For the exhibition The Hallelujah Chorus, Mike Parr has developed a number of large-scale prints and drawings, continuing the “Self-Portrait Project”. Through the repetitive nature of prints, as well as through the constant return to his own image, the self portrait refuses to be limited by representation and reference. They position the viewer, as well as the artist, at a point described by Parr as “privileged anonymity” – for Parr, the self-portrait becomes a place of emptiness. Parr’s investigations into the limits of both the body and the mind, played out across performance, print, drawing and sculpture, have been a major influence on contemporary art in Australia since the early 1970s. One of Australia’s pre-eminent and most challenging contemporary artists, his rigorous practice continues to be formally, physically and intellectually engaging. |
Mike Parr
The Hallelujah Chorus
24th June – 24th July 2010
Anna Schwartz Gallery
Images
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Mike Parr
Grief for the World, 2010
Unique state print on paper
237.5 x 532 cm
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Mike Parr
Islands of the Dead, 2010
Unique state print on paper
248 x 472.5 cm
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Mike Parr
M Speak, 2010
Unique state print on paper
236.5 x 262.5 cm
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Mike Parr
Memories of the Church of God, 2010
Unique state print on paper
235 x 266 cm
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Mike Parr
Nail your foot to the floor, 2010
Pastel, charcoal, ink and acrylic on paper
251.5 x 395.5 cm
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Mike Parr
Pruntmaker, 2009
Carborundum, drypoint, anglegrinder & stain on Hahnemuhle paper
216 x 234 cm (6 sheets)
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Mike Parr
Shit Falls to Earth, 2010
Unique state print on paper
184.5 x 410.5 cm
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Mike Parr
The Company of Friends (SAW TOOTH), 2010
Unique state print on paper
235 x 534 cm
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Mike Parr
The Hallelujah Chorus, 2010
Unique state print on paper and canvas
204 x 350 cm
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Mike Parr
The Plague of Fantasies 1, 2010
Unique state print on paper
235.5 x 534 cm
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Mike Parr
The Plague of Fantasies 2, 2010
Drypoint, angle grinder, carborundum from copper, carborundum from ply
235.5 x 534 cm
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Mike Parr
Cartesian Corpse, 2009
34 hours