURAL CONSUMPTION PRODUCTION Date — -, 2017
acrylic on paper
42 x 30 cm

Emily Floyd

Puffin with Fish #21 Bjarnfreður Ólafsson, 2017
wood, two part epoxy paint (matte black, red), mild steel with black oxide coating
45 x 25 x 35 cm

Chiharu Shiota

Belonging, 2017
bronze
10 x 24 x 30 cm

Su san Cohn

Boring Beige, 2017
HIPS plastic doughnuts, plinth, Perspex 49 doughnuts
3.4 x 13.3 cm diameter (each) plinth: 151 x 50 x 50 cm (# ¹⁄₀)

Angelica Mesiti

Angelica Mesiti, SOS II, 2017
brass bells and steel wire
115 x 16 x 16 cm

Marco Fusinato

Mass Black Implosion (Ludwig van, Mauricio Kagel), 2017
ink on archival facsimile of score
10 parts, each 76.5 x 100 cm

Static No.21 (Double Helix), 2017
single-channel High Definition video, 9:16, stereo
4 minutes 44 seconds
Edition of 3

High Street (After Ruscha), 2017
single-channel video, 2:1, 4K, stereo sound
17 minutes 52 seconds
Edition of 3

Emily Floyd

Emily Floyd, Gulag Archipelago, 2016 — 2025
Red Oak, Huon Pine, stain and polish
dimensions variable, approx. 135 x 135 x 98 cm
Photo: Christian Capurro

Emily Floyd

Gulags in the Sun, 2016
Unique woodblock print on Velin Arches paper
61 x 31.5 cm

The Subtle Knife, 2016
single-channel High Definition video, 1080p 24, stereo
8 minutes 23 seconds
Edition of 3

Kate Mitchell

Hypnotised Into Being, 2016
single-channel High Definition digital video, 16:9, colour, silent
17 minutes 48 seconds
Edition of 3

Kate Mitchell

The Artist Thrown #1 — #42, 2016
Type‑C prints
13 x 18 cm (each)
Edition of 3

Joseph Kosuth

‘Mondrian’s Work XI’, 2015
silkscreen on glass, white neon mounted directly on the wall
200 x 200 cm
Photo: Zan Wimberley

Warwick Thornton

Shanika, 2015
pigment print on cotton rag art paper
diptych: 152 x 153; 25 x 25 cm
Edition of 3

Mirror Man, 2015
Acrylic on canvas
190 x 300 cm

Kate Mitchell

Bad Luck Rearranged I and II, 2015
Type‑C photograph
30 x 30 cm each
Edition of 3

Warwick Thornton

Luka, 2015
pigment print on cotton rag art paper
diptych: 152 x 153; 25 x 25 cm
Edition of 3

Warwick Thornton

Way of the Ngangkari, 2015
video, 10 minutes 23 seconds
3, 2 APs (#2/3)

Warwick Thornton

Way of the Ngangkari, 2015
HD video, 9:16, colour, silent looped
Edition of 3 plus 2 AP (#3/3)

Warwick Thornton

Sterling, 2015
pigment print on cotton rag art paper
diptych: 152 x 153; 25 x 25 cm
Edition of 3

Callum Morton

Cover Up #25, 2015
wood, polyurethane, resin, synthetic polymer paint
84 x 98 cm

David Noonan

Untitled, 2015
silkscreen on linen collage
78 x 58 cm

Warwick Thornton

Way of the Ngangkari, 2015
High Definition video, 9:16, colour, silent
10 minutes 30 seconds
Edition of 3

Warwick Thornton

Way of the Ngangkari, 2015
High Definition video, 9:16, colour, silent
10 minutes 30 seconds
Edition of 3

Kathy Temin

Pet Tomb: Ebeneza, 2014
synthetic fur, MDF and filling
220 x 95 x 95 cm

A Dance of Inconsistencies, 2014
High Definition video, 16: 9, stereo, colour, sound
4 minutes 33 seconds
Edition of 3

Kate Mitchell

Beyond Setting Suns, 2014
single-channel High Definition digital video, 16:9, colour, silent
40 second loop
Edition of 3

Kathy Temin

Pet Tomb: Nikki, 2014
synthetic fur and MDF
108 x 60 x 65 cm

John Nixon

Untitled, 2014
Enamel on two canvases
81 x 75 cm

John Nixon

Untitled, 2014
enamel on MDF
76 x 75 cm

Kathy Temin

Pet Tomb: Tina, 2014
synthetic fur, MDF and filling
178 x 100 x 110 cm

Kathy Temin

Pet Tomb: Roger, 2014
synthetic fur, MDF and filling
109 x 210 x 50 cm

Marlie Mul

Air Vent/Butt Stop (Fake Coughing In Front Of Smokers Just To Make Them Feel…), 2014
Steel, cigarette, paper
120 x 90 cm

