Maria Madeira
KISS AND DON’T TELL | 60TH INTERNATIONAL VENICE BIENNALE
20th April – 24th November 2024
Timor-Leste Pavilion, Venice Biennale
Commissioner: Jorge Soares Cristovão
Secretary of State for Arts and Culture of the Democratic Republic of Timor-Leste
Artist: Dr Maria Madeira
Curator: Professor Natalie King OAM
Organizer: Ministry of Youth, Sports, Arts and Culture
Democratic Republic of Timor-Leste
Advisors: Anna Schwartz AM, Dr Kim McGrath and Simon Fenby
Maria Madeira is the artist representing Timor-Leste at the 60th International Venice Biennale taking place from April 20 to November 24, 2024. Timor-Leste’s inaugural pavilion coincides with the 25th anniversary of the independence of Timor-Leste. The Timor-Leste Pavilion is commissioned by the Ministry of Youth, Sports, Arts and Culture, Democratic Republic of Timor-Leste and curated by Professor Natalie King OAM.
Responding to the Venice Biennale’s overarching theme Stranieri Ovunque — Foreigners Everywhere, curated by Adriano Pedrosa, Madeira has imbued her work with her lived experience of displacement, having grown up in a refugee camp in Portugal with her mother. Kiss and Don’t Tell melds tenderness and trauma with the intimacy of a kiss. Madeira adeptly binds ancestral influences, traditional crafts with contemporary concerns for the plight of the voiceless.
During the opening days of the 60th Venice Biennale, Madeira has kissed the walls with lipstick while singing traditional songs from her village in the Indigenous language Tetun. In particular, she sung a haunting Timorese song Ina Lou, literally meaning “Dear Mother Earth.” It is a spiritual mourning song known from the youngest generation to the oldest members of society with lyrics that refer to the cycle of birth and the journey of life and death.
An act of resistance, survival and resilience, Madeira’s cultural activism pays homage to the women of Timor-Leste and the suffering of women globally. She offers solace and a murmur of hope and healing.