Truths Unveiled by Time #5, 2014
stereolithographic resin, automotive paint and stainless steel
three pieces: 48 x 20 x 26 cm

John Nixon

Untitled (White Monochrome), 2014
Enamel paint, wood and ceramic tiles on canvas
60 x 40 x 6cm

Nina Beier

The Demonstrators (Sinking Coins), 2014
Poster, glue, trapeze
645 x 58 cm, 705 x 58 cm and 726 x 58 cm

Simon Denny

Seedcamp Documentary, 2014
High Definition video, 65″ Samsung curved 3D Smart TV
2 minutes 41seconds

John Nixon

Untitled, 2014
enamel on three canvases
68 x 70cm

Simon Denny

Disrupt Peter Thiel Sweet Spot, 2014
Digital print on billboard mesh, custom aluminium frame, fittings, TechCrunch Berlin Disrupt Banner
320 x 600 x 10 cm

Simon Denny

New Management, 2014
Anodised aluminium, digital print on perspex, screws, 55″ Samsung 3D Smart TV, remote control
97 x 170 x 12.5 cm

Stieg Persson

Untitled 5, 2014
ink on paper
113 x 83 cm

Alicia Frankovich

Defending Plural Experiences: MOCAP Creation, 2014
36 minutes 28 seconds

Marlie Mul

Plaster Pole (Healing), 2014
Silk screen on Plexiglas
200 x 25 x 25 cm

Emily Floyd

Ripple, Community, 2013 – 14
screenprint on BFK Arches paper unique state
110 x 70cm

Emily Floyd

Ripple, Radical Ecology, 2013 – 14
screenprint on BFK Arches paper unique state
110 x 70cm

Angelica Mesiti

In the Ear of the Tyrant, 2013 – 14
Three-channel video installation, surround sound
5 minutes 5 seconds
Edition of 3, 2 AP (#1/3)

Mikala Dwyer

Aggebo Skoven 2, 2013
pigment print on rag with wooden frame
61.8 x 88.4 cm
Edition of 3

Emily Floyd

Nomadic Shepherds, 2013
synthetic polymer paint and wood
200 x 100 x 100 cm

Emily Floyd

Abstract Solar, 2013
synthetic polymer paint and lacquer on wood (Huon Pine and Wenge) and MDF
35 x 26 x 25 cm

John Stezaker

Untitled, 2013
Collage
23 x 28.7 cm

Emily Floyd

Abstract Labour, 2013
screenprint on full sheet of Somerset Satin White paper
76 x 112 cm
Edition of 30

John Stezaker

Untitled, 2013
Collage
25.6 x 22.5 cm

John Stezaker

Tabula Rasa XXXIII, 2013
Collage
23.6 x 29.4 cm

John Stezaker

Path III, 2013
Collage
20.7 x 25.4 cm

John Stezaker

Path II, 2013
Collage
23.8 x 29.8 cm

John Stezaker

Obstacle, 2013
Collage
24.4 x 29.9cm

Emily Floyd

Warm Circles, 2013
synthetic polymer paint and pencil on paper unique state
20 x 30cm

John Stezaker

Narrative Flight II, 2013
Collage
20.6 x 25.9 cm

John Stezaker

Narrative Flight I, 2013
Collage
20.5 x 25.4 cm

John Stezaker

Marriage (Film Portrait Collage) LXXXX, 2013
Collage
26.6 x 20.8 cm

John Stezaker

Man and Light, 2013
Collage
25.5 x 20.7 cm

John Stezaker

Grotto, 2013
Collage
24 x 30.2 cm

John Nixon

Untitled, 2012
enamel and wood on canvas
75 x 45 cm

Cloud Atlas (Fitzroy 1:23), 2012
single-channel High Definition digital video, 16:9, colour, silent
21 minutes
Edition of 3

David Noonan

Untitled, 2012
paper collage on linen, Perspex
62 x 47 cm

Angelica Mesiti

Some Dance to Remember, Some Dance to Forget, 2012
HD video, 16:9, colour, stereo sound
6 minutes 4 seconds
Edition of 3, 2 AP (#2/3)

David Noonan

Untitled, 2012
paper collage on linen, Perspex
62 x 47cm

Stieg Persson

Joy and Fun, 2012
oil and metallic paint on linen
51 x 46cm

John Stezaker

Mask CXLVIII, 2012
Collage
25.8 x 20.4 cm

Stieg Persson

Verge, 2012
oil and metallic paint on linen
51 x 46 cm

Haegue Yang

Strange Fruit, 2012
Six mixed-media sculptures
Dimensions variable

Ming Wong

Persona Performa (Actress’ Entrance), 2012
Single-channel High Definition video, colour, silent
4 minutes

Jane and Louise Wilson

False Positives and False Negatives, 2012
16 parts, photo-silkscreen on mirrored perspex, framed
Each: 96.5 x 77.5 cm (framed)

Kathy Temin

Small White Tree, 2012
synthetic fur, steel, synthetic filling, wood
42 x 36 x 17 cm

Michael Cook

Civilised #5, 2012
Inkjet print on paper, framed
125 x 111 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Free Variations, Béla Bartók), 2012
ink on archival facsimile of score
87 x 68 cm

John Stezaker

Echo (Film Still Collage) II, 2012
Collage
25.9 x 20.4 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Change of Time, Bela Bartok), 2012
ink on archival facsimile of score
78 x 57 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Buzzing, Bela Bartok), 2012
ink on archival facsimile of scoremar
78 x 57 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Clashing Sounds, Bela Bartok), 2012
ink on archival facsimile of score
64 x 83 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Line and Point, Bela Bartok), 2012
ink on archival facsimile of score
64 x 83 cm

Portrait #23 (Self), 2012
Lambda photographic print
400 x 400 cm
Edition of 3

Mikala Dwyer

Empty Sculpture, 2012
plastic
250 x 75 x 60 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Increasing – Diminishing, Bela Bartok), 2012
ink on archival facsimile of score
78 x 57 cm

Marco Fusinato

Mass Black Implosion (Mikrokosmos: Free Canon, Bela Bartok), 2012
ink on archival facsimile of score
78 x 57 cm

Portrait #10 (Tom), 2012
Lambda photographic print
130 x 130 cm
Edition of 3

Portrait #8 (Andy), 2012
Lambda photographic print
130 x 130 cm
Edition of 3

David Noonan

Untitled, 2012
paper collage on linen, Perspex
62 x 47 cm

Marco Fusinato

Mass Black Implosion (February Pieces, Cornelius Cardew), 2012
ink on archival facsimile of score
two panels: 68 x 58.5 cm (each, framed)

Erwin Wurm

Untitled, 2011
Bronze, patina
27 x 78 x 53 cm

Gabriella Mangano & Silvana Mangano

Continuous Drift, 2011
single-channel High Definition digital video, 16:9, black and white, sound
2 minutes 11 seconds
Edition of 3

Louisa Bufardeci

Flag for the Fourth Dimension [1], 2011
seersucker fabric, metal press studs
Dimensions variable

Louisa Bufardeci

Flag for the Fourth Dimension [3], 2011
seersucker fabric, metal press studs
Dimensions variable

Stephen Bram

Untitled (two point perspective), 2011
oil and acrylic on canvas
30 x 24.2 cm

John Stezaker

Hidden, 2011
Collage
20.4 x 26 cm

Louisa Bufardeci

Flag for the Fourth Dimension, 2011
seersucker fabric, metal press studs
dimensions variable

Louisa Bufardeci

Flag for the Fourth Dimension [4], 2011
seersucker fabric, metal press studs
dimensions variable

Label Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA, 2011
Medium A Person Looks At A Work of Art/someone looks at something … CULTURAL CONSUMPTION PRODUCTION Date – 2011 – Artist Theatre of the Actors of Regard
124 x 74 cm

Gabriella Mangano & Silvana Mangano

Study for Form, 2011
Print on Museo Rag paper
88.5 x 134.5 cm (framed)

Label Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA Medium A Person Looks At A Work of Art/someone looks at something … CULTURAL CONSUMPTION PRODUCTION, 2011
Medium A Person Looks At A Work of Art/
someone looks at something …
CULTURAL CONSUMPTION PRODUCTION

Date – 2011 –

Artist Theatre of the Actors of Regard
126 x 74 cm

John Nixon

White Monochrome, 2011
enamel on canvas and wood
60 x 75 x 3.2 cm

Angelica Mesiti

Dance Hall, 2011
HD video, 16:9, colour, sound
4 minutes 15 seconds
Edition of 3 plus 2 AP (#3/3)

John Stezaker

Crossing Over Series (Blind Surveyor) II, 2010
Image fragment
2.6 x 3.5 cm

John Stezaker

Crossing Over Series (Blind Surveyor) I, 2010
Image fragment
2.6 x 3.8 cm

Taryn Simon

Footwear (Nike, Counterfeit), 2010
6 archival inkjet prints in 1 Plexiglas box
23.5 x 113 x 6.4 cm

John Stezaker

Crossing Over Series (Between) II, 2010
Image fragment
2.6 x 1.8 cm

Taryn Simon

GBL, Component of Date Rape Drug (Illegal), 2010
3 archival inkjet prints in 1 Plexiglas box
23.5 x 57.8 x 6.4 cm

Taryn Simon

Fat (Prohibited), 2010
5 archival inkjet prints in 1 Plexiglas box
23.5 x 94.6 x 6.4 cm

Taryn Simon

Cashier’s Checks (Counterfeit), Checks (Counterfeit), Money Orders (Counterfeit), Traveler’s Cheques (Counterfeit), 2010
27 archival inkjet prints in 5 Plexiglas boxes
Box 1: 23.5 x 57.8 cm; Box 2: 23.5 x 76.2 cm; Box 3, 5: 23.5 x 131.4 cm; Box 4: 23.5 x 113 cm

Taryn Simon

Khat (Illegal), 2010
40 archival inkjet prints in 7 Plexiglas boxes
Box 1, 2, 3, 4, 5, 6: 23.5 x 113 x 6.4 cm; Box 7: 23.5 x 76.2 x 6.4 cm

Taryn Simon

Erectile Disfunction Medication/Cialis & Viagra (Counterfeit), 2010
12 archival inkjet prints in 2 Plexiglas boxes
Box 1, 2: 23.5 x 113 x 6.4 cm

Taryn Simon

Watches (Counterfeit), 2010
17 archival inkjet prints in 3 Plexiglas boxes
Box 1, 2: 23.5 x 113 x 6.4 cm; Box 3: 23.5 x 94.7 x 6.4 cm

Taryn Simon

Sausages (Prohibited), 2010
27 archival inkjet prints in 5 Plexiglas boxes
Box 1: 23.5 x 76.2 x 6.4 cm; Box 2: 23.5 x 94.6 x 6.4 cm; Box 3, 4, 5: 23.5 x 113 x 6.4 cm

Stephen Bram

Untitled (two point perspective), 2010
oil and acrylic on canvas
25.4 x 20.5 cm

Benjamin Armstrong

Dust (dust to gold) Golden Hour (dust to gold), 2010

Erwin Wurm

Crap Head, 2010
Bronze, gold-plated
63 x 30 x 35 cm

Erwin Wurm

Untitled, 2010
Aluminium, paint
146 x 50 x 12 cm

John Stezaker

Untitled I, 2010
Found image
16.3 x 20.6 cm

Marco Fusinato

Escapism has its price The artist has his income from the series ‘Noise & Capitalism’, 2010
UV and indian ink on Fabriano Artistico 300gsm paper, framed
232 x 324 cm

Jesse Jones

The Predicament of Man, 2010
Single channel digital video from 16mm and digital flash frames, 16:9, colour
3 minutes

15 hours v.4, 2010
found object kinetic sculpture, live video and audio
126 x 67 x 59 cm

John Stezaker

Mask CL, 2010
Collage
25 x 19.9 cm

John Stezaker

Crossing Over Series (The Corner) IV, 2010
Image fragment
3 x 4.5 cm

AES+F

The Feast of Trimalchio, Allegory #2 (The Triumph of Asia), 2010
Lambda print on paper
210 x 185 cm
Edition of 5

John Stezaker

Crossing Over Series (The Corner) III, 2010
Image fragment
3.4 x 5.1 cm

Taryn Simon

Animal Corpses (Prohibited), Animal Parts (Prohibited), Animal Skeletons (Prohibited), Butterflies (Prohibited), Snails (Prohibited), 2010
15 archival inkjet prints in 6 Plexiglas boxes
Box 1: 23.5 x 57.8 x 6.4 cm; Box 2: 23.5 x 76.2 x 6.4 cm; Box 3, 4: 23.5 x 57.8 x 6.4 cm; Box 5, 6: 23.5 x 21 x 6.4 cm

Taryn Simon

Duck Tongue (Prohibited), Duck Misc. (Prohibited), 2010
11 archival inkjet prints in 3 Plexiglas boxes
Box 1, 2: 23.5 x 76.2 x 6.4 cm; Box 3: 23.5 x 57.8 x 6.4 cm

John Nixon

Silver Monochrome, 2010
enamel on canvas and wood
30.5 x 23 x 4cm

AES+F

The Feast of Trimalchio, Allegory #1 (The Triumph of America), 2010
Lambda print on paper
210 x 185 cm
Edition of 5

Stieg Persson

St. Etienne, 2010
oil on linen
51 x 46 cm

Taryn Simon

Deer Antlers (Prohibited), Deer Penis (Prohibited), Deer Tongue (Prohibited), 2010
8 archival inkjet prints in 4 Plexiglas boxes
Box 1: 23.5 x 76.2 x 6.4 cm; Box 2: 23.5 x 20.95 x 6.4 cm; Box 3: 23.5 x 39.4 x 6.4 cm; Box 4: 23.5 x 20.95 x 6.4 cm

Gabriella Mangano & Silvana Mangano

The Surround, 2009
single-channel digital video, 16:9, black & white, sound
2 minutes 5 seconds
Edition of 5

Louisa Bufardeci

Yes and No, 2009
cotton thread on stretched linen
diptych: 80 x 80 cm (each)

Kathy Temin

Large Striped Across Tree, 2009
synthetic fur and filling, wood
253 x 50 x 50 cm

Callum Morton

Screen Shot #2, 2009
wood, synthetic polymer paint and paper
93 x 46 x 110 cm

Emily Floyd

A Little Community, 2008
relief etching printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate
29.5 x 21 cm (image), 29.5 x 21 cm (paper)

Louisa Bufardeci

Recent plans for the equal distribution of internet suppliers, 2008
digital print
90 x 90 cm
Edition of 5

Intersection No.2 (vertical plane), 2008
single-channel High Definition video, 16:9, colour, sound
3 minutes 59 seconds
Edition of 3

Sarah Morris

Beijing, 2008
35mm/HD
84 minutes 47 seconds
Credit the artist & White Cube

Louisa Bufardeci

Recent plans for the equal distribution of literate people, 2008
framed digital print
110 x 110
edition of 5

Louisa Bufardeci

Recent plans for the equal distribution of people living with HIV/AIDS, 2008
framed digital print
110 x 110
edition of 5

Emily Floyd

Design Science, 2008
etching with aquatint printed in 1 colour from 1 copper plate over lithograph printed in 1 colour from 1 aluminium plate.
29.5 x 21 cm (image), 29.5 x 21 cm (paper)

Stieg Persson

Second Empire, 2008
Oil and metallic paint on linen
229 x 167 cm

Stieg Persson

Martyrdom, 2008
Oil and metallic paint on linen
183 x 168 cm

John Stezaker

Untitled, 2008
Found image
18.6 x 19 cm

Erwin Wurm

Untitled, 2008
Acrylic, wood, wool
190 x 41 x 28 cm

John Stezaker

Tabula Rasa XXIII, 2008
Collage
20.2 x 26.1 cm

Shaun Gladwell

Allegorical Study/Riding with Death, 2007
hand-coloured etching on Velin Arches 250gsm
46 x 65 cm
Edition of 8

Erwin Wurm

Untitled (Hamlet), 2007
C‑print
159.1 x 126.5 cm

David Noonan

Untitled, 2006 – 2019
white bronze
31 x 20 x 19cm

John Nixon

Silver Monochrome, 2006
enamel and bottle tops on MDF
91 x 60 cm

John Stezaker

The Story VI, 2006
Collage
20.8 x 28.2 cm

John Stezaker

The Story V, 2006
Collage
23.8 x 27 cm

John Stezaker

The Stain, 2006
Found image
16.5 x 20.5 cm

Marco Fusinato

Rose #11 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Imaginary Object #20, 2006
Lambda print
110 x 110 cm
Edition of 5

Imaginary Object #13, 2006
Lambda print
109 x 109 cm
Edition of 5

Once Upon Awakening, 2006
archival pigment print on paper
105.5 x 163.5 cm
Edition of 3

Shaun Gladwell

In a Station of the Metro (1), 2006
Lambda Durst print
56.2 x 56.2 xm
Edition of 5
Photographer: Gotaro Uematsu

Marco Fusinato

Rose #4 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Louisa Bufardeci

Before the war, 2006
bargello wool needlepoint
17 x 59 cm

Marco Fusinato

Rose #12 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

Rose #7 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

Rose #6 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

Rose #5 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

Rose #2 from A Dozen Roses, 2006
digital type‑C photograph on Fuji Crystal Archive paper
133.5 x 88 cm
Edition of 5

Marco Fusinato

The Approaching of The Disco Void Repeated, 2006
synchronised dual-channel digital video, 16:9, colour, sound
3 minutes 55 seconds
Edition of 3

Rose Nolan

It’s hard to see what this all means (box version), 2006
acrylic paint, cardboard
78 x 53 x 13cm

Once Upon Awakening, 2006
archival pigment print on paper
105.5 x 163.5 cm
Edition of 3

Once Upon Awakening, 2006
archival pigment print on paper
105.5 x 163.5 cm
Edition of 3

Rose Nolan

Not so sure this works (empty centre version), 2005
acrylic paint, cardboard
86 x 53cm

AES+F

Last Riot, Composition #1, 2005
aluminium, enamel paint
195 x 240 x 220 cm

Stephen Bram

Untitled (two point perspective)
, 2004
oil on canvas
20.7 x 30.7 cm

Vivienne Shark LeWitt

The True Legend of Lady Godiva, 2004
oil and crayon on linen
61.5 x 56 cm

John Nixon

Silver Monochrome (with webbing), 2004
enamel on hessian with hessian
61 x 61 cm

Mikala Dwyer

I, Maybe You, 2004
enamel paint, light concrete
20 x 60 x 16 cm

Jan Nelson

Walking in Tall Grass, Storm, 2003
C‑type photograph
117 x 150.3 cm
Edition of 3

Marco Fusinato

SUN SERIES Photograph #02 — 31.03.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #01 — 06.03.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #07 — 21.05.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #10 — 06.06.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #06 — 08.05.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #04 — 05.05.02, 2002
type c print
126 x 176 cm
Edition of 5

Marco Fusinato

SUN SERIES Photograph #03 — 21.04.02, 2002
type c print
126 x 176 cm
Edition of 5

Mutlu Çerkez

As Long As I Have You, 17 April 2012 , 2001
Mixed Media
perspex box 34 x 33 x 5cm, record diameter 30cm

Callum Morton

Mac Attack, Wahroonga, NSW, 2001 from the series Local +/or General, 2001
digital print on paper
115.2 x 153.25 cm
Edition of 5

Stephen Bram

Untitled (two point perspective)
, 2001
acrylic on board
30.3 x 25.2 cm

Gabriella Mangano & Silvana Mangano

Drawing 2, 2001
single-channel video, 4:3, black and white, sound
8 minutes 52 seconds
Edition of 5

Jan Nelson

Walking in Tall Grass, Alice, 2001
oil on linen
66 x 56 cm

A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA , 1999
Enamel paint on pre-primed canvas
44 x 132cm (including frame)

Stephen Bram

Untitled (two point perspective), 1998 – 2023
acrylic on canvas
50.7 x 30.5 cm

Vivienne Shark LeWitt

Untitled watercolour sketch (enquiries), 1997
Watercolour on paper
110cm x 75cm

Vivienne Shark LeWitt

Untitled watercolour sketch (shouting), 1997
Watercolour on paper
110cm x 75cm

Vivienne Shark LeWitt

Untitled watercolour sketch, 1997
Watercolour on paper
110cm x 75cm

Stephen Bram

Untitled (two point perspective), 1997
oil and acrylic on canvas
30.5 x 22.7cm

John Nixon

Orange Monochrome, 1997
enamel on masonite
244 x 244 cm

Mutlu Çerkez

26980 30 July 2038, 1994
acrylic on canvas
76 x 50cm

Mutlu Çerkez

26969 19 July 2038, 1994
Acrlyic on canvas
76 x 50cm

John Stezaker

Opening II, 1994
Collage
24 x 16.8 cm

Stephen Bram

Untitled (two point perspective), 1992
oil on canvas
30.5 x 23 cm

Stephen Bram

Untitled (two point perspective)
, 1991
oil and acrylic on canvas
38 x 28 cm

Stephen Bram

Untitled (two point perspective)
, 1991
oil and acrylic on canvas
40.8 x 30.5 cm

Title detail A Person Looks At A Work Of Art/someone looks at something … LOGOS/HA HA (WHEN THIS YOU SEE REMBER MEE), 1990
oil on pre-primed canvas, Art Stretchers’ Paraloid/Gloss Varnish
64 x 126cm (framed)